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In the novel, The Awakening, before a realization of true misery, Edna Pontellier shaped her happiness around the ideals of money, family and responsibility. After acknowledging discontent, Edna abandons her stable life to fulfill her newly awakened character. Her epiphany leads her to have an impulsive attitude and selfish lifestyle in order to escape a world of responsibility. She reinvents herself and embraces her independence thus living sensuously in order to stop masking a happy life as a mother-woman. Edna Pontellier is trapped in a fruitless marriage and social requirements, but after finding her true self through an awakening, she decides to lead a reckless life based on desire in order to fulfill her new independent and liberated character. After arising to her true self, Edna recognizes the sources of unhappiness in her life and chooses to bide them away. In order to show her lack of sympathy towards her obligations she uses metaphor to demonstrate how her husband doesn’t recognize a shift in …show more content…
perspective, “he could not see that she was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world” (77). Mrs. Pontellier disguised her emotions behind the image of an ideal family life, and now wishes to abandon her moral obligations in order to fulfill her newly awakened self-perception. Edna’s marriage to Mr. Pontellier no longer provides her with satisfaction and content, thus she decides to run away from her responsibilities as a wife and mother. Leone only notices Edna’s defiance to submit to his beckoning command and doesn't grasp the idea of his wife’s evolution into a reckless woman. With a change in perspective, Edna decides to lead a sensuous life and prioritizes her interests as an independent woman rather than those of her family. She justifies pardoning her children and seeking out liberation by giving up material items,” I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t’t give myself. I can’t make it more clear” (64). Edna holds that she is unfit to serve the role as a mother-woman and to submit to the requests of her husband in order to please the standards of the society. Edna’s search to fulfill her new personage shows the extent of her selfish attitudes, “by the time she regained the city, the song of her children no longer echoed in her soul” (128). The epiphany allows Edna to walk away from an established life surrounded by the love of her children without holding onto guilt or remorse and she also believes that a path without commitment is more fulfilling than a stable marriage. In awakening, Edna admits to her connection with Robert and neglect of love towards Mr. Pontellier and the disinterest of their marriage. When Robert seizes to express a mutual desire, Edna diminishes her feelings and finds comfort in a relationship with Arobin. Edna clarifies her feelings for Arobin are not immense yet impulsive and she admits, “there was a dull pang of regret because it was not the kiss of love which had inflamed her, because it was not love which had held this cup of life to her lips” (112). Edna’s lust for Arobin is deepened by his bad reputation and his willingness to follow ambition and live carelessly for his own merit. Her will to consistently alter her object of affection shows how Edna is unable to sustain happiness due to her fleeting satisfaction. By following impulse and acting on feelings of lust instead of love, Edna continuously is left alone and without an emotional connection to the men she fends after. Her constant quest to follow ambition and attain independence leads her to be dissatisfied and consistently searching for company. A perpetual theme of Edna's search for love involves an initial seduction and lust for a man and then sudden disregard once commitment plays an active role. Her heart longs to overpower her denial of feeling for Robert but she pardons her emotional connection by reassuring, “the thought of him would melt out of her existence, leaving her alone" (155). Edna's fear of accepting responsibility and admitting to the true desire in her heart causes her to push away any hope of a relationship with Robert. Edna Pontellier’s hesitations to submit to obligation confuse Robert and cause him to diminish his hopes of pursuing interest in her. Mrs. Pontellier uses her alone time swimming in the ocean to escape and reach out to the sea to lose herself. She thinks of her solitude in the abundant ocean as an escape mechanism from her obligations on land as mother and wife. Edna finds a sense of liberation and comfort in the ocean stating that "the touch of the sea is sensuous, enfolding the body in its soft, close embrace" (156). Post self-discovery, Edna still encountered a connection to Leonce and her children and felt that her abandonment of them haunted her mind, body and soul. She felt a sense of guilt and tried to erase her past life since her thoughts troubled her, recollecting, "the children had appeared like antagonists who had overcome her; who had overpowered and sought to drag her into the soul's slavery for the rest of her days" (155). She attempted to shake her connection by seeking freedom through the ocean and impulsively looking to the water for a sense of release. At the end of the novel, Edna swims too far out without contemplating her actions and fears the inevitable; that her impulse would lead to her own demise. Without anticipating the danger of the scenario, Edna gets lost in the freedom from her thoughts, “She felt like some new-born creature, opening its eyes in a familiar world that it had never known…it was too late; the shore was far behind her, and her strength was gone"(157). Edna’s long list of reckless actions have lead up to this point and expend karma for all the wrong-doings and impulsive decisions she has made since her awakening. Mrs.
Pontellier hid behind a sheltered and conservative lifestyle before her awakening to self-discovery. Her role as a mother-women no longer satisfies her needs and she acknowledges her discontent with a fruitless marriage. After arising to a new sense of self, Edna abandons all responsibilities and carries out a reckless life, which in the end is fleeting. She feels unfulfilled in the actions in her life so far and decides to start fresh and live her life spontaneously. Mrs. Pontellier’s rash decisions leave her with a short-lived satisfaction and cause her to constantly change her mind and act on different impulse. Actions such as abandoning her children, lusting over Robert and Arobin, and ultimately her own suicide display her reckless and sensuous behaviors that are unrecognizable to any of her companions. Overall, Edna’s independence and freedom have a negative impact on her role as mother-woman, emotional stability and
well-being.
Kate Chopin's novella The Awakening tells the story of Edna Pontellier, a woman who throughout the novella tries to find herself. Edna begins the story in the role of the typical mother-woman distinctive of Creole society but as the novelette furthers so does the distance she puts between herself and society. Edna's search for independence and a way to stray from society's rules and ways of life is depicted through symbolism with birds, clothing, and Edna's process of learning to swim.
