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“Grandma- Stay the way you are, Bella, because you don’t know vot such feelings would do to you.
Bella- Yes, I do, Momma. I know what other things you’re talking about…Because they have happened to me, Momma…They’ve happened because I wanted them to happen. When I was in school, I let boys touch me…And boys that I met in the Park…And in the movies…Even boys that I met here in the store…Nights when you were asleep, I went down and let them in…And not just boys, Momma…men too. I needed somebody to touch me, Momma. Somebody to hold me. To tell me I was pretty…You never told me that” (150)
David Richards states: “Bella gives a wrenching plea for the right to love someone who will love you back in a world where steelier emotions normally prevail” (qtd. in Kerschen, Louis). Her behaviour asserts the redemptive qualities of instinct and human empathy as opposed to the hatred of reason represented by Grandma. Bella prefers the warmth of relationships over mechanical responsibilities. “She is as warm and congenial as she is emotionally arrested” (92). She says to Grandma:
“Bella- But I’m smart, Momma. May be only as smart as a child, but some children are smarter than grown- ups. Some grown-ups I’ve seen are very stupid. And very mean.
Grandma-You don’t have responsibilities, Bella. And responsibilities are vot make meanness.
Bella- I don’t want to be your responsibility. Then maybe you won’t be so mean to me” (150)
Bella asserts her private space and her right to act like an individual. Throughout the play, Bella struggles to become an adult and think for herself. Her struggle against the incongruity of existence is portrayed in the following lines:
“Grandma- You vant to know vot you are, Bella... You’re a child. Dot’s vot doctors told me...
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Poquette, Ryan D. “Critical Essay on Lost in Yonkers”. Ed. David. A. Galens. Vol 18. Detroit: Gale, 2003. Literature Resource Center. < http://go.galegroup.com.vlib interchange. at> Web. 19 Jan. 2013.
Dale, Alan. “Lost in Yonkers”. < http://www.weirdprofessortype.com.html> Web. 22 Dec. 2012
Kerschen, Louis. “Critical Essay on Lost in Yonkers”. Drama for Students. Ed. David .A. Galens Detroit: Gale, 2003. Literature Resource Center. < http://go.galegroup.com.vlib interchange. at> Web. 29 Jan. 2013.
Lahr, Joan. “Master of Revels: Neil Simon’s Comic Empire”. Web. 10 Dec. 2012
Scott, Andrew. Comedy. New York and London: Routledge, 2007. Print
Rod, Martin. Psychology of Humour: An Integrative Approach. New York: Elsevier Academic Press, 2007. Print
Koprince, Susan. Understanding Neil Simon < http://www. books.google.co.in> Web. 21 Dec. 2012.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
As can be seen, the Bella’s have many roles. For example, Aubrey has task/individual, Chloe has maintenance, Beca has individual/task and maintenance, Fat Amy has task/maintenance and individual, Stacie has Individual/Task, Cynthia Rose has Task, and Lilly has Task. Also, Aubrey shows legitimate power because her seniority influences every Bella. Beca earns referent power. Amid, a key nonverbal communication is eye contact.
In The Glass Menagerie, Tennessee Williams presents us with four characters whose lives seem to consist in avoiding reality more than facing it. Amanda lives her life through her children and clings to her lost youthfulness. Tom retreats into movie theaters and into his dream of joining the merchant seamen and some day becoming a published poet. Laura resorts to her Victrola and collection of glass ornaments to help sustain her world of fantasy. Finally, Jim is only able to find some relief in his glorified old memories. This essay will examine how Amanda, Tom, Laura and Jim attempt to escape from the real world through their dreams.
The grandmother who is miserable and mean to everyone, throughout the play she played her part well. There was a time in the story where she took the candies and pretzel behind Jay 's back and him to pay for them even though he takes it. He was so upset, he wanted to leave Uncle Louie to be a gangster to help his father so he could be able to come back for them. Another humorous moment was when Aunt Bella, would constantly go to the movies, and she met an usher name Johnny there and within 10 days he asked her to marry him. She wanted to but scared her mom would say no, and saying yes to giving her five thousand dollars for Johnny to open a restaurant. This was hilarious, who in their right state of mind, meet a guy and say yes to marrying him after such short time meeting
“I know I’m starting at a very young age. Not even fifteen and already so independent- that’s a little hard for other people to understand. I’m pretty sure Margot would never kiss a boy unless...
