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Dramatic techniques in Richard III
Analysis of William Shakespeare
Richard III essay
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Richard as an Anti-hero:
To what extent does Richard embody this archetype?
In William Shakespeare’s play, Richard III, Richard is portrayed as physically deformed and psychologically affected. It is believed that his inner soul is a reflection of his physical deformities. Richard is considered as the protagonist of this play, however this is highly contradictive. A protagonist is the hero of the story who exhibits characteristics of courage and perseverance, and is admired for their brave deeds as well as their noble qualities. Richard however, contradicts the character portrayal of a hero and demonstrates himself as the exact opposite: an anti-hero. The play opens up with Richard’s, (Duke of Gloucester) soliloquy: “I am determined to prove a villain” (1.1.30). This enables the reader to recognize the antagonistic qualities that are embedded with the protagonist Richard. Shakespeare expresses the protagonist in a slightly different way compared to the normal. Richard exhibits not only villainous characteristics but he also use persuasion to manipulate others, rejects established values and traditions, and is rejected by society.
Although Richard’s physical appearance, does not allow him to impress others, his ability to persuade allows him to have an influence on individuals. A great example that demonstrates Richard’s ability to use his persuasive skills to manipulate people is expressed in Act I Scene II when Richard woos Anne. In this scene, Richard demonstrates perseverance and confidence, which are ideal characteristics of a protagonist, even though Anne calls him names and insults him. Although he is the guilty murderer he uses “language of forgiveness and Christian charity” (Pat Baldwin). Keep in mind that Richard kil...
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... someone who people wouldn’t want to be. Richard draws sympathy as well as disgust from the audience. Though Richard may be the main focus of the play, he does not possess qualities of a protagonist. It is safe to say that Richard is an immoral person who contradicts everything that represents a protagonist.
Works Cited
Gunnin, Steven Thor. An Essay on Shakespeare's Richard III: Portrait of an Anti-Hero. 20 October 2006. 2 April 2011 .
Pat Baldwin, Tom Baldwin. Cambridge Student Guide- Shakespeare's Richard III. Cambridge: Cambridge University Press, 2002.
R.Kayne. What is an anti-hero? 4 April 2011. 5 April 2011 .
Cambridge University. King Richard III. Cambridge: Cambridge University Press, 2000
I feel that Richard gains our sympathy when he resigns the crown, refuses to read the paper that highlights his crimes, and smashes the mirror, which represents his vanity. In terms of kingship, I interpret the play as an exploration between the contrast with aristocratic pride in the law and the king's omnipotent powers. It also shows the chain reaction on kingship as past events in history determine present
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
Instead of a powerful physical image, like Queen Elizabeth I, Richard implements elegant soliloquies, engages in witty banter, and attunes the audience to his motives with frequent asides. This flexibility demonstrates Richard's thespian superiority and power over the rest of the play's cast, making him a unique character in the play, but why does he do it? This constant battle between characters to claim mastery over a scene leaves the audience with a seemingly overlooked source of power for an actor [clarify/expand].
In Hamlet, by William Shakespeare, the main character, Hamlet, possesses qualities and characteristics that shape him into the man he is. Grief stricken and revenge seeking, Hamlet’s true self is displayed through his actions. Hamlet’s love, Ophelia, serves as a foil to his character highlighting his strong mind, coping methods with emotions, and corruption within families.
Shakespeare, William, Marilyn Eisenstat, and Ken Roy. Hamlet. 2nd ed. Toronto: Harcourt Canada, 2003. Print.
Shakespeare, William. The Three-Text Hamlet. Eds. Paul Bertram and Bernice Kliman. New York: AMS Press, 1991.
Shakespeare, William. The New Cambridge Shakespeare: Hamlet, Prince of Denmark. Ed. Philip Edwards. Cambridge: Cambridge U P, 1985.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
A hero is a man who is distinguished by exceptional courage, nobility. and strength to carry out tasks that involve great risks. A hero can also be a person who fights for other people to help or save them. from their fears and fears. He opposes the villain - a person who does wicked or intentionally harm others in some way, emotionally or otherwise.
The task which Shakespeare undertook was to mold the hateful constitution of Richard's Moral; character. Richard had to contend with the prejudices arising from his bodily deformity which was considered an indication of the depravity and wickedness of his nature. Richard's ambitious nature, his elastic intellect, and his want of faith in goodness conspire to produce his tendency to despise and degrade every surrounding being and object, even as his own person. He is never sincere except when he is about to commit a murder.
Shakespeare, William. Richard III. The Norton Shakespeare. Ed. Stephen Greenblatt. (New York: W.W. Norton and Company, 1997), 515-600.
According to many, Shakespeare intentionally portrays Richard III in ways that would have the world hail him as the ultimate Machiavel. This build up only serves to further the dramatic irony when Richard falls from his throne. The nature of Richard's character is key to discovering the commentary Shakespeare is delivering on the nature of tyrants. By setting up Richard to be seen as the ultimate Machiavel, only to have him utterly destroyed, Shakespeare makes a dramatic commentary on the frailty of tyranny and such men as would aspire to tyrannical rule.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
Upon examining Shakespeare's characters in this play, Hamlet proves to be a very complex character, and functions as the key element to the development of the play. Throughout the play we see the many different aspects of Hamlet's personality by observing his actions and responses to certain situations. Hamlet takes on the role of a strong character, but through his internal weaknesses we witness his destruction.