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Fight club and masculinity
Masculinity and femininity in society
Fight club and masculinity
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Masculinity Masculinity is a socially constructed concept that people selectively use to describe what a man should be and how he should act. It is implied that men should be independent, non-emotional, aggressive, strong and tough skinned. In the infamous movie, Fight Club, the main character, Jack, is in a constant battle with himself to keep his masculinity alive. While in Winter’s Bone, Ree Dolly has no other choice but to be the man figure for her family. Ree Dolly has no father and a mentally ill mother so she plays the male figure as well as the mother figure. In order not to lose everything she has, Ree, sets on a daring journey to find her father. In most cases, you would hear mostly men setting out on a journey such as Ree’s but …show more content…
According to fight club, masculinity or being a "real" man means being willing to feel agony, and dole torment out to other individuals. Tyler Durden is the Narrator’s imaginary alter ego, the embodiment of his “death drive” and repressed masculinity. In many ways, though, Tyler is more “real” than the Narrator himself, as suggested by the fact that he has a name and the Narrator barely gets called his name. Tyler is alluring, tricky, and driven. When Tyler speaks to the members of fight club, they respect him tremendously, they refer to the him as “Mr. Durden”. Tyler’s lack of hindrance and his longing to be a real man, leads him to embrace pain and danger at all times. Eventually, Tyler becomes more powerful than the Narrator himself. Tyler begins taking control of Jack’s body for majority of the time , and sends members of fight club on increasingly dangerous and destructive missions. In the movie Tyler Durden states, “an entire generation pumping gas, waiting tables. Slaves with white collars. Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don’t need. We’re the middle children of history, man. No purpose or place. We have no great war, no great depression. Our great war’s a spiritual war, our great depression is our lives.” Tyler says this to inform everyone that the men have lost their masculinity. They have mediocre jobs that they hate and are unhappy with their lives. The missions that Tyler send them on are soothing to the members of Fight Club, it makes them feel apart of something and helps them gain their idea of masculinity
The topics that Joe Ehrmann uses as framework for his Building Men for Others program are quite intriguing and make you really question masculinity. The first topic, rejecting false masculinity, can be interpreted a few different ways. In the book, it states: “As young boys, we’re told to be men, or to act like men” soon followed with “we’ve got all these parents say ‘be a man’ to boys that have no concept of what that means. I completely agree with the statement of Joe Ehrmann and often question the definition of ‘being a man’. Many boys and men will reject the idea of a man being anything other than being big and strong or having power.
Over time, the United States has experienced dramatic social and cultural changes. As the culture of the United States has transformed, so have the members of the American society. Film, as with all other forms of cultural expression, oftentimes reflects and provides commentary on the society in which it is produced. David Fincher’s 1999 film Fight Club examines the effects of postmodernity on masculinity. To examine and explicate these effects, the film presents an unnamed narrator, an everyman, whose alter-ego—in the dissociative sense—is Tyler Durden. Durden represents the narrators—thus every man’s—deep-seated desire to break free from the mind-numbing, emasculating world that is postmodern, post-industrial America.
In the current age of technology and capitalism, many people get caught up in trying to define their individuality with mass produced goods. In David Fincher's movie Fight Club, the narrator, who is commonly referred to as Jack, invents an alter ego to serve as a source of substance in the hallow world of corporate America. This alter ego, named Tyler Durden, is portrayed as a completely psychologically and physically separate being throughout the movie. The inherent polarity in personality between these two personas proves to be a crucial point of interaction between the two characters, and is the basis for most of the action in the movie. Thus, Fight Club depicts the necessity for a balance between the passive and aggressive aspects of the human psyche, which parallels the main theme and insights that are illustrated in Judith Cofer's "The Other."
