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Position of women during renaissance
The taming of the shrew what kind of sisters are bianca and Katherine
Position of women during renaissance
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William Shakespeare’s play The Taming of the Shrew, takes an interesting approach to the role of women through his character Katherine. She is a wild and rebellious woman for her time, the complete opposite of the prefect elizabethan housewife. To most men she is undesirable while her sister, the perfect representation of a woman, was wanted by more men than she could ever indulge. Katherine is not the typical elizabethan woman, instead, she is the woman that the other married women in the play strive to be. Shakespeare uses interactions between Katherine and Bianca, as well as conversations between Petruchio and Katherine to express her character. In order to understand her undesirable yet empowering character, it is best to look at various …show more content…
Rather than just being wild, rebellious and undesired, she becomes a character that the other women strive to take after. She suffers the hardships of “being tamed” while showing other women that they can be a bit rebellious and do not need to be fully tamed. This is best seen in the progression of her sister Bianca. At the beginning of the play she is the perfect child. Doing her studies, listening to her father and indulging her suitors, knowing that her duty as a woman is to marry once her sister is married. Yet once Kate is set to be married off, Bianca is a bit more rebellious in every scene that the reader finds her in. This is first noticed in act three scene one, where Bianca first meets her new tutors. After they argue over who gets to spend time with her first, she chastises them, saying, “Why, gentlemen, you do me double wrong to strive for that which resteth in my choice.” (3.1.16-17) She continues by laying out her rules, something she would have never done in the past, saying, “I’ll not be tied to hours nor pointed times, but learn my lesson as I please myself.” (3.1.18-20) In these few words, there is a clear change in Bianca, she speaks to the tutors as their equal or even superior. The Bianca the readers are introduced to at the beginning of the play would never have spoken that way to a man. It was not proper for an elizabethan woman to chastise men or even speak to them as if they were …show more content…
Most see it as the final transformation of Katherine into the tamed elizabethan woman. It can be read as her giving up and becoming the submissive wife he wants her to be. However, it can also be read in a deceitful way. As Kate making him think he has succeeded so that she can become his equal through putting down the other women. Act five scene two is set at the wedding feast of Bianca and Lucentio, where the three married men place a bet on the obedience of their wives. The Widow and Bianca are called first, and both having learned from Katherine, refuse their husbands. Having witnessed Katherine’s previous rebelliousness and non-submissive behaviors gave the two well learned elizabethan women the strength not only to refuse their husbands, but to make their husbands come to them. When Lucentio sends Biondello to fetch his wife, she tells Biondello that “she is busy and she cannot come.” (5.2.84) In the past she would have dropped everything to race to his side as a good wife would have. However, learning from Kate, she refuses him. Hortensio sends word to his wife to come and hears, “She will not come. She bids you come to her.” (5.2.96) To this all the men are shocked, no “tame” wife would speak to her husband in such a way. Only Kate would speak to her husband in that way and she is undesirable for that
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from eachothers' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58)
In William Shakespeare’s play The Taming of the Shrew, Katherine transforms from a shrew to a conformable wife because of Petruchio’s taming process. At the end of the play, Katherine acts as an obedient wife because she changes her ways. Starting to change, Kate’s attitude and behavior improve since she starts to show kindness. Kate behaves as a shrew at the beginning of the play because she disrespects the people around her.
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
...st play, it is not sexist and demeaning towards women. Petruchio, Hortensio, and Lucentio may have bet on their wives compliance in some eyes, but after further analysis, they were actually betting on the trust between the couple. The reader must also take into account the time period the play was written in which was the 16th century, where women were usually not even allowed to go to school to be educated, and Bianca was having private tutors for her education. Kate was changed by Petruchio’s “taming” from the beginning to the end of the play, but at the end of the novel when Kate was called upon and made her speech, she was the happiest she had been in the entire story. There are however some sexist elements in the story, but just because there are certain characteristics of sexism in a play does not mean the play in itself is sexist and demeaning towards women.
