In the short story, by Kate Chopin “The Story of An Hour”, the reader is transported into an era of 19th century American South”; furthermore, they see into a life of a women who is ensnared. As the story reads, the theme of repression becomes ever so obvious in the marriage between Mrs. Mallard and Brentley Mallard.
The story begins on quite a dark note, with the death of Brentley Mallard, husband of Louise Mallard. As the reader soon finds out that Mrs. Mallard the main character in the story, has many issues brought forth throughout, including what is described as a “heart trouble”; Which is the main reason right from the start that Josephine, Mrs. Mallard’s sister, is apprehensive to break the news too bluntly. In that moment you see
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Josephine, to the best of her ability convey the news to Louise that Mr. Mallard was tragically killed in a train accident. One would expect Mrs. Mallard not to receive this knowledge of her husband’s passing well. Thus she abruptly responds with overwhelming sorrow, and weeps at first with uncontrollable anguish; however, with the astonishment of the reader, she swiftly and with composure finds her faculties, and excuses herself to the seclusion of her room. In the isolation of that room, is where the reader becomes privy to the most profound changes in Louise’s psychology; this is where she will rediscover herself as an individual once again, breaking the binds she has felt from the marriage up to this point. In the most unique way Kate Chopin relays the mindset of Louise while she is in her room gazing out the window. At first Louise sees at what best can be described as new life, or rebirth out the window in front of her; she observers this reawakening in the trees, “The delicious breath of rain”, and even in the sounds of birds chirping in the attic. She goes on to vividly describe in the story about blue sky’s opening up, and darkness receding; representing the repression being cast away, and giving approach to her singular thought. She is now Louise, “Mrs. Mallard” remains but a hollow chrysalis of who she once was; Louise stands transformed, emerging a strong, independent women, with the future at her fingertips. Chopin’s best representation of overcoming this repression that had entrapped Louise, is described in a very elegant way in which Louise senses this abnormal emotion approaching her. Then realizing how helpless she is to resist it, Louise utters one simple word over and over... “free, free, free!” Now Louise comes to the realization that she was truly “free”, she refuses to be afraid or ensnared anymore, feeling optimistic, peaceful, and even joyful. This is the first time the reader really becomes aware of the profound oppressiveness that her character must have endured; furthermore, the nature of repression women over-all had to brave in that time period of 19th Century American South. What kind of misfortunes were imparted on women during this age in history to make a women like Louise Mallard so reassured by the fact her husband had died? Unfortunately as the story develops the reader does not get answers to questions of this nature; but it does show great instances of perhaps what Chopin essentially coped with in her time. Towards the conclusion of the story, the reader is treated to a climatic and unlikely ending.
Louise still seated in her room, manufacturing fanciful new possibilities for the future, is disturbed by her sister calling through the keyhole “For heaven’s sake open the door.” Louise still on an extraordinary high of liberation, snaps back to reality, says a prayer for longevity for all to come, and opens the door. She left that room with a new lease on life, a triumph over subjugation and tyranny, “like a goddess of Victory”. Louise stepped down the stairs, no longer a victim, but a free spirt. Then just unexpectedly as Brentley’s death, the door to the house opened; moreover to Louise’s surprise, it is none other than Mr. Mallard himself, alive and well. Apparently not aboard that fateful wreck, standing there, oblivious of any ill begotten news of his demise.
The story ends with doctors pronouncing Louise Mallard dead of “heart disease”, Chopin leaving us with one final line “of the joy that kills”. Which really shows how intensely Louise felt towards her new found freedom, and certainly illustrates how much she had agonized throughout the marriage to Mr. Mallard. The theme of repression in “The Story of An Hour” is intertwined all the way through from start to finish, certainly demonstrating how pervasive it was, not only in the characters marriage, but the 19th Century, and likewise in Kate Chopin’s
life.