In Palahniuk’s Fight Club, Tyler Durden is a conformist to society that experienced a personal tragedy which led him to disengage from the societal normality and found an organization known as Fight Club, an underground street fighting competition. Tyler was once an aspiring businessperson. His failure was the cause of his conformity. Tyler then began to work as a security guard, primarily conducting after hour duties. This led him to begin stealing left over human fat to create the ingredients for the manufacture of explosives with the aim of supplementing his income (Schuessler). Here a personal tragedy, specifically failure, led to a behavioural condition known as disengagement. Tyler retracted himself from the typical American societal expectations and rebelled through forms of crime and backlash.
“In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four” (Orwell 250). Winston lives in a time where a set of rules preventing him to be free are imposed on him – the Party defines what freedom is and is not. “Freedom is the freedom to say that two plus two make four. If that is granted, all else follows (Orwell 103)”. Winston expresses his views on The Party within his diary even though he knows it is not accepted by The Party or the Thought Police. The narrator in Fight Club uses fighting as a form of escapism from his anti-consumerist ideologies revealed by his alter-ego, Tyler Durden. “Fuck off with your sofa units and strine green stripe patterns. I say never be complete, I say stop being perfect, I say let’s evolve—let the chips fall where they may. (Fight Club)” Tyler urges the narrator to stop conforming to consumerist-imposed views of perfection and break barriers to evolve. Tyler and the narrator create a medium for people in similar positions to escape from societal bound norms; it is aptly named “Fight Club”. In comparison, both Tyler Durden and the narrator from Fight Club and Winston Smith from 1984 share
“I had to know what Tyler was doing while I was asleep. If I could wake up in a different place, at a different time, could I wake up as a different person?” (Palahniuk 32). When Tyler is in action, narrator is not contemporaneous in a sense that he is Tyler now. Tyler is someone who doesn’t give any importance to money-oriented world but he indeed believes in the willpower of constructing a classless society. The narrator is insomniac, depressed, and stuck with unexciting job. Chuck’s prominent, pessimistic, radical work, Fight Club, investigates inner self deeper and deeper into personality, identity, and temperament as a chapter goes by. Through his writing, Chuck Palahniuk comments on the inner conflicts, the psychoanalysis of narrator and Tyler Durden, and the Marxist impression of classicism. By not giving any name to a narrator, author wants readers to engage in the novel and associate oneself with the storyline of narrator. The primary subject and focus of the novel, Fight Club, is to comment socially on the seizing of manhood in the simultaneous world. This novel is, collectively, a male representation where only a single woman, Marla Singer, is exemplified. “Tyler said, “I want you to hit me as hard as you can” (46). This phrase is a mere representation of how to start a manly fight club. However, in the novel this scene is written as if two people are physically fighting and splashing blood all over the parking lot, in reality it’s just an initiation of fight club which resides in narrator’s inner self. The concept of this club is that the more one fights, the more one gets sturdier and tougher. It is also a place where one gets to confront his weaknesses and inner deterioration.
"How Fight Club Relates to Men's Struggles with Masculinity and Violence in Contemporary Culture." HubPages. Web. 22 Feb. 2011. .
Ruddell, Caroline. "Virility and vulnerability, splitting and masculinity in Fight Club: a tale of contemporary male identity issues." Extrapolation 48.3 (2007): 493+. Literature Resource Center. Web. 9 Dec. 2013.
The idea of the fight club becomes fascist and Tyler becomes Hitler. It turns out that Norton and Pitt are the same person, Tyler Durton. Norton represents the average man in America at a meaningless job, feeling like there is no reason for his existence. Pitt represents the force which makes Norton realize that there is no meaning to life and he must push to the extreme to feel anything and to accomplish anything. Marla is the only woman in the movie and she is used to show that the idea of women fighting is a ridicule where as the idea of men fighting is celebrated.
