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Romantic themes in frankenstein
Analysis Shelley's Frankenstein
Romantic themes in frankenstein
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About 200 years ago, Romantic author Mary Shelley wrote the novel
Frankenstein, in which Victor Frankenstein creates an unexpectedly horrendous monster. Out of pure disgust, he immediately abandons his creation and later on, even tries to kill him. All the creature wants in life is acceptance by society; to live a life surrounded by people who love him. The creature’s hideousness and unlovability places him in a position that prevents him from obtaining any of those ideals, on behalf of Frankenstein. The creature carries numerous valid reasons to end Frankenstein’s life, but, be that as it may, the creature seeks revenge, desires a companion and views Frankenstein as a father figure; therefore it is in the monster’s best interest to
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Why did I live… my feelings were those of rage and revenge” (Shelley, 121).
Frankenstein caused the monster’s solitude and malice; thus the monster wants to return the favor by destroying every person he loves. When meeting Frankenstein’s little brother William, the monster exclaims, “Frankenstein! You belong then to my enemy--to him towards whom I have sworn eternal revenge; you shall be my first victim” (Shelley, 127). Rather than simply killing off his creator, the monster walks the vengeful road and kills every person Frankenstein loves, so that he may feel the loneliness and misery the monster endured throughout his lifetime. Logistically, it would be unwise for the monster to kill Frankenstein, for the monster deeply desires a female monster to fill the empty hole in his heart; a task only his creator can pursue. “You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being” (Shelley 130).
The monster is a far cry from normal. He is truly his own species, merely containing a single person--himself. Because the creature is so horrifying and
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Without him, he has no purpose. The monster tells this to
Captain Walton when he sees Frankenstein laying dead on the boat:
“[Frankenstein] is dead who called me into being; and when I shall be no more, the very remembrance of us both will speedily vanish” (Shelley, 205). Even through all the suffering and loneliness the monster deals with throughout his existence, he still cares for the person who brought him into the world and grieves his death. The creature wishes to vanish after he dies, but wants to vanish alongside Frankenstein, picturing the father-son relationship they never had. The monster has enough reasons to kill his creator, yet he abstains and continues to let him live, for the sake of inducing suffering, finding himself a companion and Frankenstein still having a major role in his life. Frankenstein conjured up a creature so horrendous he abandoned it the moment it came to life, yet the monster only sought happiness. Like every other human being, the creature wanted to live a life filled with people who loved
"Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you contains several thematic elements; specifically, the element of betrayal. Through a complex plot, Shelley creates dynamic characters who come to the realization that the dangers of searching for the unknown secrets of life can lead to ruined and tarnished relationships. The irreversible damage that comes with finding the unknown appears to have a substantial effect on the character’s relationships with one another; especially, the central relationship between Victor Frankenstein and the monster. To the reader’s surprise Frankenstein is not the monster, but the doctor and creator of the monster, Victor. Victor Frankenstein, the creator of the monster and avid scientist, is perhaps the most complex character due to the
In Mary Shelley’s novel, Frankenstein, she addresses the challenges that arise in both the creation and life of a dead creature that has been brought back to life in hideous forms. The
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different. We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think.
“I shall collect my funeral pile and consume to ashes this miserable frame, that its remains may afford no light to any curious and unhallowed wretch who would create such another as I have been.” The Creature’s actions have not rendered him incapable of eliciting as The Creature acknowledges that he has done some terrible things and only wishes to end the suffering caused to him by the end of the novel. The desolation he has brought upon Frankenstein mirrors the desolation and misery he has been doomed to for the entirety of his existence, leaving him miserable and incapable of love and sympathy. It’s because of this that The Creature chooses to act the way he has towards those who have rejected him. In the novels conclusion the creature is just the same as he had been when he first decided to take action though now he has no purpose and no longer has reason for living, and as his punishment, dooms himself to
When he first awakens with a smile towards his creator, the creature is abandoned and learns by himself about how the world works. Despite his rough start in his new life, the creature experiences nature with no harsh emotions. “[The creature]... could distinguish, nothing; but feeling pain... Soon a gentle light and gave [the creature] a sensation of pleasure. [He] started and beheld a radiant form rise from among the trees. [He] gazed with a kind wonder” (Shelley 100). When the creature was a sobbing mess, he could have taken the chance to only let in anger and hate for the life he has been thrown into. But the creatures is distracted and in awe of the sunrise, a symbol of new hope and new start. Because of his hideous appearance, the creature receives negative reactions. “[The creature] entered... the children shrieked and... the women fainted. The whole village was roused: some fled, some attacked [him], until, grievously bruised by stones and many other kinds of missile weapons [the creature] escaped... [the creature]... miserable from the inclemency of the season, and still more from the barbarity of man” (Shelley 103). If the creature was a true monster, he would have fought back against the villagers. Because a true evil being would attack without hesitation. Because of his deformity, people automatical...
