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My last duchess by robert browning annotated
My last duchess by robert browning annotated
My last duchess by robert browning annotated
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Professionals divide literature into many different categories, or genres, which seem not to relate to each other. Some crossover hybrids exist, but very few works of literature can actually be compared to others that are not in the same genre. One such comparison would be that of a poem and the detective genre in general. For example, Robert Browning’s “My Last Duchess”, a dramatic monologue, would very rarely be compared to Edgar Allan Poe’s short story “The Purloined Letter.” The writers of Detective Fiction Crime and Compromise, however, have placed Browning’s poem in the manifestation section of their book. A manifestation of detective fiction is something, other than detective fiction, that outwardly or perceptibly indicates a materialization of the detective genre (Gale Cengage Learning). Browning manifests detective fiction by incorporating the theme of reverse imperialism into his poem. Reverse imperialism occurs when a country, which would usually try to control others, is being taken over and controlled by another. Browning understood society’s fear of reverse imperialism, and channeled this as Poe did in his short stories. In “My Last Duchess”, Robert Browning paints a picture with his words, which portrays Duke Ferrara as an imperialistic man that would produce anxiety in society due to their fear of reverse imperialism.
“My Last Duchess” is written in a dramatic monologue style, which allows the readers to see the true temperament of Browning’s character, Duke Ferrara, and how his personality was similar to that of an imposing, imperialistic country. One key point of reverse imperialism, which society would notice in the poem, would be the compulsive nature to collect things as the Duke does. Imperialistic countrie...
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...ests many different themes. One of these themes is reverse imperialism, which may seem to be an odd theme to find in a poem, but Robert Browning truly depicts it with his character Duke Ferrara. The poem, written during the same time period as most of Edgar Allan Poe’s detective stories, manifests many detective themes, and these themes allow it to be compared with multiple other genres of literature. Browning truly accomplished expressing the anxieties and concerns of his society in his monologue poem “My Last Duchess”.
Works Cited
"Glossary of Terms." Gale Cengage Learning. Cengage Learning, n.d. Web. 5 Apr 2011.
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Browning, Robert. “My Last Duchess”. Detective Fiction: Crime and Compromise. Eds. Dick Allen and David Chacko. New York: Harcourt Brace Jovanovich, Inc., 1974. 44-45. Print.
Professor’s comment: This student perceptively examines the role of the city as a setting and frame for detective fiction. Focusing on two early examples, Poe’s “Murders in the Rue Morgue” and Hoffmann’s “Mademoiselle de Scudery,” both set in Paris, his sophisticated essay illuminates the “cityness” or framed constraint that renders the city a backdrop conducive to murder—such as the city’s crowded, constricted nature, promoting vertical rather than outward movement and increasing hostility and the fact that so much urban life occurs at night, a reversal of the natural order and facilitating illicit activity. He compels us to look in new ways both at the city and at detective fiction.
The birth of classic detective fiction was originated just in the mid nineteenth century, and was producing its own genre. Classical detective fiction follows a set of rules called the ‘Ten commandments of detective fiction’. The genre is so popular it can bee seen by the number of sales in any good book stores. Many of these books have been created a long time ago and there is still a demand for these types of books. The popularity is still ongoing because it provides constant entertainment, and also the reader can also have a role of detective trying to solve the crime/case committed. Classical detective fiction has a formula, the detective story starts with a seemingly irresolvable mystery, typically a murder, features the astute, often unconventional detective, a wrongly accused suspect to whom the circumstantial evidence points, and concludes with a startling or unexpected solution to the mystery, during which the detective explains how he or she solved the mystery. Formula that includes certain elements such as, a closed location to keep the number of suspects down, red hearings spread around the stories to keep the reader entertained yet interacted.
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
The purpose of this essay is to analyze and compare and contrast the two paired poems “My Last Duchess” by Robert Browning and “My Ex-Husband” by Gabriel Spera to find the similarities presented within the pairs. Despite the monumental time difference between “My Last Duchess” and “My Ex-Husband”, throughout both poems you will see that somebody is wronged by someone they thought was a respectable person and this all comes about by viewing a painting on the wall or picture on a shelf.
Robert Browning’s “My Last Duchess” is a haunting poem that tells the story of a seemingly perfect wife who dies, and then is immortalized in a picture by her kind and loving husband. This seems to be the perfect family that a tragic accident has destroyed. Upon further investigation and dissection of the poem, we discover the imperfections and this perfect “dream family” is shown for what it really was, a relationship without trust.
Woolrich reinforced the detective fictions of yesterday, introducing to the American audience new detectives, who not only wheels a gun but also uses their knowledge of psychoanalysis to catch the perpetrator and solve the crime. Though Woolrich extends his knowledge of the human mind, he, just like MacDonald, Chandler and Hammett gives reference to 18th-century authors which include Sir Arthur Conan Doyle and Edgar Allan Poe.
This essay will examine both "The Speckled Band" by Conan Doyle and "Visitors" by Brian Moon and will look at how each one conforms to or diverges from the conventions of the detective story and also how each story is representative of the century it was written in by how it presents the woman, the hero and the villain.
The idea of a detective catching an elusive convict or solving an improbable crime has been prevalent in all corners of the world, spread throughout many cultures and societies. The detective genre is held as the idea that an individual has to solve a crime. This detective usually has nothing to gain from solving the crime, but they see it more as an obstacle. The detective doesn’t always take every case, as human beings, we are too often curious of the impossible; our natural instinct is to question why and how things work in this world. People crave mystery, to taste a bit of improbable, to see what the detectives see, to see what is overlooked by many. The idea of an intelligent witty, sharp “sleuth” with an obedient sidekick has been prevalent
It goes on to speak about sympathy in general and how Browning “delighted in making a case for the apparently immoral position”, how he found dramatic monologues the best form to do so, and how he went about it. It keeps going for a couple more pages on things which I will not go into because they have little relevance to any interpretation of “My Last Duchess”.
Surely romantics can be grasping, whereas detective novels withdraw me from the current comforts and enjoyment to try to depict the miserable life someone is bearing in the saddest corners of this imperfect world where I cannot see. I read about Luxun when I was only ten. He wrote to wake Chinese who lived in unrealistic fantasies. His efforts at shaking those who were sleeping or pretending to be sleep were deeply imprinted on my vogue consciousness.
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
‘Porphyria’s Lover’ and ‘My Last Duchess’ are both poems by the Victorian poet Robert Browning. In this essay I will compare these two poems to find similarities and differences.
In the mid 1800’s America was in full swing of the romanticism movement. During this time readers were entertained by the fresh new writing styles of the latest authors. There were several famous authors in this era such as: Washington Irving, James Fenimore Cooper, and William Cullen Bryant. One innovative author from this movement however, added a new dynamic writing style that still intrigues many readers today. Edgar Allen Poe, through his invention of detective stories, has become a house hold name to many. In his short stories “The Tell Tale Heart” and “The Black Cat,” Poe describes two heinous crimes committed by men whose motives can only be traced back to their deranged perception of reality, domestic relationships, and a soul whose thirst can only be quenched through violence.
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
Throughout "My Last Duchess," Browning uses diction to further increase the haunting effect of his dramatic monologue. His precise and scattered word choice is meant to make the reader recognize the underlying haughtiness in his speech to the Count's emissary. The Duke refers to his former wife's portraits "depth" and "passion" in order to place a cloudiness over the realism of the painting. This, along with the "faint" and "half-flush" appearance that "dies along her throat," brings about an overcast appearance to the poem. The Duke's "trifling" lack of "countenance" is evident in his jealousy of