Early feminist studies of gender often depicted the expression of masculinity as solely meant to subordinate women. Upon further research and understanding of gender and its role in society, gender theorists have realized that masculinity is not only a patriarchal regulation against women, but that it also has negative effects against men. Masculinity has different characteristics in different cultures, but masculinity in general presents a hierarchy of traits, with femininity as the lowest, least desirable trait. In American culture, masculinity is defined within multiple structures, such as race, class, and sexuality, where a man’s masculinity can be lessened by his traits as well as these identities. Often, normative expressions of masculinity
From the beginning of the human race the gender roles of man and woman appeared to be straightforward. Women, being able to procreate, were sought to as nurturers, while men were to protect and provide for their family. Throughout all cultures, practices and beliefs of individuals toward masculinity significantly vary. Masculinity or manliness associates with characteristics such as strength, bravery, handsomeness, and physique in a male. With the ongoing changes in human history, the term masculinity has greatly evolved. Our western views’ paint a clear image of how children should be raised according to their gender role, which leads to more and more of them falling victim to the stigma of societal pressures and stereotypes. For example,
In the novel Fight Club by Chuck Palahniuk we are introduced to our narrator, a nameless male who stands atop the Parker-Morris building with a gun pressed to his mouth waiting for the moment when the bombs go off and the building crumbles. Holding the gun to his mouth is Tyler Durden who represents everything the narrator is not. The narrator is a man presumably in his 30's, although it is never stated. He works as a recall campaign coordinator and lives in a condo furnished with the latest furniture. Tyler Durden is none of these things, Tyler Durden works various jobs and sells soap made of human fat. Tyler Durden lives in a dilapidated house with makeshift furnishings and questionable utilities. Tyler Durden is satisfied with his life, unlike our narrator who suffers from chronic insomnia and who often speaks bitterly about the corporate life.
Others often use masculinity, most often associated with strength, confidence and self-sufficiency to define a man’s identity. The narrator perceives Tyler Durden as a fearless young man who is independent and living life by his own rules. So is Tyler Durden masculine because of his no nonsense attitude or are his law breaking antics and unusual lifestyle seen as a failure because he is a man with neither family, money nor a well respected job? These typical aspirations are commonly defined as the male American dream, but does following life by the rulebook placed on males by society really make a male masculine? Fight Club specifically debunks the male American dream. It challenges’ the idea that the masculine identity is defined by material items and instead embraces the idea that masculine identity can be found in liberation from conformity and the ability to endure pain.
Tyler Durden encourages the narrator to give up his consumerist, meaningless life to fight the exploitation inherent in corporate society. Similarly, Marx believed that the capitalist system inherently exploited workers, arguing that the interests of the capitalist class conflicted with that of the working class. Additionally, Marx’s core concept of historical materialism is realized in Fight Club. The narrator in this film strives to express himself through the items he possesses, searching for meaning in his life through physical objects. He looks for release in buying more and more things he does not need. This illustrates historical materialism, in which Marx argues that people are what they have. Additionally, Marx argues that the flow of ideas is also controlled by the capitalist class. The narrator in Fight Club is forced to come to terms with these ideas. He learns that buying and consuming more material objects does not make him happy, and is forced to confront the destruction of his consumerist identity when his apartment is suddenly destroyed. Additionally, the narrator’s thoughts are never completely his own, suggesting that he is grappling with the controlled flow of ideas inherent in capitalist society. All of these factors combine to force the narrator to look for life fulfillment elsewhere, hence the formation of fight club and the friendship of the dangerous Tyler
Throughout Chuck Palahniuk’s Fight Club, masculinity is a reoccurring theme that is present throughout the novel and is directly linked to the creation of Fight Club in the first place. After meeting Tyler Durden, the narrator’s masculinity and outlook on life starts to dramatically change. In result of this change, the theme of masculinity becomes very disastrous throughout the novel very quickly because Palahniuk uses masculinity in order to explain the many problems the consumer driven males may struggle with. In this case, the narrator’s masculinity is constantly in question because of his struggles with insomnia, consumer driven lifestyle, and Marla Singer.