By contrast, Louise Mallard, the protagonist in Chopin's "Story of an Hour", is a moral woman and loving wife, at least by Western standards. Her life is defined by the accepted social ideal of a husband's will as final. She is so inured to this concept that only upon hearing the news of his death does her true feeling of something "too subtle and elusive to name" (199) come forth. What she acknowledges to herself is that her marriage is not happy for her and she often resents her subservient role and "a kind intention or a cruel intention made the act seem no less a crime".
An important detail is that Mrs. Mallard has a heart disease so Josephine, her sister, has to be very careful telling her the news. Josephine learned of Mr. Mallard’s death
It is about a young married woman, Louise Mallard, who has a heart condition and a shock can kill her immediately. Her sister, Josephine, was careful not to upset Louise when her husband, Brently Mallard, died in a train accident. Louise cried and went to her room. However, Louise felt happy, even though the situation was tragic. In addition, she realized that she gained freedom from a depressing marriage and from her dominating husband.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
...d not passed was to overbearing for her. Her husband Brently was alive and although, Mrs. Mallard was free so was he. Kate Chopin’s “The Story of an Hour”, provides more than an unhappy marriage, it delivers her ideas on marriage, love and a woman independence from a structure of male dominance. Many would still describe Mrs. Mallard as a selfish, lonely, and sympatric wife, again, there is a disconnect between the outer world and her introverted self. Some of her emotions are described as monstrous; she is
In the beginning of "The Story of an Hour," Mrs. Mallard is just a typical wife. It is not until she hears of her husband's death that she then simply becomes Louise, now an individual, no longer overshadowed by her husband. Following her husband's death, Louise feels she will no longer suffer a "powerful will bending her" (14), thus indicating she had lacked a voice in the marriage. Chopin clearly indicates this lack of freedom and individuality in Louise's marriage stating, "[. . .] that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature." (14). This statement reflects how men and women oppress each other, denying one another freedom and a sense of identity. This is in line with the common view that women lost their individuality because their, "legal existence had been extinguished by the status of marriage." (Robson). Next, we learn that Louise actually begins to accept, even enjoy the notion of a life by herself, as Chopin writes the years "that would belong to her absolutely [. . .] she would live for herself." (14). Louise woul...
In Kate Chopin’s “The Story of an Hour”, it talks about marriage and a woman’s life in the 1800’s. This story illustrates the stifling nature of a woman’s role during this time through Mrs. Mallard’s reaction to her husband’s death. When Mrs. Mallard obtains news that her husband is dead, she is hurt after a brief moment and then she is delighted with the thought of freedom. This story shows how life was in the mid 1800’s and how women were treated around that time.
In the opening of this short story, “The Story of an Hour”, written by Kate Chopin, Mrs. Mallard is identified as a woman with “heart trouble”. Although it is never specified in the story as being strictly physical, “heart trouble” alludes to the emotional distress Mrs. Mallard is in at the time according to the heavy burden her marriage lays upon her and her freedom. After her husband’s tragic death in a railroad incident, Louise realizes that now without the weight of a husband upon her, she is free to live her life for herself and as is satisfies her. By being circumscribed to a constricting marriage and not possessing the free will to express thoughts of her own, she is lead to a unique conclusion of her current condition. Louise is
Upon seeing her husband alive and well Louise realizes that the life she has imagined is not to be. The return of Brently signals a return of the patriarchal oppression in her life, and after imagining herself as an individual and then to be denied the chance to live freely is a punishment far worse than the crime. Louise loses her identity and once again becomes "his wife." Richards once more tries to protect her, a helpless woman, by attempting to block her view from her husband, because of the fragile state of her heart. Mrs. Mallard's strengths are gone, never to be acknowledged by the men in her life. For one, brief hour she was an individual. Now she finds herself bound by masculine oppression with no end in sight, and the result is death.
The story is very short, but every word has import in the story and each line has great depth of meaning. It is possible to infer a great deal about the woman's life, even though we are given very little on the surface. A telegraph and a railroad are mentioned in the first paragraph, so there is some idea of the time the story takes place. We are also given her married name and the full name of her husband. The fact that she is referred to only as "Mrs. Mallard", while her husband's full name is given, coupled with what we learn on the second page, gives some indication of the repression she's had to suffer through and the indignity society placed on woman in those times. We also learn in the first paragraph that she lives in a man's world, for, though it is her sister that tells her the news, it is her husband's friend who rushes over with the story. Even after his death, she is confined to the structures she adopted with married life, including the close friend's of her husband.
