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How could the things in the Elizabethan era impact shakespeares writing
How is the character of beatrice presented in much ado about nothing essay
Shakespeare's influence on Elizabethan era
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Shakespeare uses many different ways to portray the character Beatrice throughout the play ‘Much ado’. Beatrice is an extrovert character and shows that she is not afraid to express her feelings to other characters and the audience.
Shakespeare portrays Beatrice as a lady how subverts from the stereotypical behaviour that is expected of her. In act one, scene one you see what and outgoing, self-assured and vociferous character Beatrice really is. When introduced, you see the relationship between Benedick and Beatrice is fierce and entertaining to the audience. When Beatrice insults Benedick with ‘scratching could not make it worse an ‘twere such a face as yours were’ suggests that Beatrice is an opinionated character that does not allow
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Beatrice has a very sharp tone to her insults and says them with pride. She shows signs of not being scared of the male characters making her appear robust to what anyone would say. Women who were outspoken in would face ‘public humiliation and shame’ . For a punishment women would have to face a mask that would be put onto their face to punish them for gossiping or being too outspoken, called a ‘brank’ or ‘bridle’ . This punishment was used up until the 1800’s and was a painful and humiliating experience for them. Realistically, if Beatrice was in the real world, she would have had to experience this because she is disrespectful to Benedick. This creates comedy because Benedick is portrayed as a man who will take insults and not punish Beatrice for what she said when realistically he should of suggesting that perhaps Benedick is portrayed as the stereotypical woman and Beatrice as the stereotypical man that was expected in that era. During Shakespearian times, Beatrice would have been played by a male actor and when she says ‘Oh, that I was a man!’ it makes the portrayal of Beatrice ironic because a man would have said it. …show more content…
When Benedick hushes her with a kiss, you begin to see that perhaps Beatrice acted the way she did throughout the play because she craved male attention and affection. We understand that her behavior towards the male characters is so that she gains more attention for being independent but can being interpreted that she was just lonely. However, it could also be suggested that Beatrice’s aim of is go subvert from the stereotype to get Benedick’s attention and that she always loved him. When Beatrice says ‘I would not deny you’ we as an audience could interpret that as a way of her saying that she has always wanted husband. We could believe that Beatrice is a mirror image of the character Benedick because they both say that they do not wish to marry but when they express their love for each other, they are very convincing characters. In the end of the play, it could be insinuated that the comedic value of them getting together is very high because you see Beatrice lose her individualism that she sticks to throughout the play. We could believe that she actually uses her individual behavior to get
Shakespeare represents Beatrice as a very feisty, cynical and sharp woman during the play. We can especially see this when she uses her wit to shock the messenger saying, in act one scene one, that ‘he is no less than a stuffed man.’ This is exceedingly disrespectful to fashion such a rude comment about a man who is just about to arrive back from war. One thing Shakespeare clearly shows us is that Beatrice would not be the ideal woman for most men. To emphasize this he contrasts Beatrice with a weak and quiet character such as Hero who acts upon every mans instruction, we can see this when Beatrice says to Leonato that its her ‘cousins duty’ to say ‘father as it please you.’ Shakespeare makes such a clear contrast between the two women to the extent that Beatrice steals most of Hero’s attention from the other male characters in the play. Furthermore he shows us how Beatrice is perhaps a threat to the patriarchal society at the time, we can see this on page fifty-nine where she implys that it is her duty to please herself, whether or not her father consents. This is unlike Hero, who cannot do anything unless a man is fighting her corner, however Beatrice is willing to
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
Throughout Act one and two, Benedick repeatedly says that he will never love a woman or get married. At some stage in the duration of the play his mindset changes. In the end he is head over heels in love for Beatrice whom he once quarreled with habitually. The turnabout in his behavior was brought about by the deceiving Claudio and Pedro who indirectly told Benedick that Beatrice loved him.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
Telling her gentlewomen that Benedick loves Beatrice is her secret and it just so happens that Beatrice overhears, because it was. all planned that she should overhear. In this scene, Hero is dominant. in the conversation and says whole paragraphs instead of a few words that she says sporadically throughout the play, like in Act 1 scene 1. where she only says one line in the whole scene, "My cousin means Signor Benedick of Padua. " Page 5, line 27.This is because she needs.
