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Beowulf character essay
Beowulf character essay
Analysis of beowulf
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Beowolf is a story of Anglo-Saxon descent and has been passed down orally from generation to generation. Grendel, a modern book by John Gardner, tells of a monster named Grendel who is lost in life. Grendel struggles with whether he is good, bad, or if his existence even matters as his conscience is influenced by The Shaper, The Dragon, and Hrothgar.
Grendel is mostly persuaded by the Shaper to believe that his purpose in life is to be good. The Shaper is royal harp player and story teller who tells stories of the great ventures of the Danes. Grendel hears the Shaper and he begins to believe that the Danes and himself could live in peace. He doesn’t want any problem with the Danes while the Shaper is playing, but when he stops, Grendel
Rudd cites various sections of the poem, describing Grendel as a “night-monster of the border lands” (Rudd 3), and the translation of the poem says that Grendel was, “...Conceived by a pair of those monsters born Of Cain, murderous creatures banished By God…” (Raffel 42). Rudd also gives evidence for Grendel being seen as demonic, and reasons that Grendel attacks the Danes out of “...not mere thirst for gore, as we might suspect… but rather… envy of the Danes’ happiness- and envy was a chief characteristic of the medieval devil.” (Ruud 5). He then ties this devilish persona to Grendel’s humanistic aspects, stating Grendel has a heathen soul, and therefore he must be human. Ruud also notes, however, that there are critics who question the validity of portraying Grendel as this three-sided figure, asking questions such as, “How can Grendel be a devil when he has a physical body? How can he be a man when he is so manifestly bestial?” (Ruud 7). Ruud believes that the original poet of Beowulf is doing this for effect rather than consistency, but a more reasonable explanation that encompasses all three characteristics is that Grendel represents the evil in
The Shaper’s musical tales mesmerize Grendel; Even though he knows that the tales are partially fictional, he can’t help but fall under the influence of the power of stories. He spends a large portion of his time spying on the Shaper while he tells his tales.This shows that there is some aspect of the human culture that fascinates Grendel enough for him to abandon his animalistic pursuits of
In John Gardner’s Grendel, the Shaper is an important contributing character that carries the plot in a historical sense. During the first encounter between the monster and the humans, Grendel hears of the stories and tales the Shaper is singing about in Hrothgar’s mead-hall. Throughout the story the Shaper tells about Danish history and the creation of man’s existence and Grendel is fascinated by this. After listening to the Shaper’s stories, Grendel starts to realize that what he is saying is not true, “I too crept away, my mind aswim in ringing phrases, magnificent, golden, and all of them, incredibly, lies,” and starts to question what is true and what is not (Gardner 43). The Shaper’s eloquent tales had a large effect on Grendel, “He told of an ancient feud between two brothers which split all the world between darkness and light. And I, Grendel, was the dark side...I believed him! Such was the power of the Shaper's harp!” (Gardner 52). Gardner’s writing of Grendel sheds light on a whole new side of Grendel, as opposed to the monstrous being in Beowulf; so much so that we can see a divide in G...
Grendel had changed drastically from all the way from the start of the book all the way to the end of the book. Grendel began very immature almost child like from the beginning of the book. The way he talked and viewed all things such as plants and animals was very child like. The difference between him and a human would be his monstrous height and strength. Grendel’s first major change was when Grendel heard the words of the Shaper. Grendel would evaluate the Shaper as he would tell his stories in the mead hall, he would do so for many nights. Many times though Grendel would not agree with the stories the Shaper would say and tell to the others, sometimes he felt as if the Shaper was trying to manipulate the others around him. This would anger
No one knows who wrote Beowulf but we do know who wrote Grendel. John Gardner took the epic Beowulf and added more to the brilliant story. Grendel takes on the same story as Beowulf but from the perspective of Grendel, the beast in Beowulf. The story of Grendel is very interesting because from reading Beowulf it is completely uninspected. In Beowulf Grendel is said to be a disgusting monster that’s only job is to kill. In Grendel we really see him as very nice but turns to be evil because he is pushed into that direction.
With the introduction of the Shaper, Grendel’s ideals are transformed by another’s words. The Shaper is able to show Grendel that he can have an identity and not just be a mere obstruction in the dark. The Shaper created his own theories and stories about life and fed them to the people in a way that enabled them to follow what he said as truth. The Shaper gave the Danes a purpose by telling them what great feats they had overcome and his words excited and encouraged the men to become even more magnificent. The more Grendel listens to the Shaper’s songs, the more apparent it is that Grendel is captivated by the Shaper’s perspective on life. The Shaper’s songs tore at Grendel because he wanted to believe in everything said, but felt ashamed to live his life believing in lies: “I listened, felt myself swept up. I knew very well that all he said was ridiculous, not light for their darkness but flattery, illusion, a vortex pulling them from sunlight to heat, a kind of midsummer burgeoning waltz to the sickle” (Gardner 47). Grendel wanted to believe in the Shaper and his theories but he knew that in the end they were all lies meant to deceive, to fool, and to ensnare the listener. It was the Shaper’s skill and imagination that stirred him, but as much as Grendel wanted to accept the Shaper’s tales, he knew they were not the truths he was looking
In the story Beowulf by Seamus Heaney, Grendel is a slimy green swamp monster that has human emotions but is portrayed as a hideous beast and an outcast of the Anglo-Saxon society.
