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Writing style of catcher in the rye
The narrative style of The Catcher in the Rye
Aspect of J. D. Salinger’s The Catcher in the Rye that is interesting to you and consider how it relates to this prompt
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In Salinger's The Catcher in the Rye, the physical and psychological unraveling of the narrator, Holden Caulfield, is related through his inarticulate, but sincere voice. Salinger weaves Holden's narration in a way that reflects the young character's age through his words and thoughts. At 16 years young, Holden's narration is often pessimistic, at times enthusiastic, and above all else contradictory. The same could be said about his thoughts concerning the topic of sex, which is a growing source of anxiety for the 16 year old. And Holden is confronted by it quite often in the course of his weekend-and-a-bit adventure. But, unlike most of the teenagers surrounding him, Holden views sex in a different light. Through the narration of his actions and attitudes concerning sex, Holden reveals his sensitivity, innocence, and fear of change.
Holden's sensitivity is revealed, throughout the novel, by his actions and attitudes towards sex. The first reference made to sex in the novel comes when Holden refers to his roommate, Stradlater, as a "very sexy bastard" (32). Holden thinks this after Stradlater expresses interest in hearing about Holden's old friend Jane and her experiences with her "booze hound" stepfather, "running around the house naked, with Jane around" (32). Stradlater's lack of sympathy provokes Holden to think of him as a "bastard." While Holden does sympathize with Jane, Stradlater is more interested in the perverse connotations of Jane's past because "Only very sexy stuff interested him" (32). On the other hand, Holden "knew her like a book" and has come to the realization that "you don't have to get too sexy to get to know a girl" (76). Holden also demonstrates his sensitivity in the form of respect for the ...
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...d, Holden gives up and does not pursue the subject any longer, as he prefers not to know so that he can keep his own memory of Jane intact. Upon Holden's encounter with Sunny, Holden's eventual refusal to have sex reveals that he fears change in himself as well. Although Holden is curious he is not yet ready to take that step into adulthood.
Holden Caulfield is an intriguing narrator who guides us through his world with amazing honesty. By experiencing the world through his words and ideas we are in a position to understand the character better than anyone else in the novel. Specifically through his comments and attitudes about sex he reveals his sensitive and caring nature, his innocence and naïveté, and a fierce fear of change. Above all else it is revealed that Holden is not prepared to grow up and whether he ever will be is left uncertain.
Holden experiences both alienation and disillusionment when meeting with people like Sally Hayes, Sunny and Ackley. Holden is so desperate to have human connection yet, when he starts to talk to them, he experiences them as ‘phonies’. This makes him more depressed, continuing his downward spiral. Holden is caught in a trap of his own making.
Holden Caulfield, portrayed in the J.D. Salinger novel Catcher in the Rye as an adolescent struggling to find his own identity, possesses many characteristics that easily link him to the typical teenager living today. The fact that the book was written many years ago clearly exemplifies the timeless nature of this work. Holden's actions are those that any teenager can clearly relate with. The desire for independence, the sexually related encounters, and the questioning of ones religion are issues that almost all teens have had or will have to deal with in their adolescent years. The novel and its main character's experiences can easily be related to and will forever link Holden with every member of society, because everyone in the world was or will be a teen sometime in their life.
