This photograph of the Execution of a Viet Cong prisoner in Saigon is a very powerful, political and emotionally affecting photograph taken by Eddie Adams. First of all, the photograph is in black and white, unusual from the conventional colour photograph that we are used to seeing in today’s modern world. As the photograph is in black and white, the eye doesn’t attract to the vibrant colours that would usually be seen, the focal point is the scared look on the Viet Cong prisoner’s face. It’s the shock and the power that is immediately brought to the attention of the viewer’s eye when they first look upon the photograph. The eye is then immediately attracted to the cause of the photograph, General Nguyen Ngoc Loan. The photograph really captures …show more content…
The shapes of the photograph mostly seem to be quite regimented. The background seems mostly plain, detracting away from the main power of the image. The buildings are mostly out of focus; however the soldiers who are also out of focus, still have a strong outline of their presence and power in the photograph. The textures of the photograph, and also the depth of field added are quite different from each other. The foreground seems sharp, in focus with hardly any grain and quite smooth texture, whereas the background is very different. It is rough in texture, not in focus and showing quite a lot of grain. This is common in the age of the photograph and the process’ that were used to create and process the image. As the photograph was taken around 46 years ago, the quality of film in the camera, the developing process and also the enlargement of the image all play a part in the overall impact and texture of the …show more content…
This is because the shadowing of the person to the right of the prisoner is directly in front of him, indicating the sun is at its highest for the day. The day also seems to be pretty clear with slight cloud. The shadowing of the picture also helps people in the foreground stand out, from the sunlight and people in the background have been captured like a ghostly silhouette. To the left of the General, you can see a silhouette of a person walking away from the scene that is being shot. The person doesn't have any facial expressions shown, which therefore brings across an unknown personality from
The visual I have created is meant to display how the author Seven Galloway effectively used descriptive language and imagery in the novel The Cellist of Sarajevo to demonstrate character development in Dragan, one of the protagonists. For instance, in the first image moving forward from the 12’oclock section of the clock, we can see an image of Dragan in Sarajevo with the intent of setting the mood of war, where “everything around him is a peculiar shade of grey”. This imagery is meant to display not only the visual cast set upon Sarajevo in a time of war, but also to show Dragan’s internal demeanor and how he initially perceives the world around him, while the idea of a ‘grey’ world surrounding him outlines his pessimistic worldview. These ideas are also manifest in the following image, where we
Our lives are influenced by visual rhetoric on a daily basis. Rhetorical components go unnoticed unless one is intently searching for them. Companies carefully work visual rhetoric into advertisements and use it to their advantage to lure in potential consumers. The German car company, Bayerische Motoren Werke, or more commonly known as “BMW”, uses a clip from NBC’s Today Show in 1994. In the clip, the characters are discussing the newfangled idea of the internet. BMW uses nostalgia of the 1990’s as bait to attract an older audience who remember the ‘90’s and when the internet was a new invention. BMW uses the rhetorical elements of character, dialogue, and focus to sell their product.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
I felt an instant connection with it, as O’ Sullivan must have felt standing there upon the sea of bodies. The composition of this photo tells a story all on its own. From the way he captured the body laying twisted in the front, capturing the expressions on his face, to the way the soldiers on the horses blend into the background. The photo speaks death, not because we can see death but because of the composition, the way film captured “fog” or “dust clouds” to the color of the capture itself. There was a story to be told and O’ Sullivan told it with seeing what others couldn’t see, by shooting lower to the ground and giving the forefront the effect of being bigger than the background and capturing the lone soldier amongst the rest of the bodies that looked to be reaching towards O’
In the book Into the Wild, Jon Krakauer wrote about Christopher McCandless, a nature lover in search for independence, in a mysterious and hopeful experience. Even though Krakauer tells us McCandless was going to die from the beginning, he still gave him a chance for survival. As a reader I wanted McCandless to survive. In Into the Wild, Krakauer gave McCandless a unique perspective. He was a smart and unique person that wanted to be completely free from society. Krakauer included comments from people that said McCandless was crazy, and his death was his own mistake. However, Krakauer is able to make him seem like a brave person. The connections between other hikers and himself helped in the explanation of McCandless’s rational actions. Krakauer is able to make McCandless look like a normal person, but unique from this generation. In order for Krakauer to make Christopher McCandless not look like a crazy person, but a special person, I will analyze the persuading style that Krakauer used in Into the Wild that made us believe McCandless was a regular young adult.
...hy this is like this is because this picture is taken of ruin called cliff palace in mesa Grande. The ruins are getting older and therefore are not as new looking as they were 130 years ago. This photo is really cool to
The Letter from Birmingham Jail was written by Dr. Martin Luther King Jr. in April of 1963. Dr. Martin Luther King Jr. was one of several civil rights activists who were arrested in Birmingham Alabama, after protesting against racial injustices in Alabama. Dr. King wrote this letter in response to a statement titled A Call for Unity, which was published on Good Friday by eight of his fellow clergymen from Alabama. Dr. King uses his letter to eloquently refute the article. In the letter dr. king uses many vivid logos, ethos, and pathos to get his point across. Dr. King writes things in his letter that if any other person even dared to write the people would consider them crazy.