Set in the sixteenth century, Much Ado About Nothing is revolved around the thought of love and marriage. Primarily, this is prevalent in the two main characters, Beatrice and Benedick. They have once been courted which suggests more maturity than the majority of couples in Shakespeare’s various plays. In the duration of the play, the violent language between Benedick and Beatrice is most evident through their ridicule. Both characters always speak critically regardless of whether they are talking to each other or out loud about one another. This is highlighted when Beatrice exclaims, “What should I do with him—dress him in my apparel / and make him my waiting gentlewoman? He that hath a / beard is more than / a youth, and he that hath no beard is less than a/ man; and he that is more than a youth is not for me, and he that is less than a/ man, I am not for him...
Whedon's production of Much Ado About Nothing is a modern, black and white retelling of the famous Shakespeare play of the same name which tells the story of love and deceit between two couples: Hero and Claudio, and Beatrice and Benedick. While Hero and Claudio court and prepare to marry each other, Beatrice and Benedick steal the show away with their wit, humor, and constant bickering. Though they both insist that they hate each other, the flashback presented at the start of the film suggests that there is far more to the story than meets the eye. While the style of the film certainly enhances the story being told, making it a timeless classic entangled with modern society, it is the ensemble cast that work both individually and as a unit which make the film a true masterpiece, as well as the genius idea of a change in scenery that propels a sense of realism not often found in your average Shakespeare adaptation.
Beatrice and Benedick seem to have had some relationship before the beginning of the book that ended badly. This suggests that the initial situation between Beatrice and Benedick was one of mutual attraction, not of the overt hate they seem to flaunt at the beginning of the play. Scorn of this magnitude is rare among people who dislike each other from the start, and seems very unlikely in a broken up couple. In addition, both Beatrice and Benedick turned out to be very willing to abandon their smear campaigns as soon as they are convinced the other is aching for them. It is ridiculous that one would abandon one's own principals to bail out a hated enemy in trouble. This makes clear that their attitude toward each other is an act. If this is so, what is the purpose of the act...
Shakespeare's works were fictional so even though he portrayed women in a positive way, society wished to oppress women and portray the kind of independence that Beatrice shows as being a negative thing. Shakespeare used his characters as a subtle way of empowering women by casting strong women in a positive light.
Feminist critics of Much Ado About Nothing, like Sylvia Townsend Warner, praise Beatrice for being "free and uninhibited" ("Women as Writers," Warner, 272). Beatrice is a strong female character who marries only after asserting her disapproval for the traditionally voiceless role of women in marriage and courtship relationships of the 16th and 17th c. Beatrice is a fearless verbal warrior, and Benedick is her greatest challenger. Their verbal bantering allow for each of their strengths and opinions to show, and together they glory in the challenge of their next duel.
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.
From the very start of the play Beatrice shows her independence but openly admitting to everyone that she does not, by any chance, want to be married, especially to Signior Benedick. Whom it was hinted at throughout the play had a past with Beatrice and the “relationship” ended up with her being hurt and him going off to battle. She makes it clear in their battle of wits after he says “….But it is certain I am loved of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love no one.” (A1; S1; L122-125). After hearing Benedick say that she then replies with “A dear happiness to women. They would else have been troubled with a precious suitor. I thank God and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me.” (A1; S1; L126-130). This was basically her way of telling Benedick that she does not want someone to swear the love her when in reality the love is not actually there. She would rather not deal with the nonsense of someone who is not true to their word. Even at another moment in the play, Leonato says to h...
The first scene gives good insight to Beatrice’s character. Benedict is telling Beatrice how he will never marry a woman, and he will be a bachelor forever. To this Beatrice responds: “A dear happiness to women. They would else
...o asks Hero about Claudio she responds with: "So you walk softly, and look sweetly, and say nothing, I am yours for the walk, and especially when I walk away." (2.1.81-83). Beatrice is what a woman should be. A more modern view of feminism would have had Beatrice not only make her own decisions but follow through with them on her own. While Much Ado About Nothing seemingly questions the traditional gender roles of men and women in Messina through Beatrice's resistance to them, at the same time, the play decidedly ends Benedick saying, "Peace! I will stop your mouth" (5.4.96), silencing Beatrice with a kiss. Still, it cannot be denied that Beatrice, for a time, equates herself with men and the power they hold. Unfortunately, she gives in to love and in so doing, she relinquishes her independence and self-control in the male-dominated world of Much Ado About Nothing.
Through personality, Beatrice is seen as a woman with a colourful palette, as shown in her reference to Benedick as ‘Signor Mountanto’ (Act 1.1.28). The Latin derivative, mispronounced deliberately as ‘Mountanto’ (Signor Mountanto, N.D. Available from https://www.digitaltheatreplus.com/study-guides/much-ado-about-nothing/keywords-and-questions/signior-mountanto¬ [Accessed 12 Dec. 2015]), served as a ‘bawdy’ (ibid) euphemistic pun. The pun