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Symbolism in macbeth
Imagery and symbolism in macbeth
Guilt and conscience in Macbeth
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Role of Motifs in Shakespeare's Macbeth
The best way to draw a reader into a story is to focus on knowledge drawn from other sources and add to them in a way so that the reader can relate. William Shakespeare achieves just this with his ability to enhance Macbeth with reoccurring motifs throughout the play. Possibly the most prominent ones and those that represent the greatest are the sleep and serpent motifs. J When one possesses a conscience, the function to tell the difference between right and wrong; it impedes the ability to either make positive or negative decisions. If one has a clear conscience, they usually possess the ability to sleep. But when our consciences are full of guilt, they experience a state of sleeplessness. In Macbeth, Shakespeare uses the sleep and sleeplessness motif to represent Macbeth and Lady Macbeth's consciences and the effect Macbeth's conscience has on the country of Scotland.
Lady Macbeth begins with an unrecognizable conscience. She explains to Macbeth that if she said she would kill her own child, she would rather do the deed than break her word to do so. Soon she begins to develop a conscience. After placing the daggers for Duncan's murder, she makes an excuse for not killing Duncan herself: "Had he not resembled my father as he slept, I had done't" (2.2.12-13). These words introduce her conscience. Towards the end of the play, Lady Macbeth falls into a sleepless state, and this sleeplessness represents her guilt for her role in Duncan's death, as well as all the murders Macbeth has committed.
After the slaughter of his former comrade, Macbeth explains to his wife, “Strange things I have in head that will to hand/Which must be acted ere they may be scanned” (3.4.137-140). This assertion from Macbeth paves the path for his future misdeeds. Lady Macbeth is concerned by her husband’s announcement and responds with, “You lack the season of all natures, sleep” (3.4.141). Lady Macbeth believes that her husband has lost his sanity. She no longer supports Macbeth’s murderous plans, and resents his new impulsivity. Following this conversation, Macbeth continues to kill harmless people, such as Macduff’s wife and children. He implies that he will no longer think about his actions before completing them, which is a deranged approach to life. The change in Macbeth’s behavior reshapes Lady Macbeth’s personality. She realizes that “what’s done cannot be undone” (5.1.57). Lady Macbeth now recognizes the lasting impact of the murders on herself and her husband. Initially Lady Macbeth approves Duncan’s murder, as it leads to her queenship. Her sadism and zeal for power declines after Macbeth’s killing spree. Lady Macbeth’s newfound heart is the outcome of her husband’s wicked
He no longer is the innocent soldier he once way, he now has “unclean hands”. Lady Macbeth however, assumes his innocence. She claims she cannot murder Duncan herself because Duncan looks to much like her sleeping father. She is all words and no actions. Macbeth is devoid of any human emotions as the play goes on, and Lady Macbeth assumes the emotional role. Lady Macbeth begins to have dreams in which she cannot get the blood off her hands, and ultimately commits suicide from guilt of her actions. This breakdown of Lady Macbeth really highlights how inhuman the murder of Duncan has made Macbeth.
Macbeth displays a moral conscience when he claims, “We will proceed no further in this business” however, he ultimately pretends to be oblivious to his morals (Shakespeare I. vii. 34). According to Coursen, "as he comes closer to killing Duncan, his awareness of the heinousness of the crime becomes clearer" (Coursen 379). His “awareness of the heinousness of the crime” is evident both before and after Duncan’s murder as he is conscious of the possible consequences and outcomes of the crime. However, he becomes preoccupied with his ambition and Lady Macbeth’s coerciveness, giving in to Duncan’s murder and, perhaps, his own downfall. Therefore, Lady Macbeth is not primarily accountable as Macbeth ignored his
After Macbeth's deed was done, he would of succumb to his guilt if it weren't for lady Macbeth. His paranoia started to get the best of him. Macbeth thinks that someone has heard him commit the crime, " I have done the deed, didst thou not hear a noise? " (Macbeth, II, II, 15) The good Lady tells Macbeth she heard nothing, she is comforting him by reassuring him that no one heard a thing, " I heard the owl scream and the crickets cry. Did not you speak? " (Macbeth, II, II, 16 - 17) Macbeth feels guilt and pity for what he has done to Duncan, he looks down on himself. [looking at his hands] " This is a sorry sight. " (Macbeth, II, II, 22). Lady Macbeth comes through and shows Macbeth comfort and strength before he loses it and does something irrational. When Macbeth returns to his chamber after killing Duncan and Lady Macbeth learns that he didn't carry out the end of the plan, the reader sees a moment of panic in Lady Macbeth. She quickly regains her composure, though, and decides that she must complete the plan herself. She says to Macbeth, "Give me the daggers. The sleeping and the dead are but ...
