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Sparknotes the catcher in the rye coming of age
Literary analysis over the odyssey
Sparknotes the catcher in the rye coming of age
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A father as a role model is crucial in a boy’s transition into manhood. When a father guides his son from child to adult and still maintains power over his son, he succeeds. In Homer’s The Odyssey, we see how without Odysseus, Telemachus is still a childish, and how with the mentorship of Athena, who is disguised as a man, he is able to resemble his father and not overpower him. Similarly in Salinger’s The Catcher in the Rye, Holden is very childish as he has no role model to follow. Holden seeks them out although, they give him irrelevant advice for his voyage to adulthood. However, because Holden is having trouble finding viable advice, he is negatively influenced by the movies. The reader is now able to see Telemachus and Holden both look to mentors for the guidance that they do not receive from their fathers, but while disguised Athena helps Telemachus to become a more like his father and a man as they are seen in society, Holden’s would-be mentors fail him because he is given bad advice such as when Mr. Spencer fails to give him advice for the future and Mr. Antolini’s misunderstood intimacy and is left with the entertainment industry for mentorship . Contrasting the roles that mentor characters play in the two novels highlights a fundamental difference between them: unlike The Odyssey, The Catcher in the Rye implies without the father figure in place, boys are left to turn to the movies for guidance into manhood.
In both novels it is clear without fathers the hero is helpless. In the case of The Odyssey, Telemachus has grown up his entire life with his father away after the trojan war. Telemachus clearly demonstrates the detrimental effects of no father figure, as he acts very childish and is looking for someone to fill th...
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... he’d start screaming at me, in this very high pitched, yellow-belly voice. […] But I’d plug him anyway” (136). Holden pictures Maurice will be “screaming” in a “very high-pitched” voice, demonstrating how now Holden is a man because he posses a phallic symbol and Maurice has nothing to counter with. However, Holden realizes the fantasy is farfetched and finishes his dream of killing Maurice by thinking much more logically and says, “The goddam movies. They can ruin you.” (136). Here we see Holden coming to terms with how he understands the failure of the movies as mentors, but he is so desperate that he is willing to let them “ruin” him. In addition, the self proclaimed “most terrific liar you ever saw in your life” says, “I’m not kidding” which helps the reader understand how serious Holden is being about the potential for boys to find improper guidance in them.
In his fight with Stradlater, Holden’s character is shown as a defender of innocence. He defends the memory of his brother through the report he writes for Stradlater. Because of Stradlater’s criticism on his brother’s death, Holden destroys the essay and says “All right, give it back to me, then,’ I said. I went over and pulled it right out of his goddamn hand. Then I tore it up.” Holden is tormented by the memory of his brother throughout the novel, and in this fight he defends his brothers memory by protecting the baseball glove. Later in this scene Holden is upset with Stradlater’s relationship with Jane. Holden explains, “If you knew Stradlater, you 'd have been worried, too. I 'd double-dated with the bastard a couple of times, and I know what I 'm talking about. He was unscrupulous.” Holden tries to defend Jane’s innocence and the reader is able to see Holden’s ethical code to protect the innocence and memory of others. In Holden’s confrontation with Maurice, Holden displays his detestation of the evil phony. “All of a sudden I started to cry. I 'd give anything if I hadn 't, but I did. 'No, you 're no crooks, ' I said. 'You 're just steeling five ' 'Shut up, ' old Maurice said and gave me a shove.” The scene between Maurice and Holden over the prostitute Sunny shows his emotions when it comes to fake people. In this scene he
Holden’s immaturity causes him many problems throughout the story. Although he is physically mature, he acts more like a child. “All of a sudden I started to cry. I’d give anything if I hadn’t, but I did” (p. 103). This occurs when Maurice argues with Holden about money that Holden owes to a prostitute. The situation becomes too much for Holden to handle, and he breaks down like a child. Holden also tries to have immature conversations with people who have become adults. Another example of imma...
Due to J.D Salinger’s personal and relatable narrative treatment, Catcher in the Rye continues to engage audiences, even 64 years after it was first published. The way the book deals with alienation and disillusionment in regards to Holden’s past trauma - through the closeness of first person narration and conversational writing among other techniques - creates a personal connection to Holden’s character and helps adolescents relate his troubles to their own.
To conclude, Holden try’s desperately on holding on to his innocents. Triggered by the loss of his brother, Holden makes it his mission to protect kids from there inevitable maturity, sealing them from phony’s and. When he realised that he could not achieve the qoel of saving all children from growing up Holden has a nervous breakdown. He dosint understand the proses of life ad he can’t pick to stay a child for ever when in reality growing up is inevitable. ‘’We've let the blade of our innocence dull over time, and it's only in innocence that you find any kind of magic, any kind of courage.”
