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Themes In A Doll's House
Themes In A Doll's House
Themes in DOLL S HOUSE
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This essay will explore the issue of roles, or game playing, in A Doll’s House. This concept is one key to approaching the play, and particularly Nora's role. Let me further make the observation that one crucial factor in the roles Nora plays is that she needs to be in control, to take the lead role, as it were, using other people either as supporting actors or audience and that she writes her own script.
This notion helps me to deal with a question which frequently arises here: How can one woman make so many unexpected transitions? How is it possible for the child-wife to play the adult female tease (with Dr. Rank), the capable determined businesswoman (in her secret dealings with the debt), the frantically desperate woman thinking of suicide, and, above all, the coldly independent mature woman at the conclusion of the play? Well, one common feature these manifestations of Nora's character all have is that they enable her to control others, to assert herself without really attending to, listening carefully to, learning from, or acting on what other people say.
Consider for a moment why Nora would not have told Torvald long ago about the debt. The reason she gives is interesting: she doesn't need to at this point in her life--she's young enough and pretty enough to exert her control over him in other ways (and telling about the debt would shatter her image as the clueless but sexy child-wife). However, she is looking forward to using that event in the future, when she can no longer rely upon her looks. How exactly this would help restore his affections may not be clear, but there is certainly a sense that Nora hopes it will make her more important to him. The fact that Nora thinks of her relationship with Torvald in ...
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...d she did it (society be damned). Moreover, the hard disciplined work over many years necessary to repay the loan is a tribute to Nora's determination and skill in carrying out her own project, all the while sustaining her own marriage in quite another role.
This quality lies at the heart of Nora's heroic character. Her confidence in herself, in her abilities to control the situation, to solve the problem, has led to her success and has confirmed, in her eyes, that she is right. She flouted society's laws, worked hard, and is now about to reap the success of that action by handing over the final payment. It has not been easy, and there are times when a certain strain shows through (as in that mention of the word "Damn"), but there's no sense that Nora feels that she has been compelled to act in this way, that she has not freely chosen to be the person she is.
Of course, it is hard for such a man to believe in extraordinary claims without being there to witness them. Especially when such events require a lot of faith. In order for an event to be deemed a miracle, it must disobey the laws of nature. However, it is these same laws that disprove almost any miracle that has ever been reported. He writes that some events that people report as miracles truly are not. For example, it is not a miracle that fire burns wood, or that a healthy man dies, because both of these are within the laws of nature. If a person does seemingly commit a miracle, they must do something that obviously defies the laws of nature and be able to do it repeatedly, as to prove that it is not a fluke.
In An Enquiry Concerning Human Understanding by David Hume, the idea of miracles is introduced. Hume’s argument is that there is no rational reason for human beings to believe in miracles, and that it is wrong to have miracles as the building blocks for religion. It is because the general notion of miracles come from the statement of others who claim to have seen them, Hume believes that there is no way to prove that those accounts are accurate, because they were not experienced first-hand. In order to believe a miracle, the evidence should be concrete, and something irrefutable. When there is any sort of doubt to a miracle, Hume says that any evidence that can be contrary to the proof of a miracle is merely evidence that the miracle did not happen, and it should be disproved. The only way a miracle can be proven is from the testimony of the person who had witnessed it, while any evidence against the miracle is something that defies the laws of nature. It falls upon the reputation of the witness to prove whether or not he or she actually observed a miracle, because a miracle can only be plausible when it is more likely than the opposing laws of nature. Hume’s reasoning in favour of miracles being insufficient events are also explanations as to why he believes miracles are not probable. First is the idea that human beings are not honest enough to be able to have possibly witnessed a miracle. Next is that human beings want to believe in the supernatural, and that desire allows us to believe in things that could never happen, simply because it would be wonderful and fantastical if that miracle actually did occur. Thirdly, the people who usually report sightings of a miracle are those who are uncivilized, or unsophisticated, so they ...
American Psychological Association. (2014). Ethical Principles of Psychologists and Code of Conduct. Retrieved from http://www.apa.org/ethics/code/index.aspx?item=3
In explaining Hume’s critique of the belief in miracles, we must first understand the definition of a miracle. The Webster Dictionary defines a miracle as: a supernatural event regarded as to define action, one of the acts worked by Christ which revealed his divinity an extremely remarkable achievement or event, an unexpected piece of luck. Therefore, a miracle is based on one’s perception of past experiences, what everyone sees. It is based on an individuals own reality, and the faith in which he/she believes in, it is based on interior events such as what we are taught, and exterior events, such as what we hear or see first hand. When studying Hume’s view of a miracle, he interprets or defines a miracle as such; a miracle is a violation of the laws of nature, an event which is not normal to most of mankind. Hume explains this point brilliantly when he states, “Nothing is esteemed a miracle, if it has ever happened in the common course of nature. It is no miracle that a man seemingly in good health should die on a sudden.” (Hume p.888) Hume states that this death is quite unusual, however it seemed to happen naturally. He could only define it as a true miracle if this dead man were to come back to life. This would be a miraculous event because such an experience has not yet been commonly observed. In which case, his philosophical view of a miracle would be true. Hume critiques and discredits the belief in a miracle merely because it goes against the laws of nature.
