Revenge in Hamlet
Shakespeare's Hamlet is largely coordinated by connections, parallelisms and contrasts between intermingled families.
In the play we see two families who are victims, as well as perpetrators, of revenge. The Polonius family is significant in key scenes and also in the language that the family members use.
The theme of revenge is central to the play and there are four "cases" of revenge - three involving "living" characters: Fortinbras, Laertes and Hamlet, and one which is a Classical legend which was the greatest symbol of secular disaster in the Renaissance world, the story of the destruction of Troy and the revenge of Phyrrus, for the death of his father, Achilles, on Priam, the Trojan King. Hamlet's choice of speech for the Player King, is no accident. The revenge/family motif of the Trojan conflict was well known to the Shakespearean audience.
The two "court" families, one Royal and the other in Royal service, are linked initially by Hamlet's love for Ophelia, but as the play develops, these links become more complex and more sinister, until there is a mortal collision which results in death and multiple tragedy.
There is antagonism between Polonius and Hamlet from the outset, as Hamlet sees himself as a victim of Polonius's support of Claudius as King. This adds to the sense of betrayal which he already feels as a result of his mother's actions. Polonius is keen to preserve his position and also displays a mistrust of Hamlet's intentions towards his daughter, forbidding her to see the prince and later using her as bait to ingratiate himself further to Claudius by proving that Hamlet's madness is the result of love. The exchanges between the two are characterised by a tension o...
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...e is articulate even in madness, and retains a gentleness which causes even Claudius to show compassion for her suffering. She has very little power or autonomy and her role as a constant and forsaken lover is one of great poignancy.
Laertes is forceful, ruthless and manipulated by Claudius. He too is a rival of Hamlet and linked to the prince in his love for his sister. He is protective of Ophelia and sees Hamlet as dangerous. there is also an implied rivalry of some standing between Laertes and Hamlet which is revealed in Claudius's speech about Lamord, the Frenchman. Laertes is passionate and ferocious in his defense of his family's honor. The "hugger-mugger" burial of his father and the sparse rites accorded his sister provoke passionate denunciations from him. He is also honorable and manages to redeem himself in his forgiveness of Hamlet before his death.
McCoy, M. L., & Keen, S. M., (2009). Child abuse and neglect. New York: Psychology Press.
Basically Hamlet's character is going through a tough time, he’s upset, disgusted, depressed, moody, and also indecisive.Laertes foils Hamlet’s character. He is the son of Polonius and the brother to Ophelia. He is described as a passionate and a quick of action person. The most important thing about him is that he is a doer not a thinker. Being quick on his feet to problems is what got him killed. Laertes warns his loving sister about Hamlet but also boys in general “ My bags are already on board. Farewell, my sister. Please write often. As for Hamlet, and his attentions to you, Do not take them to seriously. They are like violets in the spring, Fast-blooming and sweet, but not long-lasting” ( Act I, Scene 3). The beginning of the play he leaves Denmark and goes to France. Due to the killing of Ophelia and Polonius he returns back and seeks revenge. Claudius and Laertes team up and plot to kill Hamlet.Hamlet and Laertes has a lot of similarities and differences. They are different because Hamlet gets forced to be sent away while Laertes wanted to get sent away. Hamlet is more of a responsible person while Laertes is more bold and reckless. Laertes provide contrast to Hamlet's character. They are similar in multiple ways starting with the love they had for
The main plot of Shakespeare's Hamlet centers around Prince Hamlet's desire to repay King Claudius for his evil deeds. Around this central action revolve the stories concerning the minor characters of Polonius and Ophelia. Though they do not motivate Hamlet's actions towards the King, these characters act as forces upon Hamlet himself, trying to spur him to do things he does not want to do. Both Polonius and Ophelia try, unsuccessfully, to manipulate Hamlet into a place of inferiority.
Laertes holds the most important role as a foil to Hamlet. He represents the rage that boils within Hamlet and the revenge which he seeks. In many ways Laertes mirrors Hamlet's character. Their anger is precipitated through the same source, the untimely death of their fathers. Other similarities between the two men include the love that they both felt for Ophelia, and the heartfelt sorrow which they displayed upon her tragic death. The differences between Hamlet and Laertes become obvious as the two characters are played off of each other. Both men are the dutiful sons of their father's. However Leartes is portrayed as the well-breed son, while Hamlet's character is played down to that of a more peculiar type commoner who possesses few royal qualities. Although both men are students, Leartes prefers to indulges in a Parisian type lifestyle, whereas Hamlet chooses to study in the more subdued atmosphere of Whittenburg. There is also a difference in the way that both men react to the death of their fathers. Upon learning of his father's death, Laertes immediately allows his grievances to be known and chooses to go strait to the arena for his revenge. Hamlet chooses a more peculiar approach...
The cigarrette companies are not acting with social responsibility. Why or how could this be any bit of an ethical decision by the executives of the tobacco companies? These companies should believe and follow it’s moral set in the country it belongs and carry them into every business transaction that they make, whether it be in New York City or Mongolia. It is too bad that as a capitalistic society we lower ourselves below ethical lines just to earn a buck or two!
