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Repression of Women Exposed in The Yellow Wallpaper
The short story "The Yellow Wallpaper" by Charlotte Perkins Gilman gives a brilliant description of the plight of the Victorian woman, and the mental agony that her and many other women were put through as "treatment" for depression when they found that they were not satisfied by the life they had been given.
In the late nineteenth century when the Yellow Wallpaper was written, the role of wife and mother, which women were expected to adopt, often led to depression or a so-called "hysteria". Women of this period were living in a patriarchal society where they were expected to be demure and passive, supportive yet unquestioning of their husbands, and good mothers to their husband's children. The conflict for women in the society thus became a question of how to be all of these things while still conserving herself as a person and most importantly, conserving her sanity (Wagner-Martin 51). In this Victorian society "the boredom and confinement of affluent women fostered a morbid cult of hypochondria - 'female invalidism'"- where it became popular and even appropriate for women to fall into bed at the slightest provocation with a "sick headache" or "nerves" (Ehrenreich 92-93). Charlotte Perkins Gilman, author of the Yellow Wallpaper (among other things), said of this phenomenon that "American men 'have bred a race of women weak enough to be handled as invalids; or mentally weak enough to pretend that they are-and like it.'" (93).
As a result of this "female invalidism" the respected physician, Dr. S. Weir Mitchell developed a rest cure "which depended upon seclusion, massage, electricity, immobility and overfeedi...
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...ublications, 1997. 1-15.
---The Living of Charlotte Perkins Gilman: An Autobiography Univ of Wisconsin Press, Reissue edition 1991.
Hedges, Elaine R. Afterword. The Yellow Wallpaper. 1973: 37-63. Twentieth-Century Literary Criticism 9. Detroit: Gale: 1988.
Schopp-Schilling, Beate. "' The Yellow Wallpaper': A Rediscovered Realistic Story."' American Literary Realism 1870-1910. 8 (1975): 107-108.
Shumaker, Conrad. "'Too Terribly Good to Be Printed': Charlotte Gilman's The Yellow Wallpaper'" American Literature. 57 (1985): 194-198.
Treichler, Paula A. "Escaping the Sentence: Diagnosis and Discourse in The Yellow Wallpaper"' Tulsa Studies in Women's Literature. 3 (1984): 61-77.
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” 1892. Ed. Dale M. Bauer. Boston: Bedford/St. Martin’s, 1998.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." 1892. The New England Magazine. Reprinted in "Lives & Moments - An Introduction to Short Fiction" by Hans Ostrom. Hold,
Perkins Gilman, Charlotte. "The Yellow Wallpaper"." The Heath Anthology of American Literature. Concise Ed. Paul Lauter. Boston, MA: Houghton Mifflin, 2004. 1597-1609. Print.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Unfortunately, to much of the public, Elvis is more icon than artist. Innumerable bad Hollywood movies, increasingly caricatured records and mannerisms, and a personal life that became steadily more sheltered from real-world concerns (and steadily more bizarre) gave his story a somewhat mythic status. By the time of his death, he'd become more a symbol of gross Americana than of cultural innovation. The continued speculation about his incredible career has sustained interest in his life, and supported a large tourist/entertainment industry, that may last indefinitely, even if the fascination is fueled more by his celebrity than his music.
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Gilman, Charlotte Perkins. “The Yellow Wallpaper”. The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. 462-473. Print.
Gilman, Charlotte P. "The Yellow Wallpaper." The story and its writer: An introduction to short fiction. Ed. Ann Charters. Compact 8th ed. Boston: Bedford/St. Martins, 2011. 340-351.
Treichler, Paula A. "Escaping the Sentence: Diagnosis and Discourse in 'The Yellow Wallpaper.'" Tulsa Studies in Women's Literature 3:1-2 (Spring-Fall 1984): 61-77.
It wasn’t easy to get to where he was. Mississippi born and raised, Presley didn’t live in luxury. His wealth and fame was a massive step from his struggling Mississippi life (Stones). This influenced others to pursue their dreams as well. Since he was raised this way, and grew up as a generous and kind person, he would always donate to the needy, which sparked the role model in him (Bergmooser). Only ten years old, Presley finally made his first public performance. He sang “Old Shep” for a contest and received fifth place (Stones). Later in his life, he made his first record working with Sun Records in 1953 (Stones). This eventually led to exposure in the music industry. More and more people listened and bought his albums as the years flew by. Added up, Elvis Presley sold more than a billion records worldwide (RIAA). Throughout his career, he performed many times and at countless different locations. In 1972, he sold out four Madison Square Garden shows (McShane). This is the place many artists only dream of achieving. Step by step, Presley grew his fame and aspired others to strive the same way. Without har...
Elvis Presley was rock & roll’s first real star, not to mention one of the most important cultural forces in history, a hip-shaking symbol of liberation for the staid America of the 1950s. With a sound rooted in rock ability and rhythm-and-blues, a daringly sexual performing style, and a magnetic charm, the pioneer rock ’n’ roller became an idol for an entire generation of music enthusiasts. Admired as one of the most successful recording artists of all time, American singer and guitarist Elvis Presley exploded onto the music scene in the mid-1950s. Elvis was a very inspirational star that changed the music scene. (Wilson, Christine. “Elvis Presley: The Early Years.” Elvis Presley: The Early Years | Mississippi History Now, www.mshistorynow.mdah.ms.gov/articles/32/elvis-presley-the-early-years)
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.
By the age of 21, Elvis had already made his first appearance on national television, Presley had become one of the most famous people on the planet following a year of that date.¹ Symbol of rebelliousness, good spirit and youthfulness, Elvis had changed the face of American musical culture simply by his enchanting personality, his acceptance and integration of black music into mainstream music and thus led the way for artists like Little Richard and Al Green to perforate in the music industry. Also, upon his death, President Carter remarked Elvis on the immense legacy he left behind. His image, voice, body, talent and name remain today as key elements to the maturation and enrichment of the American public's taste in music, men, fashion, language and attitude. ¹ Composers and various artists of other genres like Bob Dylan and Leonard Bernstein, began to inspire themselves and wonder at him for the innovative pulse he stirred in a seemingly dull American culture at the time.