After the death of King Duncan, Macbeth becomes the more controlling one, and Lady Macbeth’s guilt eventually becomes too much for her to handle which leads to her death. Lady Macbeth is in fact the one that performs the preparations for the murder of King Duncan, but still shows some signs of humanity by not committing the murder herself because he resembles "My father as he slept". After the murder has been committed, she also shows signs of being a strong person because she calms Macbeth down in order to keep him from going insane.
Throughout Shakespeare’s play Macbeth, numerous motifs transpire that have a great impact on the story. One motif stood out the most, and that was time. As the play proceeds, time becomes more powerful and intensifies the story. Although time is not a concrete element, this motif has a strong influence on the characters and their actions. From beginning to end, Macbeth’s motifs affect every part of the tale. There are three main motifs that capture the essence of time in Macbeth, one to foreshadow destruction, one during the fall, and another at the height of the pain.
After being told that her husband could potentially be the next king, Lady Macbeth was quick to say that Macbeth should kill King Duncan. Lady Macbeth was the one that came up with the whole plan to kill Duncan and intoxicate the guards, that way it will look like they were the ones who did it. Macbeth killed Duncan, but after doing so he is extremely troubled and stressed out. He comes walking out from the room with the daggers in his hands. Lady Macbeth orders him to go put the daggers back, to which Macbeth refuses. Lady Macbeth grabs the daggers from his hands and goes back to the king’s room to leave the daggers (Act II, scene II). She then proceeds to tell Macbeth to return to bed and if woken up, pretend like they have been sleeping this whole time. Lady Macbeth, even though she should not be in this time period, is the emotionally strong one in her relationship with Macbeth. She keeps her fasade up and we only see her actual feelings a couple times. Despite that, Lady Macbeth is a dynamic character and change quite drastically throughout the play. Lady Macbeth becomes less white-hearted. However, due to the guilt after the murder and the stress from constantly looking after her husband, Lady Macbeth takes her own life (Act V, scene
When she learns Macbeth has been given a fortune of been given thane of cawdor then king and half the prophecy has become true, she knows if Macbeth is king she will be queen. She is willing to do anything to get it. On the night that Macbeth and lady macbeth have planned to kill Duncan. Macbeth is having second thoughts but Lady Macbeth is not letting him back down by saying he is a coward and she would do it if she was in his place by saying ”When you durst do it, then you are a man. And to be more than what you were you would be so much more than a man”. Macbeth is a hearty warrior and feels as though he has to prove to Lady Macbeth he is a man and he is not a coward. Therefore due to Lady Macbeths manipulation Macbeth murders Duncan. On Macbeths return Lady Macbeth is happy but Macbeth is Filled with regret Lady Macbeth tells Macbeth to forget what happened “ A little water clears us of this deed”. Which is Ironique as At the end of the play Lady Macbeth has been in the anxiety and it has finally eaten away at her and she has gone mad and keeps seeing blood on her hands. “Out damned spot out, I say !” which in turn leads to her own suicide and portrays Lady Macbeth as taking her fate into her own hands in an evil manner, However the guilt from doing the evil task highlighted Lady Macbeth was not as manly as she wanted to be and she still had feelings, showing the audience by her suicide as an act showing she was unable to withstand the guilt of being queen knowing the great evil she had to do to get
Her choices triggered the rise of her status, but also began the recession of her mental health. For a majority of the play, Lady Macbeth constantly reminds for Macbeth to ‘be a man’ and to overcome his emotions. Soon after the murder of King Duncan, Macbeth comes to her, full of guilt and trauma. She mocks him, stating that “tis the eye of childhood /that fears a painted devil,” (II, II, 70-71) in an attempt to belittle him, reducing him from a man to a child. Lady Macbeth tries to minimize the guilt of herself and Macbeth’s murderous deed by belittling his emotions, forcing him to repress his guilt in the name of manhood. A common trait of hypermasculinity is the suppression of emotions, and both Macbeth and Lady Macbeth soon express this. As Lady Macbeth settles into the role of queenship, she soon expresses discontent, lamenting that “nought’s had, all’s spent. / Where our desire is got without content” (III, II, 6-7). But when Macbeth enters, she quickly hides her unhappiness and reclaims the role of the sensible advisor, immediately ridiculing his “sorriest fancies” born of guilt (III, II, 11). But, unable to quiet her emotions no matter how deeply she hid them, Lady Macbeth was overwhelmed with guilt, and soon loses control over her behaviour in her sleep. Unable to talk about her guilt and feelings while awake, she laments over her, and Macbeth’s, choices while unconscious. Lady Macbeth, unable to personalize a trait of manhood she so strongly pressed on Macbeth, she soon becomes unable to live with her emotions, and ultimately prompts the ultimate consequence, suicide. As an after-effect of renouncing her femininity earlier in the play, and learning to internalize her emotions, Lady Macbeth personalizes a harmful effect of exaggerated hypermasculinity that deeply affects her mental health and does nothing but cause her
Lady Macbeth is a vicious and overly ambitious woman, her desire of having something over rules all the moral behaviors that one should follow. On the beginning of the novel, Macbeth receives the news that if Duncan, the current king, passed away he would be the next one to the throne. So, Lady Macbeth induces Macbeth into killing Duncan by filling his mind with ambition and planting cruel seeds into his head. After accomplishing his deed of killing the king, he brings out the daggers that were used during the murder, and says, “I’ll go no more. I am afraid to think what I have done; look on’t again I dare not.” This is his first crime and Macbeth is already filled with guilt and regret. He shows the reader to be the weak one of the duo. Lady Macbeth as the cruel partner still has some sentiment and somewhat a weakness in her heart and mind. When talking about Duncan she says, “Had he not resembled my father as he slept, I had done’t.” Weakness is still present and will always be there throughout the novel but this one change the fact that Lady Macbeth is still the stronger and cruel one.
