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The influence of colours on humans
The influence of colours on humans
Colour symbolism essay
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Research of Color Theory
Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.
Color serves as a means of communication. In sports, different colored uniforms show which team the players are on. On streets and highways, a red traffic light tells drivers to stop, and a green light tells them to go. On a map printed in color, blue may stand for rivers and other bodies of water, green for forests and parks, and black for highways and other roads.
We use the names of colors in many common expressions to describe moods and feelings. For example, we say a sad person feels blue and a jealous one is green with envy. We say an angry person sees red. A coward may be called yellow.
Color plays an important part in nature. The brilliant colors of many kinds of blossoms attract insects. The insects may pollinate the flowers, causing the plants to develop seeds and fruits. Colorful fruits attract many kinds of fruit-eating animals, which pass the seeds of the fruits in their droppings. The seeds may then sprout wherever the droppings fall. In this way, fruit-bearing plants may be spread naturally to new areas.
The colors of some animals help them attract mates. For example, a peacock spreads his brightly colored feathers when courting a female. The colors of many other animals help them escape from enemies. For example, Arctic hares have brownish fur in summer. In winter, their fur turns white, making it difficult for enemies to see the hares in the snow.
Although we speak of seeing colors or objects, we do not actually see them. Instead, we see the light that objects reflect or give off. Our eyes absorb this light and change it into electrochemical signals. The signals travel through nerves to the brain, which interprets them as colored images. However, there is much that scientists still do not know about how our eyes and brain ...
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...response mechanism signals either red or green, and the other signals either yellow or blue. A third mechanism signals the level of lightness. The brain interprets these signals, producing our sense of color. The opponent color theory explains many aspects of color vision better than the three-component theory does. For example, the opponent color theory provides an explanation for the fact that we see no such colors as reddish-green or yellowish-blue.
Recent theories combine ideas from the three-component and opponent color theories to describe the various stages of color vision. In the first stage of color vision, three types of cones in the retina absorb light and generate electrical signals, as proposed by the three-component theory. During the second stage of color vision, nerves in the eyes and brain create three new signals, which correspond to those described by the opponent color theory. The nerve signals may pass through further stages before the brain finally interprets them as the sensation of color.
Works Cited
Contributor: Gunter Wyszecki, Dr. Eng., Former Director of the Institute of Optics, National Research Council of Canada.
World Book Encyclopedia
Another speaker, Margaret Livingstone delves into the visual aspect of our senses. Livingstone mentions how artists recognize things about vision that neuroscientists are not privy to until years later. Livingstone discussed the differentiation between color and lightness, and how the two contribute differently to a work of art. Color is thought of as “comparing activity” whereas light is thought of as “summing them.” Livingstone indicates that the visual system is subdivided into a ventral system and a dorsal system. The ventral system is responsible for object recognition, face recognition, and color. The dorsal system is responsible for navigating through the environment, special organization, and emotional recognition. The ability for humans to see distance and depth is carried via our colorblind part of our visual system. As a result, Livingstone concludes that one cannot see depth and shading unless the luminance is right to convey three-dimensional.
Colors of cretin things can appear different at some situations. For example, blood as we know it is red, that color that you see through your eyes of the blood in our veins is “red” but underwater, at 30 feet underneath the surface your blood turns, or rather appears green due to the light bouncing off of it is much less than it is at the surface as mentioned in the article “Did you know that your blood is green underwater?” by Fun Facts (see Article 2). These examples got me interested from the class discussions we had and how the philosophers viewed sense perception and the kind of thought they had of
Colors, are something to be determine, not just colors, they mean many things depending on the way people analyze them. Colors are important in life, not only in life but also in books. One book that really describes that is The Great Gatsby. In The Great Gatsby, colors represent many different things. One of the major colors are yellow and gold. In the novel The Great Gatsby, F. Scott Fitzgerald describes these colors and associates them with different things. For example, gold represents real wealth and yellow represents fake gold. Fitzgerald associates colors with different things by really describing them in depth. For example, the green light at Daisy’s is just a green light, but Fitzgerald made it so that it would represent much more than that and that is what made The Great Gatsby such a great novel. Throughout the novel, Fitzgerald associates yellow and gold in depth with different things. In life people sometimes make bad decisions and do bad things to gain money. Very similar to the novel, where Jay Gatsby gains money from bad ways, while he could have gained it from good ways.
Another view of the American flag is the colors red, white, and blue. Some Americans see the color red as blood for all the blood shed on the battlegrounds. Another color white for victory or triumph in our great nation of America. Lastly, the color blue for the sadness or sorrow felt because of the lives lost in war.
Throughout history, colors have been used as symbols in literature. When people see or hear certain colors, they automatically associate them with symbols and feelings. For example, red is love, blue is sadness, and purple is royalty. Many of these symbols are universal. You could go anywhere in the world and ask someone how yellow makes them feel, and they would say happy. Some great examples of color symbolism are in the novel The Great Gatsby. Well-known symbols as well as new meanings are used to enrich the story. In F. Scott Fitzgerald’s novel The Great Gatsby, he used the colors gold, white, green and blue to symbolize deeper meanings.