It is made evident that Holden is enamored with Jane Gallagher, and this first manifests itself when Holden talks about her to Stradlater. “I used to play checkers with her,” Holden recounts. “ ‘She’d get [her kings] all lined up in the back row. Then she’d never use them. She just liked the way they looked when they were all in the back row.’ Stradlater didn’t say anything. That kind of stuff doesn’t interest most people” (41). In a world where almost everything is so “goddam depressing,” thinking about Jane’s minor traits actually makes Holden happy, even if it is the kind of stuff that does not interest most people. It allows him to channel his childhood, where he was oblivious to the phoniness around him. However, this silly nostalgia cannot get across to Stradlater, who is more interested in Jane as a sexual being than trivialities such as her checker tactics or struggles with ballet. This physical interest eventually becomes the root of their brawl in their dorm. Although Holden’s interrogative mood agitates Stradlater, Holden is only showing his genuine care for Jane. Unlike Stradlaer, Holden has enough sense to know that Jane, being the humble, intelligent girl she is, deserves to be treated right. So, even though Holden lets his anger get the better of him and eventually start a fight, he has reason to do
... is apparent that he is a troubled young man through not only what is said and done, but what is also left as unspoken thoughts inside his mind. Holden Caulfield is, beyond a shadow of a doubt, mentally unstable. He is not classified as a "crazy person" or a "loon" but he is a young man who, as a child, had innocence and purity ripped away with no warning or mercy. Instead of reacting more positively and growing older at a young age, the tragedies caused him to year for the innocence of childhood that he knew in some dark corner of his mind had been long gone and was never returning regardless of how much faith and stubbornness he had.
Holden struggles to make connections with other people, and usually resorts to calling them phonies whenever they upset him. He finds natural human flaws in people and runs away from connection immediately. His date with Sally shows this. Near the end of the date, Holden tells Sally about his plans to run away from life. When Sally gives him practical advice, Holden is quick to escape connection by calling her “a pain”. Sally’s advice would definitely guide Holden in a more realistic direction, but that is not what he wants to hear. Conflict always arises in his mind even if there is little in reality. His struggles with finding connection also make him too apprehensive to call his old friend Jane. Holden likes to think of Jane as a pure and perfect girl that he can
What was wrong with Holden, the main character in The Catcher in the Rye, by J.D.Salinger, was his moral revulsion against anything that was ugly, evil, cruel, or what he called "phoney" and his acute responsiveness to beauty and innocence, especially the innocence of the very young, in whom he saw reflected his own lost childhood. There is something wrong or lacking in the novels of despair and frustration of many writers. The sour note of bitterness and the recurring theme of sadism have become almost a convention, never thoroughly explained by the author's dependence on a psychoanalytical interpretation of a major character. The boys who are spoiled or turned into budding homosexuals by their mothers and a loveless home life are as familiar to us today as stalwart and dependable young heroes such as John Wayne were to an earlier generation. We have accepted this interpretation of the restlessness and bewilderment of our young men and boys because no one had anything better to offer. It is tragic to hear the anguished cry of parents: "What have we done to harm him? Why doesn't he care about anything? He is a bright boy, but why does he fail to pass his examinations? Why won't he talk to us?"
A story of tragedy, despair, and sex, Holden guides us through a series of nights in the Novel, The Catcher in the Rye. This book of teenage angst is narrated through the eyes of Holden Caulfield. Holden, a confused and depressed teenager, who tells his story in such a way that makes him look as if he were always in the right even when he is actually in the wrong. For this specific reason, it is commonly believed that Holden cannot be a reliable source for narration throughout “The Catcher and the Rye” and many believe to think that he is biased in some cases towards people who have his approval and himself. This essay will support these theses and go more in depth with the analysis of error within the corruption of narration throughout Salinger’s,
In his novel Catcher in the Rye, J. D. Salinger portrays childhood and adolescence as times graced by innocence when his protagonist, Holden Caulfield, is faced with the reality of becoming an adult. Holden’s desperation to maintain his innocence and the manner in which he critiques those he deems to have lost theirs, emphasizes his immaturity and ignorance while highlighting the importance the author places on childhood.
Innocence lies within everyone in at least one point in their lives, but as reality consumes them, that purity begins to vanish slowly as they learn new experiences. In the coming of age novel set in the nineteen-forties, J.D Salinger writes about a sixteen-year-old boy named Holden Caulfield who stands between a road that separates childhood from adulthood and is confused about which path to take. On a three-day trip in New York away from his family and fellow peers at school, Holden encounters many situations in which lead him to think twice about who he wants to become and how he wants to guide others who are in the same situation he is in. In The Catcher in the Rye, J.D Salinger utilizes symbolism, vivid imagery, and slangy diction to expose Holden’s struggle to preserve the innocence of the people that he loves while alienating himself from the adult world he calls “phony.”