Holden Caulfield, portrayed in the J.D. Salinger novel Catcher in the Rye as an adolescent struggling to find his own identity, possesses many characteristics that easily link him to the typical teenager living today. The fact that the book was written many years ago clearly exemplifies the timeless nature of this work. Holden's actions are those that any teenager can clearly relate with. The desire for independence, the sexually related encounters, and the questioning of ones religion are issues that almost all teens have had or will have to deal with in their adolescent years. The novel and its main character's experiences can easily be related to and will forever link Holden with every member of society, because everyone in the world was or will be a teen sometime in their life.
Soon after the assembly, Telemachus leaves Ithaca to search for answers and for his missing father, all the while being guided by Athena. He also finds something he least expected: his father is alive and well. Telemachus is overjoyed to see Odysseus, the man who could not be there to help him grow into a man. He did not have a father, though.
The novel “The Catcher in the Rye,” revolves around the protagonist Holden Caulfield as the story is told from his perspective. J.D. Salinger constructed Holden Caulfield as a cynical person who cannot accept to grow up. Throughout “The Catcher in the Rye,” J.D. Salinger uses symbolism to reveal and reinforce critical aspects of the protagonist Holden Caulfield. Three important aspects Holden acquired through Salinger’s use of symbolism are: his stubborn, uncompromising mentality; his softer, more caring respectful side; Holden’s cowardly way of acting and thinking.
At some point in their life, many people experience feelings of inadequacy or uncertainty. In “The Odyssey” by Homer, one of the main characters Telemachus experiences both of these feelings. He feels that he is not good enough, especially compared to his father, Odysseus, who many people refer to as a great leader. In the beginning of “The Odyssey”, Telemachus’ home has been taken over by suitors, each with the goal of winning over his mother, in hopes to marry her and become king. Telemachus is not fond of these men in his home, but does not have the confidence to get rid of them. Lastly, at this point in the story, Odysseus, Telemachus’ father, has been gone for approximately twenty years, most of Telemachus’ life. Telemachus has been
In J.D. Salinger’s Catcher in the Rye, Holden Caulfield is seen by some critics a a drop out student destined for failure in life, but I see him as a symbol of an adolescent who struggles to adapt to the reality of adulthood.
He also dislikes movies. “If there’s one thing I hate, it’s the movies. Don’t even mention them to me.”(2). Holden think that actors are phonies . He also thinks his brother D.B sold out for the financial success of Hollywood. Holden calls everyone phonies because they have a different perspectives and they don’t think like him. It is a way for Holden to separate himself from other people. Holden thinks the world is about to get him. Holden is a hypocrite because he calls people phonies but he said “I am the most terrific liar you ever saw in your life. It is awful.”(16). This quote show how of a terrific liar Holden really is and how he is not reliable.
The Odyssey tells the story of Odysseus and his both literal and figurative journey home to Ithaka. When the great king, Odysseus travels to Troy on the account of war, many obstructions hinder him from returning home. During his absence, his deprivation of being a father to his son, Telemachus, causes great disappointment. Without a father, his son strives to grow and mature yet he has not the slightest idea of where to. However, as Telemachus struggles to reach manhood and his father struggles to return to Ithaka, their seemingly separate journeys are connected. They both learn values that turn a boy into a man and a great man even greater. In the epic poem the Odyssey, Homer uses parallel rites of passage with Odysseus and Telemachus to develop the importance of the father son-bond.
Holden instead of challenging these ideologies chooses to perpetuate them. Holden’s obsession with the objectivation of women and death exemplifies that the masculinity he practices is toxic. Male readers of this novel can then cling to these stereotypes as well, and continue to perpetuate rape culture and toxic masculinity. In the above examples, Holden shows that he is a product of negative social constructs upheld by a patriarchal
In the Odyssey, Telemachus, son of great hero Odysseus, who grows up in the world of greed and disrespect where the suitors take over his palace and court his mother, is one of the most significant character throughout the whole epic. His father, Odysseus, leaving the land Ithaca for 20 years, is the only warrior alive in Trojan war who hasn’t make his return home. During Telemachus’ expedition to search for the news of his father, he is under a process of maturation from the beginning in which he is mere a shadow of his father to the end in which he becomes more and more like him in terms of initiative, sensitivity and socialization.
Part of the irony in Holden’s story is that physically, he looks mature, but mentally, he is still very much a child: “I act quite young for my age, sometimes. I was sixteen then, and I’m seventeen now … I’m six foot two and a half and I have gray hair ” (9). There is no middle ground, adolescence, for Holden. He can only be an adult, physically, or a child, mentally. Holden’s history teacher, Mr. Spencer, tries to appeal to him by using a metaphor: “Life is a game, boy.
Some people feel all alone in this world, with no direction to follow but their empty loneliness. The Catcher in the Rye written by J.D Salinger, follows a sixteen-year-old boy, Holden Caulfield, who despises society and calls everyone a “phony.” Holden can be seen as a delinquent who smokes tobacco, drinks alcohol, and gets expelled from a prestigious boarding school. This coming-of-age book follows the themes of isolation, innocence, and corrupted maturity which is influenced from the author's life and modernism, and is shown through the setting, symbolism, and diction.