The thoughts and actions of Edna Pontellier are solely determined by her manic depressive state, her apparent repressed abuse from her childhood, and her abandonment of Christianity. Throughout the novel, the reader gets a clear sense of Edna Pontellier's peculiar mind and her manic depressive state. She is continually plagued by the moment. Her mood shifts from highs to lows show the reader that sadness is perpetually within her. We are told there are days when she "was happy to be alive and breathing, when her whole being seemed to be one with sunlight."
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
Edna Pontellier: she is the protagonist of the novel. With twenty eight years, she is housewife married with Léonce Pontellier and mother of two boys, Etienne and Raoul. At the beginning of the novel she is comfortable in her marriage, where she sees the end of passion and the beginning of a responsible life. Through a series of experiences, she evolves into an amazing independent woman, who lives apart from her husband and her children, the only ones of whom she was in charge and is just responsible for her own acts. In a way, the only responsibilities she has during this period are art and having fun with friends. As we have said, she is the main
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
Being a woman, she is completely at the mercy of her husband. He provides for her a lifestyle she could not obtain on her own and fixes her place in society. This vulnerability stops Edna from being truly empowered. To gain independence as a woman, and as a person, Edna must relinquish the stability and comfort she finds in the relationship with her husband. Mr. and Mrs. Pontellier's marriage comprises a series of power plays and responds well to Marxist and Feminist Theory. Leonce Pontellier looks "…at his wife as one who looks at a valuable piece of property…". He views her as an accessory that completes the ideal life for him. Edna, however, begins to desire autonomy and independence from Leonce, so true to the feminist point of view.
In The Awakening, the male characters attempt to exert control over the character of Edna. None of the men understand her need for independence. Edna thinks she will find true love with Robert but realizes that he will never understand her needs to be an independent woman. Edna's father and husband control her and they feel she has a specific duty as a woman. Alcee Arobin, also attempts to control Edna in his own way. Edna knows she wants freedom. She realizes this at the beginning of the book. "Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her (Pg. 642). Throughout The Awakening she is trying to gain that independence that she wants so bad.
Fox-Genovese also emphasizes this point, when she says that both the feminist and the psychological aspect of “The Awakening,” “must be read together, for the grounds for choosing one rather than the other do not exist” (262). Other women may have, and do, find a way to exist in such a society and be happy with the little freedom they are allowed. Therefore, Edna Pontellier is portrayed a prisoner of her own upper-class society. Her surroundings demand of herself that she conforms to certain feminine ideals, which she however, is not willing to do. This final episode with Edna naked for the first time stresses the idea of rebirth in Edna; she is now "some new-born creature" (113) at the end of her life. Expression becomes a symbol of freedom for Edna. Fox-Genovese’s conclusion about “The Awakening” is that the novel tells the story of the progress in the Edna Pontellier’s character, as well as her mental regression. As Edna discovers the injustice of her male dominated society, rejecting its values, and managing to break away from society’s traditional gender roles, her stories furthermore depict her “psychological regression,” as Fox-Genovese has stated about Edna’s journey in “The Awakening” (262). Edna can only be herself when she is alone, without the
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
The Awakening by Kate Chopin, is a story of a woman who breaks free from the restraints put on her by society. During the first part of the story, Edna was a normal wife and mother; she was restricted to her stereotype and expected to stay at home, be loyal to her husband, and care for her children. As the story progresses and Edna redefines herself, we eventually are reading about a new character entirely. She ignores the internalized concept of being a mother and wife and becomes a new woman. She cheats on her husband, disregards her children, and defies her societal expectations. At the end of the story, Edna Pontellier commits suicide to free herself from her confusing and scandalous life.
It tells the story of a woman named Edna Pontellier, who of which, goes on a journey to try to find her identity in the world. In doing so, Mrs. Pontellier has to deal with a “...marriage…” with a demanding husband and a hectic agenda of trying to keep watch of her two young “...children…” (“Kate Chopin’s “The Awakening””). Outside of balancing these stressful everyday occurrences, Edna tries to calm herself by trying to take advice from her friends Adele Ratignolle and Robert Lebrun. Thereupon, in talking with Ratignolle, Edna is told to give in to “...life’s delirium…” of doing of what is expected of her as a wife and a mother (94). Unlike that of Mrs. Pontellier’s predicament, Adele has given into that of their civilization’s ideal outlook of being a woman who has completely immersed herself in that of the wellbeing of her family and of nothing else. Appalled by this response, Edna labels it as being a “...colorless [and]...blind contentment…” and then goes on to describe Adele as being brainwashed (93). Moreover, when she talks to Robert she also does not get the guidance she so desperately needs, and/or seeks. While Robert is less affected by that of their society's social normality of only caring about family, he still does not comprehend of why Mrs. Pontellier would want to be “...independent...” when she has a high standing by being that of a “...married woman with children…” (“Kate Chopin’s “The Awakening””/36). Upset by the fact that neither Mrs. Ratignolle or Mr. Lebrun could comprehend her desire of wanting to find herself, and of not following the typical lifestyle women adopted, Edna becomes confused and frustrated. Consequently, because of these two emotions that she now bares, they become her downfall at the end of the
Edna Pontellier is a delicate character, attempting to find happy ground between the devoted mother-woman, Adele, and the independent, cold woman, Reisz. I believe that through
In The Awakening, by Kate Chopin, Edna Pontellier is a married woman with children. However many of her actions seem like those of a child. In fact, Edna Pontelliers’ life is an irony, in that her immaturity allows her to mature. Throughout this novel, there are many examples of this because Edna is continuously searching for herself in the novel.
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.