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Recommended: Overview of sikhism
For this project I chose to do the Sikh religion. I have an interest in this particular religion because my older sister visited India during the summer. During her time there she visited the Punjab state and she informed me that many of the people she met there were Sikhs. While she was there she visited a place of worship called the Golden Temple and brought home some amazing photographs to show us. This project gave me an opportunity to begin to research this religion. I also selected this particular religion because this is a topic about which I had very little knowledge and I wanted to find out more about the beliefs and practices of Sikhism.
There are 24 million Sikhs in the world. There are approximately 2,000 Sikhs in Ireland, who
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They believe that when they die they are reborn into another life. The quality of this life depends on how they behaved in the previous life. Sikhs also believe in the 5 K’s to show that they are Sikhs. Kesh is the first K and that stands for uncut hair. It identifies the Sikhs. The second K is the Kara. This is a steel bracelet, it reminds them not to do wrong. The third K is the Kirpan. It is a short sword and a symbol of protection for the Sikhs. The fourth K is the Kangha. The Kangha is a comb that they use to keep their hair tidy and stands for cleanliness. The final K is the Kacha. The Kacha are undergarments shorts as a symbol of chastity. These five K’s represent …show more content…
Currently schools under Catholic patronage participate in programmes such as Grow in Love etc. The teaching of other faiths is seen more evident in Educate Together Schools. “Once it acknowledges that non-Christian faiths contain spiritual and moral worth it urges Catholics to enter into dialogue and collaboration with the members of these faiths” (Irish National Teachers Organisation 2003, pg124).
The teaching of other faiths is seen more evident in Educate Together Schools. “The schools typically use a variety of faith festivals in the school year to promote understanding of different religious views. At the same time, the school is committed to making facilities available to any group of parents who so wish, to organise religious instruction or doctrinal classes outside school hours” (Educate Together 2002).
In addition the NCCA have proposed the development of a programme entitled Education about Religions and Beliefs (ERB) and Ethics in the Primary School through which it is envisaged that ‘every child has access to structured, coherent and incremental learning in this area, and to ensure the good practices that already take place in schools are recognised and supported...’ (NCCA 2015
Further research although, allows us to understand more in depth the importance and history of the Tai-me Sun Dance doll. According to Kiowa Nation, the Tai-me is the most sacred possession of the tribe. The first Tai-me came from an Arapaho man who married into the tribe in the 1700’s. There once was three Tai-me figures which were, the “woman”, the “man”, and another figure, however Osgaes captured the figures but returned them in 1837 when the treaty was signed. Then the Utes captured two of the figures and they never returned. The Tai-me keeper has many important roles in the Sun Dance such as deciding whether the dance will be held and preparing for the dance. This historical context is important and connects with the chapter because it allows the reader to understand Tai-me’s past and importance to the
Their Sundance ceremony surrounds the story of the tai-me, “The Kiowas were hungry and there was no food. There was a man who heard his children cry from hunger, and he went out to look for food. He walked four days and became weak. On the fourth day he came to a great canyon. Suddenly there was thunder and lightning. A voice spoke to him and said, ‘Why are you following me? What do you want?’ The man was afraid. The thing standing before him had the feet of a deer, and its body was covered in feathers. The man answered that the Kiowas were hungry. ‘Take me with you,’ the voice said, ‘and I will give you whatever you want.’ From that day Tai-me has belonged to the Kiowas”(36). This story is used to tell how the tai-me came to be a part of the Kiowa tribe and why they worship it as a part of the sun dance ceremony. Momaday describes that the “great central figure of the kado, or sun dance, ceremony is the taime”(37). It was a small image representation of the tai-me on a dark-green stone. As a symbolic part of this ceremony, it is kept preserved in a rawhide box of which it is never exposed to be viewed other than during this
Kukailimoku is one of many different types of ti’i and they all have many different symbols that represent that specific god. There are many different types of these Ti’i figures in Hawaii and all of Polynesia. In Hawaiian culture, the gods, the aina; land, and the kanaka; people, all share a “symbiotic existence.” If the Kanaka took care of the land in a p...
Unlike most other Native American tribes in the southwest region of Texas, the Karankawas held one thing in their society that was different to their neighbors of the north and south -- they were non-nomadic. This nation built semi permanent homes near the coast and only moved inland during the summer, do to fact that their main food source moved out to sea -- fish. They lived in a structure known as the wickiup. It was constructed simply of drift wood or mesquite covered in mud and animal skins. It provided great protection from the surrounding environment, given this regions dry status. The home that they lived in was not meant for anything other than sleep, and very few personal belongings were actually kept by a single family. The tribes were very communal when it came to belongings. Everyone in the society had their jobs and specific roles and kept to them. When one person could not perform their duties, or became to old, they were either held as a revered seer, depending on how old and wise a person was, or they were put to death. Cruel and inhumane by today's standards, however, death held a higher meaning in this society. It wasn't a disgrace to be killed, it was actually meant to be a great honor. It was believed that if your life role was complete, then you could move on to a more divine role in the heavens. Leading them to have very secretive and sometimes almost unknown burial practices. Anthropologists know very little about this tribe do to their secrecy.