A building is ablaze and a crowd of people stare helplessly from the streets, listening to screams coming from within. A single person runs in to rescues whomever he or she can find. Whether or not that person emerges with a child in their arms, empty handed, or not at all, does nothing to alter our society’s perception of their heroism. Today’s society would classify such an action as heroic, regardless of outcome, for one reason: intentions. During Anglo-Saxton times the interpretation of such an act, based on the tale Beowulf, would not be so understanding of what was intended, but rather of the outcome. If one perished and failed in an attempt of such a heroic act words like weakness might arise. It is here that the clash of what a hero is occurs between the Anglo-Saxton tale Beowulf and John Gardner’s Grendel. Beowulf in Beowulf is a hero for he defeats evil and restores order to and for the common people. Unferth in Grendel however is unsuccessful in his campaign against evil, but like the man who emerges empty handed he is by no means any less of a hero. For heroism, as demonstrated in the Anglo-Saxton tale Beowulf, is altered in Gardner’s Grendel to convey the idea that intentions define a hero as opposed to actions.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
“In my youth I engaged in many wars”, Beowulf boasts to his warriors, which is certainly true. Throughout his life, he faces many deadly foes, all of which he handily defeats, save one. His story focuses on the most challenging, as well as morally significant of foes, Grendel and the dragon. These creatures reveal much about society as well as Christian virtue at the time. Even after Grendel and the dragon are defeated physically, the two monsters pose a new threat to the hero on a higher plane. Beowulf is not only at risk of losing his life, but his humanity, virtue, and even spirituality.
Grendel exhibits human feelings and characteristics in many ways. Although Grendel is a monster “forced into isolation by his bestial appearance and limited imagination” (Butts) he yearns to be a part of society; he craves companionship while he is isolated. With his “ear pressed tight against the timbers [of Hart]” (43), he watches and listens to the humans and what goes on in Hart, the meadhall of King Hrothgar, to feel like he is a part of civilization. He also has feelings in relation to specific humans. Just like the citizens of Denmark, he is extremely affected by the Shaper and his songs that are “aswim in ringing phrases, magnificent, golden, all of them, incredibly, lies” (43). Grendel is profoundly “moved by the power of the Shaper’s poetry” (Butts). Queen Wealtheow shows Grendel the feminine, sweet, and kind side of life. “She had secret wells of joy that overflowed to them all” and her peaceful effect on those around her is a main cause of Grendel’s almost obsessive fascination with her and in turn, drives Grendel to feelings of rage. Grendel’s humanlike feelings show that his personality is similar to that of a human, helping those who read his story to relate to him.
Beowulf and Grendel (Gunnarsson 2005) depicts a very different protagonist than the one in the epic (Heaney 2000). The Beowulf in the film learns how to have mercy as the movie progresses, while the epic Beowulf is very flat. This is due to the fact that the modern culture is very different from that of the epic. Our culture isn't content with such characters. We want our characters to have more lifelike characteristics such as emotions and a change of heart.
The Shaper later “[tells] of an ancient feud between two brothers which split all the world between darkness and light” and makes Grendel “the dark side.” Grendel then goes into the hall and asks the men for friendship, but they attack him. This episode causes Grendel to question reality, but then he starts listing everything that he knows to be true. However, the beautiful poetry continues to confuse Grendel, and he cannot determine the truth. Although Grendel has mixed feelings, he keeps coming back to hear the Shaper’s songs. One day, Grendel hears a story about how he raided the mead hall, and he decides to become the monster that the Shaper makes him out to be since he knows the story is false. Grendel’s dilemma demonstrates the power of craft and art and the Shaper’s effect on
Grendel’s hatred towards the Shaper is interesting because Grendel is more jealous than angry, Grendel wishes that he could believe in the ‘incongruous world’ that the Shaper has created, this connection between the Shaper and Grendel also results in Grendel’s resentment towards the Dragon since the Dragon is responsible for clarifying the way the world works. Even though Grendel seems to believe that what the Shaper says is not true, Grendel still, inevitably creates his own ‘illusion’ of the world. Throughout the story, Grendel imagines situations such as the Dragon and Beowulf to challenge his beliefs; he tries to become the Shaper himself in a way, all whilst trying to break free of the hold that the Shaper has on him. The death of the shaper however, was the last straw for Grendel, this made Grendel realize that there was nothing preventing him from coming out of his shell, expectedly, Grendel’s subconscious breaks free of the spell he was under. This suggests that whilst Grendel was busy explaining how humans were inferior and he was vastly different from them, he never stopped to realize that he himself was under the control of the Shaper, this, to some extent, portrays the Shaper as
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.