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Misreading and realizations in macbeth
How does The witches prophecies influence Macbeth’s actions to some extent
Macbeths mental state
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Macbeth grapples with multitudinous complications after his serendipity is revealed to him. However, the most taunting obstacles that he encounters are not entities; they are cognitive and psychological. After the witches divulge Macbeth’s providence to him, he is instantly engrossed between two conflicting mentalities - staying loyal towards King Duncan and craving potency and supremacy. These two opposing forces wrestle within Macbeth for control of his actions.
Before Macbeth was exposed to his prophecy by the witches, he was considered a loyal and devoted soldier. Macbeth is referred to as “my worthy Cawdor” (I…..) by the King himself; therefore, being such a dignified Scottish general who is in relation with the King, he hesitates to instill
Handling the adversity that develops within a character’s life is something that requires ultimate determination, dedication and thought. However, when the given adverse situation is handled in a violent manner, the following occurrences include downfall and destruction. Throughout William Shakespeare’s play, The Tragedy of Macbeth, he is able to convey the realistic negative consequences that may follow the effects of violence on adversity. From the very genesis of the play, Macbeth is constantly handling adversity, which at times results in various dilemmas as a result of his tragic flaw. The violent acting on adversity or challenges placed before main character Macbeth, causes him to build a “snowball effect” of downfall and dismay throughout the play. Initially, Macbeth begins handling his challenges in different manners and is constantly altering his procedure. From handling situations cautiously to thoughtlessly, or having his own opinions to none of his own at all, and finally from fighting the truth to accepting his fate, regardless of the type of task, his violent handlings of them causes his own domino effect of transformations. By applying a variety of literary techniques such as personification and foreshadowing, William Shakespeare is able to effectively prove that acting violently upon adversity has a strong potential of resulting in pure disaster.
In the beginning, Macbeth is a strong, brave and noble soldier. He is considered brave by all the people he was fighting around. When the captain is relaying the events of the battle, we find him saying to the king "For brave Macbeth- well he deserves that name" (1.2.16). As a result of Macbeth's actions on the battlefield, Duncan names him Thane of Cawdor in Act one Scene two. From this, we can see that Macbeth is a good soldier. He has no intention of doing anything other than serving the king.
As Macbeth becomes less dependent on his wife, she loses more control. She loses control of her husband, but mostly, of herself, proving her vacillating truth. Lady Macbeth’s character gradually disintegrates through a false portrayal of unyielding strength, an unsteady control of her husband and shifting involvement with supernatural powers.Throughout the duration of play Lady Macbeth’s truly decrepit and vulnerable nature is revealed. Lady Macbeth has been the iron fist and authority icon for Macbeth, yet deep down, she never carried such traits to begin with. This duality in Lady Macbeth’s character plays a huge role in planting the seed for Macbeth’s downfall and eventual demise.
Pressure is inevitable – it is something that is felt by all, whether the source is from within or as a result of other people and events. Throughout Shakespeare’s Macbeth, the main character is faced with many pressures, both internal and external. Although his pressures are external at first, they later become internal and affect his character as well as his sanity. Macbeth feels externally pressured by his wife and the three apparitions given to him by the witches. Consequently, he begins to feel mentally pressured by his fear to secure the throne, his paranoia, and his sense of tyranny and blood lust. These pressures cause his character to change, which leads him into greater downfall. When one is faced with pressure, both from within or from an outer source, their character is greatly influenced and subject to many changes.
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself, as one would expect, exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs multiple methods of characterization in order to highlight the protagonist’s transformation from hero to villain as a result of the influences of the people surrounding him, namely the Weïrd sisters, Lady Macbeth, and Macduff, including extensive foreshadowing, a general shift in tone corresponding with turning points in the plot, and the inclusion of long-winded soliloquies to mark a critical change in Macbeth’s character.
Macbeth’s ambition to obtain power convinces him that it is his destiny to become King of Scotland, and that he should do anything to fulfill that destiny, even if it involves him committing tremendously immoral acts such as murder. After Macbeth realizes that the witches may actually speak the truth due to the second prophecy (Thane of Cawdor) becoming true, he begins to have an eerie and frightening thought of him killing his king and friend, Duncan, in order to ac...