Holden’s sexual struggles are visible through his interactions with Sunny, Sally Hayes, and Carl Luce. Holden’s fascination with sex interferes with his elevated morals; as much as he wants to engage in intercourse, he voices his need to establish an emotional connection with his partner first, which prevents him from having casual sex. As much as physical intimacy is important to him, Holden needs to be taken care of and understood emotionally, as well, displaying that he holds sex in high regards and does not view it as something to be done carelessly. Holden just needs to be loved; but, unfortunately, his romantic life is sub-par at best, and until that changes, he’ll always feel confused – and very, very lonely.
Holden has a respect for women that he views as unnatural. He feels that his sexual desires should be similar to those of his roommate Stradlater and peer, Luce. Holden shows his confusion by saying, "The thing is, most of the time when you're coming close to doing it with a girl, a girl that isn't ...
Holden's nervous impulse to protect women seems to have sprung up in his psyche from a very young age. After his brother, Allie, started to experience more severe symptoms of leukemia, Holden notes that his mother seemed "nervous as hell." His own mother's emotional problems (Lombardi) transfer to Holden on a very deep, psychological level because he feels partially responsible for his brother's fate in the first place. Seeing his mother in such a distraught state makes him feel even guiltier. The unintended consequence of this is that Holden grows up with a constant fear that he is going to hurt any woman that he grows close to. This manifests itself many times during his time in New York, with one of the earliest examples being his meeting with Sunny in the hotel room. Holden protects her innocence, but not for any particularly noble reason. He hangs her dress back up and insists that he just wants to talk, but Holden did not do this in an attempt to be some paragon of righteousness. Holden, on a deep, psychological lev...
In J.D. Salinger’s controversial 1951 novel The Catcher in the Rye, the main character is Holden Caulfield. When the story begins Holden at age sixteen, due to his poor grades is kicked out of Pencey Prep, a boys’ school in Pennsylvania. This being the third school he has been expelled from, he is in no hurry to face his parents. Holden travels to New York for several days to cope with his disappointments. As James Lundquist explains, “Holden is so full of despair and loneliness that he is literally nauseated most of the time.” In this novel, Holden, a lonely and confused teenager, attempts to find love and direction in his life. Holden’s story is realistic because many adolescent’s face similar challenges.
Earlier, Holden went out of his way to avoid kissing Jane’s lips. Now at the movies, Jane is also going out of her way to avoid being sexual with Holden by touching him the way a woman would touch her husband or child. Holden and Jane both continuously stray from being sexual with one another. We know that Jane may have been abused by her stepfather, which could be the reason causing her to avoid sexual relations, but is Holden’s reason the same?
Jane is a large part of this world, and has become an ideal girl to spend his life with. Holden only knew Jane for a short time, but according to him, they were very close. He has not seen her since “the summer before last” when their lake houses were next to each other (35), yet he has built her up to a pure and undefiled figure, resembling the Virgin Mary. A part of the reason he idolized her so much is that he longs to go back to their childhood and that time of innocence, and to see her so once innocent again. She and Holden were close, emotionally and physically, but he never saw her uncorrupted by sex. When describing their relationship, he says, “I really got to know her quite intimately. I do not mean it was physical or anything - it wasn’t - but we saw each other all the time. You do not always have to get too sexy to get to know a girl.” (85) Since the farthest Holden ever got with Jane physically was “kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows and all”, he saw her as an innocent and uncorrupted girl (88). Holden’s imaginative world begins to fall apart as the narrative goes on, and when he has the chance to see Jane again, but does not. When Stradlater asks Holden why he isn’t going down to see Jane, he says “‘I’m not in the mood right now’” (37). He even admits how angry it made him to think about Jane being intimate with Stradlater, later saying, “Every part I got to the part about her out with Stradlater in that damn Ed Banky’s car, it almost drove me crazy.” (89) His mental state is so fragile that if Jane is not as perfect as he expected, which she can not possibly be, he could not cope, and his world began to crumble even faster around