Unwilling to accept her supposed role in society, Nora wanted to figure out whether women should live under the guidance of men or if they should make decisions based on their own knowledge. Nora could not tolerate abiding by the rules of her male-dominated society. It took much fortitude for Nora to rebel against the views of the majority of people, and to reflect on the information she got herself instead of letting it be determined by another.
Ethics is the judgement and the moral actions used in interactions with cultures and society and its focus is on the client well-being. Ethics is defined by Remley and Herlihy (2010) in the counseling field as “professional behavioral and interactions” (p.4). Counselors do rely and are guide by Codes of Ethics. The role and relevance of the ethical principals, the ACA and AMHCA Code of Ethics are the base of the counseling profession. Without them this career would not have a guide on how the professionals should act and react professionally in all the different situations that are faced in this field.
On the other hand, Hume entertains the situation that “it is God himself, … which we erroneously attribute to our own power and efficacy” (47). Hume argues that “there must arrise a strong suspicion … (when we arrive at) conclusions so extraordinary, and so remote from common life and experience” (48). Further, Hume illustrates that no matter how ignorant we are “of the manner in which bodies operate on each other” we are equally ignorant of the supreme mind; we should reject the more unintelligible prospect (48).
Nora was raised and socialized by her father. He kept her as a doll and never required or expected much from her. The same treatment continued from her husband Torvald. In a world where nothing is expected from Nora, it is easy to think she is spoiled. But, as many women of that time, she wanted to be seen for the smart and intellectual woman that she was. She basically saved her husband’s life but had to continue to act as Torvald’s fool. Sympathy for Nora is not only possible, it’s practically required.
Sometimes it is hard to be sure what conclusion to draw from a Humean analysis, and he is easy to misrepresent. This is partly because one argument he is engaged in may raise a number of related issues that he has dealt with elsewhere, and some of his points seem contradictory. My wish is to consider some of the possible readings of David Hume’s critique of causation, as it appears in Section VII of the Enquiry Concerning Human Understanding, “On Necessary Connexion”, and their relation to the propositions of Section II, “Of the Origin of Ideas”, and Section X, “On Miracles”. I will offer criticisms and alternatives to Hume’s account(s) and conclude by picking which interpretation of Section VII best works for Hume, given certain arguments elsewhere in the Enquiry.
A Doll 's house is one of the modern works that Henrik Ibsen wrote. He was called the father of modern drama .He was famous for writing plays that related to real life. A Doll 's House is a three-act play that discusses the marriage in the 19th century. It is a well-made play that used the first act as an exposition. The extract that will be analyzed in the following paragraphs is a dialogue between Nora and the nurse that takes care of her children. This extract shows how she was afraid not only of Krogstad blackmail, but also of Torvald 's point of view about those who committed any mistake. Torvald says that the mothers who tell lies should not bring up children as they are not honest . Nora is also lying to her family and to Torvald. So she is afraid because she thinks she maybe 'poisoning ' her own children. The analysis of this extract will be about of Nora 's character, the theme, and the language in A Doll 's House.
The Ethical Standards set forth enforceable rules for conduct as psychologists who are members of the American Psychological Association. Most of the Ethical Standards are written broadly, in order to apply to psychologists in varied roles, although the application of an Ethical Standard may vary depending on the context. The Ethical Standards are not exhaustive. The fact that a given conduct is not specifically addressed by an Ethical Standard does not mean that it is necessarily either ethical or unethical. This Ethics Code applies only to psychologists' activities that are part of their scientific, educational, or professional roles as
...dlike mentality and needs to grow before she can raise her own children. Her defiance of Torvald, when he refuses to let her leave, reflects her epiphany that she isn't obligated to let Torvald dictate her actions. The height of Nora's realization comes when she tells Torvald that her duty to herself is as strong as her duty as a wife and mother. She now sees that she is a human being before she is a wife and mother and she owes herself to explore her personality, ambitions, and beliefs.
Nora is the beloved, adored wife of Torvald Helmer. He is well respected, and has just received a promotion to the bank manager. Torvald also obtains high moral standards but he is very controlling and materialistic. During the first scene the couple is discussing the issue of borrowing money. Torvald says to Nora "…you know what I think about that. No debts! Never borrow! Something of freedom’s lost-and something of beauty, too- from a home that’s founded on borrowings and debt. We’ve made a brave stand up to now, the two of us, and we’ll go right on like that the little way we have to."
According to Dubois and Czellar, the Chinese elite’s attitude via luxury goods has identified to six attributes: excellent quality, uniqueness, very high price, emotional content, superfluous/inessential and the last one brand history and heritage.
However David Hume reaches his own conclusion by breaking down “ideas” into; sense impressions and mental images formed as a result of these impressions (Matthews & Platt, 2008). Therefore he believes that two worlds exits; the subjective world which can known and work with but contains no guarantee of its objective truth, and the external world which is perceived if at all, through a screen of ideas (Matthews & Platt, 2008). Thus he also links his method to “causality” which is the idea that one event in the world causes another. According to Matthews & Platt (2008) Hume stated that “cause and effect is not communicated to the mind through the senses” (p. 502). It was also know that David Hume was also controversial for his religious views and beliefs (Ma...