Norton Anthology of American Literature. Ed. Nina Baym. 8th ed. Vol A. New York: W.
Meyer, Michael, ed. The Bedford Introduction to Literature. 8th ed. Boston: Bedford/St. Martin's, 2008. Print.
Bella is a strong willed and independent teenager in today’s youth. Bella is dating Edward, a controlling male figure. One would expect that Bella would suffocate under the
A month after the wedding, Bella calls her dad, Charlie Swan, and says that she is sick and quarantined. Charlie relays this to Billy Black, Jacob's dad, and Billy relays it to the pack. Jacob thinks that Bella is actually a vampire now and attempts to lead an assault on the Cullens for breaking the treaty. Sam, the alpha of the pack, forbids an assault on the Cullens without seeing Bella's immortality for himself. Jacob heads off on his own to avenge Bella. When he arrives, he discovers that Bella was sick, but it was from her pregnancy, not a disease. Jacob begs Bella to abort the fetus and save her life, but Bella is determined that she will live long enough to have the baby and be transformed into a vampire. Jacob runs off, and phases due to his anger. This accidentally reveals Bella's condition to the pack, and due to the lack of knowledge on human-vampire babies, the pack decides to kill the baby and Bella immediately. Jacob objects, and when Sam uses an alpha command to force Jacob into submission, Jacob accepts his bloodline as the true heir of the pack and breaks free of Sam's control. He then runs off to warn the Cullens of the pack's planned assault. However, while en route, Seth, one of the younger pack members, joins Jacob and makes note of the fact that neither of them can hear the others; they have formed their own pack. They warn the
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.
Cullen family, Bella is intrigued by them and can’t bring herself to let them go. Eventually, the
These novels tell the dark love story between Bella Swan, an average, somewhat shy high school student, and Edward Cullen, a mysterious and strong vampire. Rape culture is evident throughout these four novels. For example, when Bella’s best friend Jacob kisses her against her will, she tries to fight it and then gives up “acting on instinct…I opened my eyes and didn’t fight”. Charlie, Bella’s father, asked Jacob why Bella hit him, and when Jacob said “because I kissed her”, Charlie said “good job kid”. At another point in the novels, Bella admires the bruises on her skin after having sex with
Australian humour is very unique to Australia, and many other cultures find it quite unusual. It can be described as dry, anti-authoritarian, self-mocking, very ironic and as to stretch the boundaries of what is acceptable. Our humour is seen through our use of slang, print cartoons, radio sketches, comedy series’ on television, films, everyday life and in Australian literature. According to the Collins Dictionary and Thesaurus , humour means, “The quality of being funny; the ability to appreciate or express that which is humorous; situations, speech or writings that are humorous”. Due to its unique qualities, it will become apparent that Australian humour is quiet different to that of America and England and other nations. To highlight the importance of humour through the development of Australian identity, five main elements have been identified. These are, the part Australian humour plays in Australian identity, its unique qualities, its integral part in the Australian identity, the role of humour in times of great hardship and other nation’s perceptions of Australian humour. It is through these elements that it will become evident that humour is an important part of the development of the Australian identity.
"Your father would have insisted." She responded calmly. I glare at her, as I let out a long, irritated sigh. "Well, he's dead. He can't control me, and neither can you!" I yell as I am not glaring sharp daggers. "Lady Charlotte, I do not mean to disrespect you in any way, but you are eighteen years old. Stop acting like a goddamn five-year-old!" She yelled back, raising her voice at me. My eyes widened at the sudden outburst. Never have I seen her like this. Now I really felt bad for acting inappropriately towards her. I mean, she is only here to take care of me; and to make sure I am perfectly safe. "I'm sorry," I mumbled, as I turned my head, looking out the moving carriage.
Summary/Main Idea: Bella is in a contrarian mood, to put it charitably. It starts when she wakes up to find her little brother, Bob, “crawling around my room and licking my jewelry,” and it’s downhill from there. Nothing goes right for Bella, and she’s more than willing to play her misery forward: