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Poem analysis
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Prompt C
I chose to write what a reader response criticism for the poem by Robert Frost “Out, Out”. I guess, I have a strange way of looking at things because this is not the first time I have a different opinion on what a poem or story means then the majority of the class. I don’t necessarily think everyone else is wrong, I just think I can justify my way of thinking also.
In “Out, Out” we as a class talked about that the boy had a terrible accident and died and how everyone then went back to work. I felt that it was more about nature and the destruction of the trees and forest. The first five lines are just giving you the imagery of what the smells of the wood are like and how so many trees had dropped “Sweet-scented stuff when the breeze
“And the saw snarled and rattled, snarled and rattled (524). This gave the imagery that the saw was not a good thing. The rest of the poem I read as though the trees were telling the poem. In line 10 I took the meaning the tree was hoping they would call it a day because the tree knew he was the next to fall and his sister was the tree next to him watching in horror. The saw wanted the “Supper” and started cutting down the tree AKA as the boy. I feel as though the hand symbolizes a tree. If you hold your hand up, it looks like a tree with your arm and lower hand as the trunk and your fingers as the
I took to mean that if it had stopped then the tree could have survived. “The life from spilling. Then the boy saw all-(524). This was the saw still going cutting deeper and deeper into the tree. The boy (tree) now knows that it is going to die and there is nothing he can do to stop it. “Don’t let him cut my hand off-Don’t let them sister (524)! The tree has now fallen and I think this is described as “he lay and puffed his lips out with his breath (524)’ I think this is the tree falling and everyone watching including the other trees until it comes to a complete fall to the ground and all the branches settling to the ground.
Little-less-nothing, in line 30 I thought meant that the little was the first cut of the trunk, less was the cut almost through and nothing was the tree fallen to the ground. Everything stops for that moment like in the poem. I think it’s the lumbers making sure no other trees are coming down with the tree that already fell. Once they realize, no other trees are coming down with the one that just fell they go back to work on killing more trees. “were not the one dead, turned to their affairs
The tree “swings through another year of sun and leaping winds, of leaves and bounding fruit.” This sentence evokes images of happiness and serenity; however, it is in stark contrast with “month after month, the whip-crack of the mortgage.” The tone of this phrase is harsh and the onomatopoeia of a “whip crack” stirs up images of oppression. The final lines of the poem show the consequences that the family accepts by preserving the tree—their family heritage. When the speaker judges the tree by its cover she sees monetary value, but when she looks at the content in the book she find that it represents family. Even though times may be tough for the family, they are united by memories of their ancestors.
3. Chapter 1, page 5, #3: “Moving through the soaked, coarse grass I began to examine each one closely, and finally identified the tree I was looking for by means of certain small scars rising along its trunk, and by a limb extending over the river, and another thinner limb growing near it.
... freedom in the dream, but in the real world, he was still deaf, unloquacious, lonely and being a social outcast. While he realized the truth, he became furious and chopped the necks of pine trees. The pine trees represent the people around Jamie. Jamie wanted to kill them because he thought they were mocking him, because he is deaf. The last line of the poem shows Jamie’s anger and frustration in being deaf.
Walker begins the story by describing the yard in which the mother is waiting for her daughter to come home. She shows the yard to the reader as being clean and wavy, which, according to the mother, is "more comfortable than most people know" (875). She feels that it is an extension of the living room. She compares the hard clay to the living room floor being swept smooth. This leaves a cool place to sit under the elm tree and "wait for the breezes that never come inside the house" (875). The reader at this point has already experienced the feeling of the soft grass, hard yet smooth clay, the cool breeze, and the smell of the elm tree.
The first stanza incorporates a lot of imagery and syntax. “A toad the power mower caught,”(line1). The use of syntax in the very first sentence is to catch the reader’s attention and to paint an image for them. The stanza goes on to talk about how the toad hobbles with it’s wounded leg to the edge of the garden, “Under the cineraria leaves”(line4). The speaker uses the word cineraria, which is similar to a cinerarium, a place where the ashes of the deceased are kept. By using this, the speaker further illustrates the death of the toad. “Low and final glade.”(Line6) this line is like a metaphor for the dying toad, the final rest for the toad could be the final glade. In the first stanza it seems as if the speaker is making fun of the dying toad saying the garden sanctuaries him as if he were a person. The opening line even seems a bit humorous to the reader. The following stanzas also have a tone of sarcasm.
The second and third line "Blood on the leaves and blood at the root/Black bodies swingin' in the southern breeze" Is a symbol to resemble how people in the south would brutishly beat down black people and then hang them in a tree and watch them swing back and forth when a wind blew. In line eight and nine "the sudden smell of burnin flesh/Here is a fruit for the crows to pluck" were both lines if imagery identifying that not only did they burn the bodies in the trees but most times people would try to get rid of crows but the people who were hung were practically hung for the crows to feed on instead of crops. Strange Fruit is a song that strikes pain and fear in many hearts and memories of ...
The general symbolism relating to nature assumes a common base of knowledge from which symbolism can be built. The poem opens with a description of Arkansas: "Old crimes like moss pend/ from poplar trees./ The sullen earth/ is much too/ red for comfort." The first example of general symbolism in this passage is the reference to moss. Moss is considered the base of the forest, the lowest level from which all of the other plants grow. Although moss is vital to a forest, it is often thought of as slimy and dirty. The moss "pend(s) from poplar trees," our second natural symbol. The poplar tree is weak and useless. Nothing can be built from its wood, and it often bends and breaks during storms. The visual image of the moss clinging to the poplar tree shows the slimy moss as "old crimes" and the poplar tree as the frail attempt at growth and a new but weak beginning. The reader gets a clear sense of the struggle toward a new life that is hindered and held back by the old, dependable moss that has been and always will be present. The second part of the passage discusses the "sullen earth" that is "much too red." Red earth can be symbolic in two ...
The next use of symbolism is the setting of the journey and meeting in the woods. Early Americans looked at the woods as a test of strength, bravery and endurance. It took a lot of courage for someone to enter the forest because it was unknown territory and they would not emerge the same. ?He had taken a dreary road, darkened by all gloomiest trees of the forest?that the traveler knows not who may be concealed by the innumerable trunks?he may be passing through an unseen multitude.? (197) Goodman Brown does not face the dangers of Indians but faces the danger of reality and truth.
...s’ poems, his purpose remains to identify with the thing, not just to describe it, and to allow it a way to express itself. In Young Sycamore William uses free verse lines to mimic the real curves and sways of a tree. In doing this, Gray states that it was Williams’ goal is to allow the reader to in essence become like the tree. By creating this effect upon the reader, Williams is able to show how beautiful a regular tree can be if it is looked at in a new way (Gray).
Poetry is a form of art in which an exclusive arrangement and choice of words help bring about a desired emotional effect. Robert Frost said that a poem is formed when “an emotion has found its thought and the thought has found words.” His popular poem, "The Road Not Taken," like any other poem, has as many interpretations as it has readers. Using rhetorical analysis, one can break down the meaning(s) of this seemingly simple poem.
Although, I wished that the poem included more about the resurrection. It was good that it discussed Jesus return and the Day of Judgment, to encourage man’s repentance and salvation in Christ. I wondered if this poet who must have lived sometime in the Early Middle Ages actually had a dream where he imagined a tree speaking to him about the death and resurrection of Christ and then he wrote it down. If that was the case, then I can understand why the poem is not perfectly accurate and somewhat jumbled, when compared to scripture. Often our thoughts are jumbled, when we dream. The order of events seems to be a little offset. For example, the earth did not tremble, until after Jesus spirit left Him. The poem appears to put the trembling ahead of Jesus death. However, there is a lot of the good, the true, and the beautiful in this poem. It celebrates the sacrifice that Jesus made on the cross and it encourages us to look to Him on the cross, so we don’t forget how much He loves us. Also, it encourages us in our faith and knowing that Jesus will return someday, to take us into eternal glory with Him. It was good that the poem concluded with the Dreamer feeling enthusiastic about the cross, looking forward to eternal glory, and desiring to share the good news with others. This is the way that
The forest additionally symbolizes the relationship in which native serves as a place of empowerment for individuals. This also adds to those the themes. The forest is a symbol of Prynne and Dimmesdale’s empowerment in the truth, hope and love. Upon their meeting in the forest, both feel positively changed as qu...
“ Two roads diverge in a yellow wood, and i- I took the one less traveled by, And that has made all of the difference.” Right from the start this line had grasped my attention, is it the chose of words the author decided to place them in or is it because its in our nature to want to break away from everybody else that intrigued me to continue reading. Nevertheless, Frost has been able to establish a sense of rebellion that cause's other readers to have a sort of connection with the protagonist in the poem. I decide to base my literary analysis on this iconic poem by Robert Frost solely because so many individuals are familiar with it and because so many are familiar with it, its interesting to read other peoples take on the poem. In this paper I’ll argue that the choices that we make in our lives will ultimately effect all other decisions we make throughout the duration of our lives. In Robert Frost's iconic poem “ Road Not Taken” we'll have a chance to discuss what the meaning of his poem is and any literary devices he displayed that reinforced this idea of being different from everyone else.
Richardson, Mark. The Ordeal of Robert Frost: The Poet and His Poetics. Urbana: University of Illinois, 1997. Print.
Many sands had the tree known; many green neighbors had come and gone, yet the tree remained. The mighty roots had endured such whips and scorns as had been cast upon it, but the old tree had survived, a pillar of twisted iron and horn against the now sickly sky. In the waning light of evening, the tree waited.