This photo had global ramifications, and as what is arguably the most famous cover photo in journalism, it opened the world’s eyes to the soul and struggle of the afghan people during a time of war and suppression. The young girl is the center of the frame. Her eyes are the main focus of the image, speaking to the audience about the horrific things she has been through during the soviet occupation. Her eyes are the primary center of the photo, dim green on the outside and blurring internal to a light hazel. Something is past her eyes; her intense soul appears to pierce through to your own. Her eyes look where it counts into your extremely center, requesting understanding. Those eyes are a cry for help to let everyone know what the Soviet Union did to her people. Her innocence, although damaged, can still be seen peaking through her bright eyes. A green foundation complements her green eyes. Her dark hair is brushed far from her eyes with just a solitary strand falling over her cleared out eye. Her skin is tanned from spending her days in the sun and is marginally grimy. The lighting is low and delicate, strengthening and bringing on her eyes to pop. The sun is behind the camera shedding her face for the most part in the light. The left half of her face is faintly darker than the rest, making one accept that the sun was to one side. The green working behind her serves as an edge that matches the external edge of her green eyes, adding to their
This photograph, taken in 1967 in the heart of the Vietnam War Protests, depicts different ideologies about how problems can be solved. In the picture, which narrowly missed winning the Pulitzer Prize, a teen is seen poking carnations into the barrels of guns held by members of the US National Guard. This moment, captured by photographer Bernie Boston symbolizes the flower power movement. Flower power is a phrase that referred to the hippie notion of “make love not war”, and the idea that love and nonviolence, such as the growing of flowers, was a better way to heal the world than continued focus on capitalism and wars. The photograph can be analyzed through the elements of image as defined by ‘The Little Brown Handbook’ on page 86. There are a total of nine elements that contribute to the communicative quality of an image. The message that this particular image tries to convey is the strong sense of way that conflict should be handled; by way of guns or by way of flowers. The ‘way of guns’ is violence and excessive force which heavily contradicts the ‘way of flowers’ which is a more peaceful and diplomatic way of handling conflict or disagreement. This photograph depicts these ideologies through its use of emphasis, narration,point of view, arrangement, color, characterization, context and tension.
Pollan’s article provides a solid base to the conversation, defining what to do in order to eat healthy. Holding this concept of eating healthy, Joe Pinsker in “Why So Many Rich Kids Come to Enjoy the Taste of Healthier Foods” enters into the conversation and questions the connection of difference in families’ income and how healthy children eat (129-132). He argues that how much families earn largely affect how healthy children eat — income is one of the most important factors preventing people from eating healthy (129-132). In his article, Pinsker utilizes a study done by Caitlin Daniel to illustrate that level of income does affect children’s diet (130). In Daniel’s research, among 75 Boston-area parents, those rich families value children’s healthy diet more than food wasted when children refused to accept those healthier but
The movie trailer “Rio 2”, shows a great deal of pathos, ethos, and logos. These rhetorical appeals are hidden throughout the movie trailer; however, they can be recognized if paying attention to the details and montage of the video. I am attracted to this type of movies due to the positive life messages and the innocent, but funny personifications from the characters; therefore, the following rhetorical analysis will give a brief explanation of the scenes, point out the characteristics of persuasive appeals and how people can be easily persuaded by using this technique, and my own interpretation of the message presented in the trailer.
Looking back at my rhetorical analysis in writing 150, to sum it up, it was horrendous. It became exceedingly obvious that I had skipped the prewriting step. Forgoing this step caused choppy sentences, multiple grammatical errors, and horrendous flow. The rough draft ended up looking like a collection of jumbled up words. The first attempted felt so bad, I started over entirely. After the review in class, I used the examples to focus my ideas and build off what other people had done. For example, the review helped me to clarify my knowledge and use of Kairos. Once done, it was peer reviewed by my group again. All the other group members commented that I had good ideas, but bad flow and grammatical errors. After revising their respective points and
Jonathan Kozol revealed the early period’s situation of education in American schools in his article Savage Inequalities. It seems like during that period, the inequality existed everywhere and no one had the ability to change it; however, Kozol tried his best to turn around this situation and keep track of all he saw. In the article, he used rhetorical strategies effectively to describe what he saw in that situation, such as pathos, logos and ethos.
“Photographs like the one that made the front page of the most newspapers in the world in 1972- a naked South Vietnamese child just sprayed by american napalm, running down a highway toward the cameras, her arms open, screaming with pain-- probably did more to increase the public revulsion against the war than a hundred hours of televised barbarities”(476)
In other words, the photographer reveals many political intentions just through capturing and framing her bright eye color and gaze. Her eyes radiate such penetrating intensity; it is not just any intensity, but a multitude of mixed emotions, like fear, sadness, and even honesty. The emotions that she radiates symbolizes the fear and hopelessness that embodies people in a war stricken