One of the most important themes in Macbeth involves the witches' statement in Act 1, Scene1 that "fair is foul and foul is fair." (Act 1, Scene 1, Line 10) This phrase aptly describes the macabre status quo within the character Macbeth and without. When Macbeth and Banquo first see the weird sisters, Banquo is horrified by their hideous appearances. Conversely, Macbeth immediately began to converse with these universally known evil creatures. After hearing their prophecies, one can say that Macbeth considered the witches to be "fair" when in reality their intentions were quite "foul." Macbeth's possession of the titles of Thane of Glamis, Thane of Cawdor and King of Scotland came by foul means. Macbeth became the Thane of Glamis by his father Sinel's death; he became Thane of Cawdor when the former namesake was executed for treason; and he was ordained King of Scotland after murdering the venerable Duncan. Thus, Macbeth has a rather ghastly way of advancing in life.
After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others. It is this selfishness that makes it hard for the reader to be empathetic towards her later in the play, as it is evident in this scene that her hardships were brought on by herself. If she hadn’t insisted on the murder, she would not be driven in...
Macbeth Show how Macbeth and Lady Macbeth have to go against their own natures in order to kill Duncan. Each character in Macbeth has to either fight or give in to the evil. Because evil is contrary to human nature, Macbeth and Lady Macbeth have to go against their own conscience in order to murder Duncan. When the witches predict that Macbeth will become Thane of Cawdor and later, King of Scotland, he is stunned to silence by their prophecies. When murder enters Macbeths mind he is frightened by his thoughts. He tries to reject his impulse, declaring that he will leave everything to chance: ?If chance will have me King, why, chance may crown me Without my stir.? Very soon he begins to confess a ‘suggestion?of ‘horrible imaginings? Soon after, he admits to possessing ‘black and deep desires?but he is afraid to speak about them openly, even to himself. Later on he indites a letter to Lady Macbeth containing conjecture about the prophecies of the three witches. She immediately wants to take fate into her own hands. She begs the evil spirits to tear all human feelings from her, for she knows that she will have to urge her husband, Macbeth, to become King by murdering Duncan. She will have to give up all the gentle, tender qualities of a woman, so that she can become a sexless, pitiless demon. She has to make her husband ignore his own conscience. She declares: ?Thou wouldst be great, Art not without ambition, but without The illness should attend it.?
Throughout the play and leading up to her eventual suicide, Lady Macbeth slowly weakens. Yet, in the beginning of the play, she acts as if she is unstoppable. When Macbeth has his doubts and fears about murdering the loyal Duncan, Lady Macbeth chastises him, calling him everything from a coward to a helpless baby (I. vii. 39-49, 53-67). She even offers to do it herself, possibly to make Macbeth feel that he's even more cowardly because a woman is offering to do "his" job. This pushes Macbeth to kill, though these are the actions that will eventually lead to both of their demises later in the play. Macbeth tries to convince Lady Macbeth, as well as himself, that she is wrong: 3 Prithee, peace. I dare do all that may become a man. Who dares more is none. (I. vii. 50-52) However, Macbeth does not seem to fully convince her, because he is still mocked by his wife. Whether he failed to convince himself or to convince his Lady is irrelevant; he went through with the murder anyhow.
In Macbeth, Shakespeare confronts audiences with universal and powerful themes of ambition and evil along with its consequences. Shakespeare explores the powerful theme of the human mind’s decent into madness, audiences find this theme most confronting because of its universal relevance. His use of dramatic devices includes soliloquies, animal imagery, clear characterisation and dramatic language. Themes of ambition and mental instability are evident in Lady Macbeth’s reaction to Macbeth’s letter detailing the prophecies, Macbeth’s hallucinations of Banquo’s ghost and finally in the scene where Lady Macbeth is found sleep walking, tortured by her involvement.