Many characters and people even with very few appearances or interactions with others can leave a lasting effect on someone or can impact the overall mood and message of a body of work. In William Shakespeare’s Hamlet, King Hamlet’s ghost or afterlife form makes a few appearances through the course of the tragedy but leaves a persisting effect that weighs heavily on the decisions and actions of Prince Hamlet that result in further deaths, adds depth and establishes the theme of revenge, and overall assists in the development of Prince Hamlet’s character as a person.
Shakespeare’s plays, among other classic works of literature, tend to be forged with the tension of human emotion. The archetypical parallel of love and hatred polarizes characters and emphasizes the stark details of the plot. More specifically, the compelling force of revenge is behind most of the motives of Shakespeare’s tragedy Hamlet. The play opens with the return of Hamlet’s father, a surprising encounter, which ended in his son learning that his father’s death was the result of foul play. By emphasizing this scene as the beginning of the story to be told, Shakespeare clearly implies that the plot itself will be based around the theme of revenge. Through three different instances of behavior fueled entirely by vengeance, Shakespeare creates an image in the reader’s mind, which foreshadows the future of the story and provides insight into the plot line. Even so, despite the theme of revenge being the overarching concern of the plot, the parallels drawn between characters truly strengthen the thematic depth of the piece overall, making the play easily one of Shakespeare’s most infamous and historically valuable works.
There are links between neglect and abuse and later psychological, emotional, behavioral, and interpersonal disorders. The basis for this linkage is the impact that abuse and neglect have on brain development. Researchers have found important links between interpersonal experiences and neurobiological development. Children who have been sexually abused are at significant risk of developing anxiety disorders (2.0 times the average), major depressive disorders (3.4 times average), alcohol abuse (2.5 times average), drug abuse (3.8 times average), and anti-social behavior (4.3 times average)(Crouch).
Hamlet and Laertes have different responses to their fathers death. Hamlet mourns for a couple of months, and is never really over it, then eventually goes insane. Then he procrastinates to revenge his father. He returns to Elsinore with a mob, threatening to overthrow Claudius if he does not explain his fathers murder. He questions nothing, and conspires with the King to kill Hamlet. Both Hamlet and Laertes love their family, and will go to all cost to protect them, including Ophelia.
...is inaction. The tragic hero walks a very lonely role, and this seclusion probably deserves a mention in literature's eternal search for the roots of his torment. With words more sage than he realizes, Polonius condenses Hamlet's entire struggle into a single poignant idea: "The origin and commencement of his grief / Sprung from neglected love" (3.1, 180-181). Polonius and Laertes derail Ophelia's tenderness, and Claudius' persuasion steals the heart of Gertrude. A unanimous lack of mourning scoffs at Hamlet's deep esteem for his fallen father and even the companionship of his childhood friends succumbs to Claudius' menacing demands. The end result is a huge gulf between ally and adversary, a gulf that ultimately plummeted Hamlet to the depths of psychological torment.
...he sons: Fortinbras aims to gain honour for his country, Laertes seeks impulsive, cold-blooded killing, and Hamlet mostly ponders the morals of vengeance. Shakespeare’s impeccable characterization illuminates the human desire for revenge, and shows the various ways in which that impulse can be acted upon.
Child abuse goes way back in history starting from the time when a little 10 year old girl got removed from her parents home in 1874. The case is connected to the founding of the New York Society for Prevention of Cruelty to Children, which gave rise to the founding of similar societies (National Association of Counsel for Children). Most children under the age of 3 tended to have a higher rate of victimization and girls had a higher risk than boys. Sexual abuse was frequently associated with family problems such as parental alcholism, parental rejection, and parental marital conflict (Bright Futures 4 Kids). Throughtout history, child abuse seems to be less crucial and likely than it was before because back then there was a lower rate of child care. Man...
"Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective fathers' deaths" (Nardo, 90). Both Hamlet and Laertes love Ophelia in different ways. Hamlet wishes Ophelia to become his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg; Laertes is also a scholar at France. Both were brought up under this royal family of Denmark. And both are admired for their swordsmenship. But most important of all, both of them loved and respected their fathers greatly, and showed great devotion when plotting to avenge their fathers' deaths.
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
Hamlet contains three plots of revenge throughout the five acts of the play. Young Hamlet, after getting a shocking realization from his father’s ghost, wants to enact a plot of revenge against his uncle. Laertes, who was struck twice in quick succession by the death of his father and sister, wants to kill Hamlet. Away in Norway, Fortinbras wants to take revenge on the entire nation of Denmark for taking his father’s land and life. These three sons all want the same thing, vengeance, but they go about it in wildly different ways, but as Lillian wilds points out, “he also sees himself in the mirrors of Fortinbras [and] Laertes.”(153) It becomes clear that the parallels presented throughout the play are there to further illuminate the flaws of