Education is a tool to advance an individual and a society; however, education can become a means to gain power when knowledge is used to exercise control over another. In Frankenstein, knowledge becomes the downfall of both Victor Frankenstein and the Monster. The novel explores the consequent power struggle between Victor Frankenstein and his creation, the dichotomy of good and evil, and the contrast between intellectual and physical power. Finding themselves in mirroring journeys, Victor Frankenstein and the Monster are locked in a struggle for dominance. Through these two characters, Mary Shelley explores the consequences of an egotistical mindset and of using knowledge to exercise power over others.
is nothing but benevolent until society shuns him as an outcast on account of his deformities. The creature is more
There was no one left to provide the creature with companionship and was forced to isolate himself from society once again. When the family moved out of their cottage, the creature decided to go on his own adventure and seek out his creator. Upon doing so, the creature encountered a young girl who was about to drown near a lake. When the creature successfully saved the little girl, an older man confronted the creature and shot him in the shoulder. Because of what happened, the creature explained to Frankenstein that his, “...daily vows rose for revenge-a deep deadly revenge, such as would alone compensate for the outrages and anguish [he] had endured.” (Shelley 61). With this burning rage, the creature decided to take his revenge out on his creator, Frankenstein. One by one, Frankenstein’s relatives and closest friends were murdered by the creature, but his father’s death, was the final push. Frankenstein believed that he was the cause for all the murders and that he had to destroy what he created. He told Walton that, “...as [he] awakened to reason, at the same time awakened to revenge.” (Shelley 88). The only way to stop future deaths, was to hunt down the creature and kill him. Fueled with hatred, Frankenstein traveled for months in hopes of finding the creature. However, in his final days, Frankenstein was no longer able to continue his search, and passed away due to malnutrition. Upon discovering what had happened, the creature came out from hiding, and decided to explain his side of the story to Walton. Now that Frankenstein was dead, the creature decided to wander off and slowly die, isolated from the
There was no one left to provide the creature with companionship and was forced to isolate himself from society once again. When the family moved out of their cottage, the creature decided to go on his own adventure and seek out his creator. Upon doing so, the creature encountered a young girl who was about to drown near a lake. When the creature successfully saved the little girl, an older man confronted the creature and shot him in the shoulder. Because of what happened, the creature explained to Frankenstein that his, “...daily vows rose for revenge-a deep deadly revenge, such as would alone compensate for the outrages and anguish [he] had endured.” (Shelley 61). With this burning rage, the creature decided to take his revenge out on his creator, Frankenstein. One by one, Frankenstein’s relatives and closest friends were murdered by the creature, but his father’s death, was the final push. Frankenstein believed that he was the cause for all the murders and that he had to destroy what he created. He told Walton that, “...as [he] awakened to reason, at the same time awakened to revenge.” (Shelley 88). The only way to stop future deaths, was to hunt down the creature and kill him. Fueled with hatred, Frankenstein traveled for months in hopes of finding the creature. However, in his final days, Frankenstein was no longer
Victor Frankenstein serves as an instrument of suffering of others and contributes to the tragic vision as a whole in this novel. He hurts those surrounding him by his selfish character and his own creation plots against his master due to the lack of happiness and love. The audience should learn from Frankenstein’s tragic life and character to always remain humble. We should never try to take superiority that is not granted to us because like victor we shall suffer and perish. He had the opportunity to make a difference in his life and take responsibility as a creator but his selfishness caused him to die alone just like what he had feared.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
After Victor destroys his work on the female monster meant to ease the monster's solitude, the monster is overcome with suffering and sadness. These feelings affected his state of mind and caused him to do wrong things. He did not deserve to see his one and only mate be destroyed.
Before Victor created the creature, he called himself father of it. Surprisingly, Victor decides to abandon his “child” at the first sight of its ugly appearance. He appears to be relentless because he abandons a creature who has no ability to live alone. The creature is just “born”, and it even does not how to speak. It is like an infant except it is huge and it can walk. As its creator, Victor has the responsibility to take care of it since it has life now. However, Victor just leaves it alone. Interestingly, he takes two years to create his “son”, and one second to desert it. Eventually, it is the abandonment of the creature leads to death of his brother. When the creature encounters Victor again, it narrates its miserable experience to Victor, and asks Victor to create a female monster which is its only chance to be happy. For the first time, Victor feels sympathy for it, and responsibility to the creature. “I was moved. I shuddered when I thought of the possible consequence of my consent, but I felt that there was some justice in his argument … and did I not as his maker owe him all the portion of happiness that it was in my power to bestow” (100). Victor consents the creature’s requirement of creating a female monster which seems to be his compensation to the creature.
... When the Monster had not seen anything from Frankenstein for a while he went to go find him. He ended up on Walton’s ship standing in front of Frankenstein’s dead body (Shelley, 221). After the Monster realized that Frankenstein had died he no longer felt the need that he should live. He stated that if the one who had created him died then there will never be a creature like him to be made, so there is no reason for him to live (Shelley, 225). From here the Monster jumped out of the window and went to kill himself. The Monster knew that if Frankenstein died all hopes for another creature being created were gone. The Monster knew that if he did not have another creature like himself there was no point in living, so killing himself was the only other alternative in his eyes.