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Chopin describes her as a fragile woman. Because she was “afflicted with a heart trouble,” when she receives notification of her husband’s passing, “great care was taken” to break the news “as gently as possible” (1). Josephine, her sister, and Richards, her husband’s friend, expect her to be devastated over this news, and they fear that the depression could kill her because of her weak heart. Richards was “in the newspaper office when the intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of killed” (1). He therefore is one of the first people to know about his death. Knowing about Mrs. Mallard’s heart, he realizes that they need to take caution in letting Mrs. Mallard know about it. Josephine told her because Richards feared “any less careful, less tender” person relaying the message to Louise Mallard (1). Because of her heart trouble, they think that if the message of her husband’s death is delivered to her the wrong way, her heart would not be able to withstand it. They also think that if someone practices caution in giving her the message, that, ...
Brently was dead, that her sister referred to her as just Louise. She suddenly became a person who has control over her own life rather than her husband controlling her. Initially, Mrs. Mallard felt a “storm of grief,” symbolizing the inward sentiments that were seething through her; in any case, as she sits in her room she watches “patches of blue sky showing here and there through the clouds,” symbolizing a steady move in her feelings. Mrs. Mallard’s “heart trouble” that is mentioned in the beginning can be a form of symbolism. It can give the reader some sort of foreshadowing of what is to come later on. The ironic ending is where her “heart” condition is mentioned again. When the doctor deliver’s the line “the joy that kills” because he is not aware of Mrs. Mallard’s true disappointment and despise towards the man that she thought was dead. The limitation helps better express the themes of the story because being such a short story requires a limited description of Mrs. Mallard’s surroundings. This makes her life seem truly empty and isolated on the inside. The limited setting better represents her emotional distress that she is experiencing with her
Mallard supposed to be with her husband by his side and giving him advice she was not. This also lead to the news that they gave her husband had died and she was happy , she felt free. Her sister thought Mrs Mallard was crying in her room or very sad but she was not. “She said it over and over under her breath: Free, Free, Free!”(Kate Chopin 's View on Death And Freedom in the story Of An Hour,1).This was unexpected and weird in many ways . It was expected that Mrs Mallard was going to react differently as she really did. This means that maybe the years she was with her husband she was going to get attached to him but she was not . “Her sister Josephine,reminded us of her conventional thought that women should attach themselves to their husbands”(Kate Chopin 's View on Death and Freedom in the story Of An Hour,1). After that Mrs Mallard wanted her time alone in the room nobody actually knew how she felt in reality. She had a conflict in her life. Mrs. Mallard had her own experiences and thoughts. Love , freedom, and marriage were her things. Maybe she was suffering and she stuck in her mind those ideas and felty all the peace she wanted. She was not really conscious it was between her world and the actual real world she had to face. This leads to her feelings sometimes she wouldn 't love her husband , and sometimes she would and it was all mixed up into different feelings and emotions. When she saw her husband in the door she cried , but it was of happiness not sadness and it was a rare death. We as readers consider that seeing her husband shocked her and anguish when she sees her husband. The doctor eventually said a different thing that the joy killed Mrs. Mallard .” The conflict between Mrs. Mallard’s life and death becomes so irreconcilable that she finally dies of heart disease when she is told that she will see her husband come home alive instead of death in the railroad disaster.”(Kate
Kate Chopin's story, "The Story of an Hour", focuses on an 1890's young woman, Louise Mallard. She experienced a profound emotional change after she hears her husband's "death" and her life ends with her tragic discovery that he is actually alive. In this story, the author uses various techniques-settings, symbolism and irony- to demonstrate and develop the theme: Freedom is more important than love. Chopin uses settings to convey particular moods, character qualities and features of theme. Firstly, the author uses time setting to reveal Louise' inner desire and her restrictions.