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
A main aspect that contributes to the complexity, captivating quality, and tragic nature of the iconic play, Macbeth is that it walks a tight-rope between fantasy and reality. A primary theme throughout the play is control. How much authority does the protagonist Macbeth truly have over his life? As Macbeth slowly morphs into the villain he is at the conclusion of the play, the audience can observe a direct correlation to the loss of his psychological stability. The mental episodes described throughout the play in both Macbeth and Lady Macbeth truly signify the debilitating power of guilt over the human mind.
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
A.C. Bradley’s interpretation of Macbeth finds him human, conflicted, and comparable to his wife, Lady Macbeth, in many respects. They share a common ambition and a common conscience sensitive enough to feel the effects of their ambition. But the story, Bradley contends, is built upon the traits that set them apart. He focuses mainly on Macbeth. Macbeth is a character of two battling halves: his reason, or ambition, and his “imagination.” Bradley attributes the hysterical nature of Macbeth’s visions, the dagger, the specter of Banquo, and other ghosts, to his wild imagination. He “acts badly” (Bradley, 136) and loses his composure whenever his imagination triumphs over his practical side; however, Bradley also asserts that Macbeth’s imagination is “the best of him, something usually deeper and higher than his conscious thoughts” (133). Macbeth is therefore unable to make use of the “better” imagination with which he was endowed and instead only appears “firm, self-controlled and practical” when he is “hateful” (136). A product of these clashing sides, Macbeth’s murder of Duncan is borne of his inability to properly acknowledge the conclusions drawn by his imagination. In his soliloquies and in...
The heroic loyal character of Macbeth is forced into a internal battle to decide between ambition and loyalty to his king. Macbeth overcomes the evil within him, though Lady Macbeth crushes his thoughts of loyalty to the king by calling him a coward or threatening his manliness. Macbeth allows the evilness to grow within him, which allows ambition to take control of his life. Due to the evilness that has started to control his life he prepares to kill the man who has given him everything to his credit, to fulfil his ambition, and to become King.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
This specific action consequently resulted in Macbeth’s level of morality to continually decline as he is acutely aware of his own tyranny. Therefore Macbeth attempts to forget the horrific deed he has committed and be the figure that orders and disorders. Our perception of Macbeth being a wise and loyal soldier is now eroded, as we start to view Macbeth constantly questioning his own actions, and is also impelled to perpetrate further atrocities with the intention of covering up his previous wrong-doings.
In the beginning of the play, Macbeth is seen as a brave general of Duncan’s army because he had triumphed with victory over the traitor Macdonwald. A Soldier, who has fought alongside with Macbeth states “For brave Macbeth –well he deserves that name --/ Disdaining fortune, with his brandish’d steel” (1.2.17-18.) The soldier’s message makes the reader develop a positive first impression for Macbeth, since his bravery is being praised. Later, when Macbeth first encounters the three witches with Banquo, he is told that he will be King of Scotland after the third witch says “All hail, Macbeth! that shalt be king hereafter” (1.3.53.) Macbeth believes the witches and says to himself aside “My thought, whose murder yet is but fantastical/.../ If chance will have me king, why, change may crown me.”(1.3.149-155.) He immediately thinks of killing Duncan to become king, his impression of a brave general completely change. This shows that although Macbeth has the power to bring justice and proper order while fighting for Duncan’s army, he chooses not to and instead uses his power for injustice and he own needs.
In Macbeth, Shakespeare confronts audiences with universal and powerful themes of ambition and evil along with its consequences. Shakespeare explores the powerful theme of the human mind’s decent into madness, audiences find this theme most confronting because of its universal relevance. His use of dramatic devices includes soliloquies, animal imagery, clear characterisation and dramatic language. Themes of ambition and mental instability are evident in Lady Macbeth’s reaction to Macbeth’s letter detailing the prophecies, Macbeth’s hallucinations of Banquo’s ghost and finally in the scene where Lady Macbeth is found sleep walking, tortured by her involvement.