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Analyses of native son
The role of bigger thomas in novel native son
Roles of bigger thomas in the native son
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Bigger Thomas, the protagonist of Native Son, by Richard Wright, expresses the role of a poor, uneducated black man. Bigger lived in a time where racism was very common in the society. Wright shows us through him, how bad the situation was. Due to his lack of education, Bigger had to work menial labor. Thus, he was forced to live in a one room apartment with his family. He felt trapped all his life, resenting, hating, and fearing the whites, whom he felt controlled his life. He views white people as a collective, overpowering force that tells him where to live, where to work, and what to do. The main focus of Wright?s novel is to show the effects of racism on one?s mind. Bigger has lived a life defined by the fear and anger he feels toward whites for as long as he can remember. Perhaps that is what leads him to do the crimes that he does.
Bigger develops the main action of the book when he kills Mary Dalton. In fact, it makes him feel as though his life actually has a meaning. He feels as if he has the power to assert himself against the whites. Wright does not try to show Bigger as a hero, because of his brutality and capacity for violence which is extremely disturbing, especially in the scene where he shoves Mary Dalton?s dead body in to the burning furnace in order to hide it. Wright?s main point is that Bigger becomes a brutal killer just because the dominant white culture fears that he will. By fearing whites, Bigger only contributes to the cycle of racism and fuels it even more. However, after meeting Max, he begins to redeem himself, actually recognizing whites as individuals for the first time in his life.
But the social injustice does not end there, after killing Mary Dalton, Bigger goes to Bessie, his girlfriend and tells her everything. Recognizing that Bessie might tell anyone, Bigger kills her too and is than arrested by the police. There, the injustice takes place. When Bigger was arrested, and
jailed, he received constant harassment. He only faced two choices, either to confess, or be lynched by the white crowed. Bigger knew deep down, that he was going to die anyhow. But Max, his lawyer, reminded him that he could still win the case and be free. Another example of the injustice is that when Bigger was eventually caught, the pubic and the media press automatically determine that he is guilty of not only killing Mary, but also rapping her before killing her.
In Richard Wright’s Native Son, Bigger Thomas attempts to gain power over his environment through violence whenever he is in a position to do so.
The theme that Native Son author Richard Wright puts in this story is that the white community makes Bigger act the way he does, that through the communities actions, Bigger does all the things he is accused of doing. The theme that I present is that Bigger only acts the way that he did because of the influences that the white community has had on him accepted by everyone. When Bigger gets the acceptance and love he has always wanted, he acts like he does not know what to do, because really, he does not. In Native Son, Bigger uses his instincts and acts like the white people around him have formed him to act. They way that he has been formed to act is to not trust anyone. Bigger gets the acceptance and love he wanted from Mary and Jan, but he still hates them and when they try to really get to know him, he ends up hurting them. He is scared of them simply because he has never experienced these feelings before, and it brings attention to him from himself and others. Once Bigger accidentally kills Mary, he feels for the first time in his life that he is a person and that he has done something that somebody will recognize, but unfortunately it is murder. When Mrs. Dalton walks in and is about to tell Mary good night, Bigger becomes scared stiff with fear that he will be caught committing a crime, let alone rape. If Mrs. Dalton finds out he is in there he will be caught so he tries to cover it up and accidentally kills Mary. The police ask why he did not just tell Mrs. Dalton that he was in the room, Bigger replies and says he was filled with so much fear that he did not know what else to do and that he did not mean to kill Mary. He was so scared of getting caught or doing something wrong that he just tried to cover it up. This is one of the things that white people have been teaching him since he can remember. The white people have been teaching him to just cover things up by how the whites act to the blacks. If a white man does something bad to a black man the white man just covers it up a little and everything goes back to normal.
This is evident by the impoverished living conditions Bigger, along with other African Americans in the 1930s, had to live in, the lack of opportunities offered to African Americans, and the racial oppression African Americans, including the ones mentioned in Native Son, had to endure for many years. One reason why Richard Wright proves that economic and societal hierarchies greatly affect those living at the bottom of those hierarchies is because the bottom class tends to take on the most damage for whatever unfortunate situation its country gets in. This is exhibited in the first book of Native Son, titled Fear. In the beginning of the book, the Thomas family lives in a one bedroom, rat infested apartment in Chicago. Bigger and his younger brother, Buddy, have to turn their backs every morning to not see their mother and young sister dress.
Responsibilities and interaction with others can lead to the formation of the sense of agency. It is essential in life, but how is one’s life different if they do not have that sense of agency? Richard Wright wrote a life-changing novel called Native Son. The protagonist named Bigger Thomas is a poor, uneducated, and 20-year-old black man. He lived in a one-room apartment with his mother, little brother, and little sister. Bigger was originally part of a gang, but then he left and got the opportunity to work for Mr. Dalton. However, on the first day of his job, he accidentally killed the daughter of Mr. Dalton named Mary Dalton. In my opinion, Bigger portrayed as a person who does not have agency over his life. The factors that formed Bigger
In Native Son, Richard Wright introduces Bigger Thomas, a liar and a thief. Wright evokes sympathy for this man despite the fact that he commits two murders. Through the reactions of others to his actions and through his own reactions to what he has done, the author creates compassion in the reader towards Bigger to help convey the desperate state of Black Americans in the 1930’s.