He suggests that when analyzing colors and their role in brain processes, we are misinterpreting the way it should be understood. When we speak about these sensations that are synonymous with the brain processes, it should be said as “There is something going on which is like what is going on when ____,” (149). In the case of seeing red as mentioned before, the statement would appear as “There is something going on which is like what is going on when I have my eyes open, am awake, and there is an emission of red cast from an object, that is, when I really see red." Ultimately, I do not believe this response is an adequate answer to the objection. It appears that Smart is merely altering the linguistic nature of the question rather than providing a solution to the problem. This “something” neutralizes the difference between a brain process and a sensation without giving a sound reason as to why or how they would be considered identical rather than
Crane's use of color allows for layers of meaning within each hue. Green, red and gray are used to describe the everyday physical objects in the text's world, and also the landscapes and metaphysical objects and ideas in Fleming's mind. Green is literally the color of the grass, but figuratively the freshness and youth of the soldiers and the purity of the natural world. Red is, overwhelmingly the color of battle, of courage and gunfire and bloodshed. Gray, however, becomes the color of human defeat. Because Crane uses each so carefully and selectively, creating for each several meanings, they take on a significance of their own; each can stand alone to have its own charged meanings.
Colors are an essential part of the world around us. They can convey messages, expressing that which words do not. Gentle blue tones can calm a person and bright yellows can lift the spirits. If an artist is trying to express sorrow or death he often uses blacks blues, and grays basically he uses dreary colors. Without one word, a driver approaching a red traffic light knows to stop. Colors are representative of many things. In his novel The Great Gatsby, F. Scott Fitzgerald uses color symbolism throughout as a major device in thematic and character development. He uses colors to symbolize the many different intangible ideas in the book. Throughout the book characters, places, and objects are given "life" by colors, especially the more prominent ones.
It was determined that infants develop color vision at or around three months of age and that when final results were evaluated and compared to adult (only) measures, actually have better quality color vision (Brown et al., 1994). An interesting study by Chase (1937) made efforts to discover the identities of color in which infants that aged 2 to 10 weeks old were tested to find out what colors they could perceive. The results they came up with were that very young infants could tell the difference between the primary colors and combinations but there were numerous limitations to the study (Chase, 1937). The study had placed infants to lie down and view a screen while observing eye movements (Chase, 1937). Findings by Franklin, Pilling, and Davies (2005) explain that color categorizing occurs in four month old infants and adults alike. A study by Bornstein, Kessen, & Weiskopf (1976) has supporting evidence that color is categorized in 4 month old infants and determined the boundaries within...
The retina contains rods and cones which detect the intensity and frequency of incoming light and, in turn, send nerve impulses to the brain.
However, categorical perception and its effects are not limited to auditory stimuli. As mentioned earlier, a categorical perception effect can also be seen in different kinds of visual stimuli.The perception of colors in a rainbow may be the most obvious example of CP. Even though a rainbow consists of many different wavelengths of visible light, observers only perceive distinct colors and not the full continuum of existing visible light (Goldstone, 2009). In addition to applying to relatively simple stimuli such as colors, categorical perception can also partially explain expertise in certain subject areas. Radiologists, for instance, are particularly skilled at spotting differences between X-Ray images. These experts have developed an ability to spot meaningful (cross-category)differences while minimizing irrelevant (within-category) ones (Goldstone, 1994). Categorical perception has also been demonstrated in facial expressions and basic shapes (Beale and Keil,
Well, in short, it is not traditionally important, but color in this way makes a subtle storytelling tool that affects the viewer on a subconscious level. An example of this would be as follows. If you were to imagine a gritty crime drama, you most likely wouldn’t imagine a warm yellow and orange color palette, rather, you would imagine a cool colored, bleak world, complimenting the story’s darker tones.
What does color stand for in live? Different colors have their own meaning in the world. As for the world of Oz there are four colors; blue for the Munchkin people, yellow for the Winkie people, red for the Quadling people, and green for the people of Emerald City. L. Frank Baum uses these three colors as symbols of the places they represent in his novel The Wonderful Wizard of Oz . He uses these colors as a way to represent the lifestyles of the people in each region.
Have you ever wondered why yellow makes you irritated? Why purple makes you feel happy? Why green calms you? Why orange helps you feel energized? Many people think that colors are just colors. But in reality, colors have been useful throughout the years as they have an huge impact on our lives. Many of us need to be aware of colors that surround us in everyday life.
...roprietary colour specification systems such as PANTONE and COLORCURVE. These vendors are likely to give their colour specification systems in a small form to plug into colour managers.” The topic of what white and black is has always been a challenge. We know that white means no color and black means all colors in the visible spectrum. “In additive image reproduction, the white point is the chromaticity of the colour reproduced by equal red, green and blue components. White point is a function of the point of power in the primaries.” ( BW Tek 2011)