Sikhism is free from any claims and dogmas. To attain salvation, Sikhism rejects all rites, rituals, and fasts. It rejects the claims of mortification of body, self-torture, penance or renunciation. It does not believe in worship of gods and goddesses, stones, statues, idols, pictures, tombs or crematoriums. Devotees are supposed to desist from working miracles, uttering blessings and curses, and believing in omens. They wear God's name as a necklace and try to practice Nam (remembrance of God's name), Dan (charity) and Ishnan (purity), truthfulness and openness, self-restraint in temper, labor for the purpose of mutual benefit, profitable and edifying speech, humility and forbearance.
The Katsina´s carved beak and fur and feather covered face make him immediately identifiable as a Great Horned Owl, the spirit Mongwa. Mongwa´s body is that of a man, with a bare torso and strong legs partially raised in dance. His upper arms, thighs and chest are painted with white circles, which represent the kaolin clay body paint that the Hopi Katsina cult outfitted themselves in during ceremonies. His teal upper arm bands are held by a leather tie, this is how the Hopi secured yarn or cotton armbands on to themselves during ceremony. Mongwa´s wristbands similarly are meant to mimic the silver and turquoise wristbands that modern Hopi wear during Katsina
Webarchive.nationalarchives.gov.uk, (2014). [ARCHIVED CONTENT] Key stage 2 | Religious education | Subjects | Key stages 1 & 2 | National Curriculum. [online] Available at: http://webarchive.nationalarchives.gov.uk/20100202100434/http://curriculum.qcda.gov.uk/key-stages-1-and-2/subjects/religious-education/keystage2/index.aspx [Accessed 22 Apr. 2014].
Kathak (Sanskrit translation: ‘Katha’- story; ‘Katthaka’- story-teller) can be traced to as far back as the 3rd century and is one of the eight Classical dances in India. It originated in Northern India -Rajasthan, Delhi and Uttar-Pradesh. It was originally performed in temples to narrate mythological stories presented in the Ramayana and Mahabharata with mimetic gestures and singing. ‘Katthakas’ were mostly high-caste, educated Brahmins. Nowadays, class division is less intruding in one’s pursuit of becoming a ‘Katthaka’.
"Salford City Council." Why Is Religious Education (RE) Important? -. N.p., 13 May 2011. Web. 27 Apr. 2014.
The use of symbolic hand gestures, known as “mudras”, help convey ideas. Buddha in Figure 2 of the Appendices is using mudras much like in the piece Shiva as Lord of Dance (Nataraja). The right hands of both sculptures in Figure 1 and 2 display the “abhayamudra”, which signifies, "do not fear" (Doyle, Goodman. "Lesson Plan: Buddhist and Hindu Art from India-A Comparative Look."). This type of mudra is formed by raising the right hand to shoulder height, with the palm of the hand facing out, and the fingertips pointing upward. Mudras in Buddhist and Hindu art are essential to both religions to honor the teachings of their gods or
For example, the Chi Wara is a ceremonial object. The Chi Wara is from the Bamana people, who used the visuals of dance as well in their art. The Chi Wara is a mystical, zoomorphic, animal headpiece that encompasses an antelope, anteater, and human. It is said to bring favors of fertility, agri...
Sikhs must not drink alcohol, smoke or gamble. They have one wife or husband. They must pray every morning. They must read the holy book everyday. The Ten Gurus (teachers) of the Sikh told the people what God wanted; how they should live their lives; and how peace and tranquility could be obtained. Sikhs must wear the 5Ks – Uncut Hair Kesh, Small Comb Kanga, Bangle Kara, Special Shorts Kacha and Sword Kirpan.
University of Michigan. “Religion in Schools: A look at how religious practices influence education.” .
Kathak is the classical dance of north indian style that was characterized by rhythmic footwork danced under the weight of more than 100 ankle bells, spectacular spins, and a representation of themes from Persian and Urdu poetry alongside those of Hindu mythology. The word kathak means "to tell a story". It is derived from the dance dramas of ancient India. Kathak arose from the fusion of Hindu and Muslim cultures that took place during the Mughal period. More than any other South Asian dance form, kathak expresses the aesthetic principles of Islamic culture.
McLeod, H. (2008). The Five Ks of the Khalsa Sikhs. Journal of the American Oriental Society, 128.2 : 325-331.