Throughout Native Son, Bigger was the main character and was given most of the attention because he stood apart from the rest of his race by murdering a white woman and by defying the social norms placed upon him by white society. Though he did all of those things, Bessie deserved notoriety more so than she received. She represented the most vulnerable members of society by living her life under the social constraints that were placed upon her entire
Bigger is a young black man living in the Southside of Chicago with his mother and two younger siblings. His family lives in a one room apartment, leaving little space for privacy. After being awoken by the sudden clang of an alarm clock, the Thomas’s start their day like every other before it. As the family is getting dressed a large rat runs into the room, causing chaos. Bigger trapped the rat in a box, giving it no way to escape. Looking at Bigger “the rat’s belly pulsed with fear. Bigger advanced a step and the rat emitted a long thin song of defiance, its black beady eyes glittering” (Wright 6). The fear that pulses in the belly of the rat is the same fear that runs through Bigger. Bigger is trapped within the physical walls of his run-down apartment and the city lines that the white society has put around the Chicago Black Belt. Bigger and the black community have no choice or way to escape. The confinement of these areas causes Bigger to feel confusion and anger towards those who have put him
...around the death of his friend, causing Big Boy to face the harsh reality that white people are murderous, no matter their sex. Big Boy cannot retain his innocence because after the death brutal murder of Bobo, he “had no feelings now, no fears. He was numb, empty, as though all blood had been drawn from him.”
Bigger focuses on the question of "What would you have liked to do, if you were allowed to?" explaining to Max that nobody had ever asked him what he wanted to do, and so he had never spent serious time contemplating a future. Bigger shouts "How can I die?" His concern is not his own physical death, but the fact that he has lived his life around people who "didn't see him" and hated him, denying him an opportunity to reveal his potential for humanity.
Bigger is consumed with fear and anger for whites because racism has limited his options in life and has subjected him and his family into poverty-stricken communities with little hope for change. The protagonist is ashamed of his family’ dark situation and is afraid of the control whites have over his life. His lack of control over his life makes him violent and depressed, which makes Bigger further play into the negative stereotypes that put him into the box of his expected role in a racist society. Wright beautifully displays the struggle that blacks had for identity and the anger blacks have felt because of their exclusion from society. Richard Wright's Native Son displays the main character's struggle of being invisible and alienated in an ignorant and blatantly racist American society negatively influenced by the "white man".
Throughout there are tons of motifs in the book. The most common ones are: famish, poverty, and segregation. These themes are all current for the duration of the book. Segregation is a big one The book is set in the early to mid 1900's, where discrimination was huge in the South were Wright was born and raised. For most of the tome, Wright lives in segregation and experiences what it is like to be black in the South. Eventually he does go to the Chicago later on in the book, where there is no segregation. Nonetheless, he is still wary and skeptical of whites because of his life in the South. All through Wright's life (in the book) he lives in poverty and sometimes penury. From the time he was a child in the South to the grown man in
Bigger Thomas feels trapped long before he is incarcerated for killing Mary Dalton. He is trapped in an overpriced apartment with his family and trapped in a white world he has no hope of changing. He knows that he is predisposed to receiving unfair treatment because he is black, but he still always feels as though he is headed for an unpleasant end. The three sections that make up the novel Native Son by Richard Wright, “Fear,” “Flight” and “Fate,” imply a continuous and pervasive cycle throughout Bigger’s life that ultimately leads him to murder.
Bigger embodies one of humankind’s greatest tragedies of how mass oppression permeates all aspects of the lives of the oppressed and the oppressor, creating a world of misunderstanding, ignorance, and suffering. The novel is loaded with a plethora of images of a hostile white world. Wright shows how white racism affects the behavior, feelings, and thoughts of Bigger. “Everytime I think about it, I feel like somebody’s poking a red-hot iron down my throat. We live here and they live there.
Growing up as a Negro in the South in the early 1900's is not that easy, some people suffer different forms of oppression. In this case, it happens in the autobiography called Black Boy written by Richard Wright. The novel is set in the early part of the 1900's, somewhere in Deep South. Richard Wright, who is the main character, is also the protagonist. The antagonist is no one person specifically, it takes many different forms called "oppression" in general. The main character over comes this "oppression" by rebelling against the common roles of the black, society.
In his novel, Native Son, Richard Wright favors short, simple, blunt sentences that help maintain the quick narrative pace of the novel, at least in the first two books. For example, in the following passage: "He licked his lips; he was thirsty. He looked at his watch; it was ten past eight. He would go to the kitchen and get a drink of water and then drive the car out of the garage. " Wright's imagery is often brutal and elemental, as seen in his frequently repeated references to fire, snow, and Mary's bloody head.