...ironic use of manipulation before and after the wedding, Petruchio is able to tame Kate. Or so he thinks. The only real change is that Kate agrees with him, but she only does this to get her way. Therefore she is manipulating him by pretending that he has been able to tame her. He has not tamed her, because she also utilizes the art of manipulation. Before, Kate’s only defense against patriarchy is to be outspoken; now, she negotiates her own sense of power within patriarchy by using manipulation. Shakespeare’s critic of the patriarchal social structure is therefore just, because not only are women denied the same legal power as men, but their manipulative power is also disregarded and considered a weakness. Therefore women are not to be blamed for utilizing this powerful form of control, because that is what the patriarchal social structure forces them into.
from the Gremio, a suitor of Bianca, right after her father's words. says: "To cart her, rather. " She is too rough for me." Act 1, Scene 1, 55. From here, Katherine is given the image of a turbulent, "curst and shrewd" character. She talks back to her father with total disrespect and shows her temper to the company around her.
In Shakespeare's time, the ideal wife was subservient to her husband, and it was the husband's inherent duty to take care of his wife's money, property, and person, including both physical and moral welfare. If a man's spouse proved rebellious, he had the right to physically brutalize her into submission. This social phenomenon of domesticating an unruly woman as one might an animal was the inspiration for The Taming of the Shrew. Kate fits the stereotype of the shrewish woman at the play's outset and the Renaissance ideal of the subservient, adoring wife by the play's close, but her last speech as the final monologue of the play-rightly interpreted-undercuts her stereotype.
In the beginning, a lot of what we learn about Kate comes from what other people say about her. In Act I, she is only seen briefly and she speaks even less, but our picture of Kate is pretty clear. Shakespeare, sets up a teaching lesson, helping us to see the mistakes of our own judgment. When Baptista announces that Kate must marry before Bianca may take suitors, Gremio describes Kate by saying "She's too rough for me" (1.1.55). Later in the scene, Gremio reiterates his dislike for Kate, claiming she is a "fiend of hell" (88) and offering that "though her father may be very rich, any man is so very a fool to be married to hell" (124–126). He finishes by saying that to marry Kate is worse than to "take her dowry with this condition: to be whipped at the high cross every morning" (132–134). Hortensio, too, is quick to add to the situation, calling Kate a devil (66) and claiming that she is not likely to get a husband unless she is "of gentler, milder mold" (60). Tranio, Lucentio's servant, is perhaps the only man in this scene not to talk ugly about Kate, claiming she is either "stark mad or wonderful froward" (69).
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what
In the taming of the shrew, the play focused on two women in particular, Baptista's daughters, Bianca and Katherine. These women lived in this environment that gave men power for all their lives...
In this play as any other, Shakespeare proves to be a visionary. Petruchio achieves his goal through witty persuasion rather than resorting to beating his wife like many a man before him has done. Though Shakespeare does not go as far as some feminists would like him to, Shakespeare does much for the fight of equality of the sexes. Katherine’s as strong, or stronger than any woman in Shakespeare’s plays. The amazing thing is that she achieves this without ulterior motives such as lady Macbeth. She is an honest, bright independent woman. She is not underscored by her subservience to petruchio in public, for "the sun breaks through the darkest cloud" and so do Katherine’s assets break though the public visage of subordination to her husband.
The Taming of the Shrew is one of the earliest comedies written by William Shakespeare. The Taming of the Shrew focuses a great deal on courtship and marriage. Especially the life after marriage, which was generally not focused on in other comedies. Notably, the play focuses on the social roles that each character plays, and how each character faces the major struggles of their social roles. Which plays into one of the most prevalent themes of The Taming of the Shrew. The theme of how social roles play into a person’s individual happiness. This is displayed through the characters in the play that desperately try to break out of the social roles that are forced upon them. This exemplified through the character, Katherine, an upper-class young maiden-in-waiting, who wishes to have nothing to do with her role.
The Taming of the Shrew, by William Shakespeare, follows the lives of two sisters, Katherine and Bianca, as different suitors try to wed Bianca. Katherine is seen as a shrew by many people and her ‘shrewish’ behavior can be seen in her relationship with her sister Bianca. In 10 Things I Hate About You, a film adaptation of The Taming of the Shrew, Bianca and Kat also have a bad relationship, however, Kat’s shrewish behavior towards her sister is explained, allowing the audience to understand another side to Kat and enhancing the play version of Katherine. Katherine and Bianca have a hostile relationship in both The Taming of the Shrew and 10 Things I Hate About You, however, both stories show that Katherine does not act like a shrew towards