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Richard III main issue
Richard III essay
Comparative analysis of Richard III and Looking for Richard
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Shakespeare has a way with villainous characters. But not only in making them bad but also to make the audience or even the other characters in the play to feel for these characters that are only showing signs of evil and a want to ruin everything. We even goes as far as to say the very apparent villain in Richard III is also the hero of the play even though most characters despise him in the end. But in the same breath we are given a character like Iago from Othello who does quite the same things as Richard and yet is seen as a good and honest person to most of the characters. Both Richard and Iago use their way with rhetoric and action that make them even more complex characters than other Shakespeare characters. There is also going to be discussion …show more content…
He is deformed and this is his reason behind why he gets nothing, no love and no power. Like in many cases this is hard to picture he is the third son and thus had very little chance of ever getting the throne unless something severe happened, which in this play we would see happen. But he is not left without he is the Duke of the Gloucester but even with this he laments and complains about not getting the power that he thinks he so rightfully deserves. In his monologues we hear of his great triumphs in battle as well as how he is deformed, all in the same breath. In this monologue he starts with ‘Now are our brows bound with victorious wreaths, Our bruisèd arms hung up for monuments, Our stern alarums changed to merry meetings,’ and then it slowly devolves into ‘I, that am curtailed of this fair proportion, Cheated of feature by dissembling nature, Deformed, unfinished, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable (Richard III 1:1).’ It seems from the get go Richard is wanting people to feel sorry for him because he is deformed and to think that this is why he is not given any power or
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
Shakespeare's villains seem to fall into one of two categories: those who are villainous of heart (inherently and genuinely evil or Machiavellian) and those who are circumstantially turned antagonists. Richard III's carefully plotted plans to usurp the throne contrast heavily against Aaron's (of Titus Andronicus) rambling which contrasts with Aaron's lack of action. The motivations of these two characters are different however. Richard seizes the opportunity to take over the throne by Machiavellian means when presented with the opportunity. Aaron represents the evil presumed of a "godless moor," his character being a symbol as much as his skin colour particularly to an audience familiar with the conquests.
...e was also writing in Tudor England and seemed to have openly dislike Richard III. In other portions of his writing he describes Richard as an unattractive deformed man who was born with a full set of teeth. He writes that he had a “sour countenance , which seemed to savour of mischief, and utter evidently craft and deceit.”
Iago was the villain men envied and woman wanted. Some theorist hypothesized that Iago in fact had no interest in the ladies but was more captivated by the men. Iago was likely the most vicious villains in Shakespeare. He played the two faced liar smiting and betraying his fellow characters. He plays three sides of a story, while at one point he is the best comrade a person could have, at another he is back stabbing and yet another throwing hints to the audience. Iago is, in my opinion, the main character creating the most depth and interest throughout the entire play.
Richard had weakened since he had become king and was no longer ruthless as he had no reason to be ruthless. He had got what he wanted and was pleased with himself. He thought he was invincible, and he was too confident, which cost him his life. If he had been more careful, he would have been aware of the danger that lied before him. But, he did use some similar techniques in both the scenes.
Few characters in Shakespeare's plays outside of the leading "main" character ever are associated to actively pursue an agenda that destroys other characters lives. Charles III is well known as a Shakespearean bringer of chaos and Machiavellian figure however, he is dwarfed by Iagos malevolent nature. Iago is complex character that seeks the utter destruction of Othello emotionally and physically. Iago as a character is manipulative and secretive only revealing his inner workings to his audience through soliloquy and demonstrating his deceitful nat...
King Richard II is Shakespeare's example of a king who removes himself from the reality of the common people. Richard views his position as a source of amusement. His "cares" as King, other than an opportunity for an agreeable audience, are merely a burden. Instead of investigating the accusations of treachery from Henry and Mawbrick, he exiles both men as an easy way out. Richard was born a King, and knows no life other than that of royalty. Unfortunately the lesson that must know men to rule them costs him the thrown. Richard's lesson influences his usurper and his usurper's heir to the thrown, demonstrating to them both the value of humility.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
...n the end of the play. Iago is not really evil or the vice character he is the misunderstood and wonderful character who can only be seen through a certain lens before it all goes back to black and white and good and evil fights one another for the main stage again. Shakespeare pulled many themes into this story but in all truth I believe that Iago is true main character, not Othello or Cassio, but Iago with all of his problems and vices, he is the truest expression of being human.
Shakespeare Richard III was a traitor, a murderer, a tyrant, and a hypocrite. The leading characteristics of his mind are scorn, sarcasm, and an overwhelming contempt. It appears that the contempt for his victims rather than active hatred or cruelty was the motive for murdering them. Upon meeting him he sounds the keynote to his whole character. " I, that am curtailed of this proportion, cheated of feature by dissembling nature, Deform'd, unfinish'd sent before my time Into this word scarce half made up"( 1.1.20-23)
From the outset of the play, it is obvious that Richard subscribes to the majority of the Machiavellian principles. Certainly, he is not ashamed or afraid to plot heinous murder, and he does so with an ever-present false front. "I do mistake my person all this while,"1 he muses, plotting Anne's death minutes after having won her hand. He will not even entertain the ideas in public, demanding they "Dive...down to [his] soul."2 He knows that he must be cunning and soulless to succeed in his tasks. Richard also knows it is essential to guard against the hatred of the populace, as Machiavelli warned.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
... the character Iago. Revenge is also a flaw that most people wish to inflict upon others and have to deal with at one time or another in their lives. It is also one that many people are able to connect to, as they have either been seeking payback or have been avenged. Due to these flaws, a strong connection between today’s society and the well-known character of Iago exists. These humanlike qualities in Iago give to him an appeal to modern-day society. The Othello characters Othello and Iago have many flaws that make them seem even more realistic. Shakespeare incorporated flaws into his characters, allowing for more truth to be seen in them and as a result, there is a wider public appeal. The modern world is still able to connect to Shakespearean literature; (omit) it can be deduced that characters with flaws have more of an influence on society than those without.
Shakespeare’s most evil character could arguably be Iago in Othello. Othello has many positive traits, including being a great leader and being loyal. He also has one negative trait that ultimately leads to his death: jealousy. Iago provokes deep, strong emotions in Othello, jealousy being the strongest. Jealousy is a nasty little emotion.