Life for a female in the nineteenth century was one of repression of individuality. Once married a woman became legally bound to her husband in a circumstance much like property. Kate Chopin experienced how it felt to be restricted strictly based on her gender. In “The Story of an Hour,” Chopin encapsulates a theme of confinement, freedom, and powerlessness.
Kate depicts the confinement of the late nineteenth century. Marriage for Mrs. Mallard meant death must take place to her individuality. She was obligated to become the product of her husband's desires. Living in a state of constantly feeling a “powerful will bending her,” Mrs. Mallard was unable to act as her true self during her marriage (66). As long as she was legally bound to a man, her dreams and ambitions must stay sealed by suppression. “She had thought with a shudder that life might be long,” tells readers that she could not embrace this reality (66). Confinement in her life created unhealthy restrictions for her thoughts, emotions, and communication. Her facial “lines bespoke repression,” from a reoccurring conscious effort to silence her thoughts from becoming spoken words (65). As if that isn’t belittling enough, she even grew a tendency to
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Her struggle with lack of power had road with her all the way until her last breath. She had been powerless to the lack of affection she received from her husband who “had never looked save with love upon her” (65). Powerless to lacking a life where she was the only owner of herself. She felt powerless to the emotions that bombarded her. “Physical exhaustion that haunted her body and seemed to reach into her soul,” is another product of life she was defenseless against (65). Lastly, the absolute most helpless circumstance she faced is the falsely claimed death of her husband. Finding him to be alive is a reminder to all that we are powerless to many of life's
being free from “repression." She is no more able to staff off the feeling that
While showing how brave and unselfish she was, she also showed that she was fragile and not as strong as she used to be. “A black dog with a lolling tongue came up out of the weeds by the ditch. She was meditating, and not ready, and when he came at her she only hit him a little with her cane. Over she went in the ditch, like a little puff of milkweed.” Even though she hit the dog only a little, it caused her to fall into a ditch. At last there came a flicker and then a flame of comprehension across her face, and she spoke. "My grandson. It was my memory had left me. There I sat and forgot why I made my long trip." This shows how her mind went blank, causing her to forget why she had made the journey.
These two stories both only a few pages long, describe an extremely important theme within many of Kate Chopin’s writings. “The Storm,” and “The Story of an Hour,” focus on women’s revolt against conformity and the norms of their title. Kate shows how her woman can take their gender confining roles and flip them around to live in peace and freedom. The stories both coincide with the central impression of women challenging and altering their lives from a set view, either ending up with a death or ending with a secret affair. All of the women in Chopin’s stories wanted something to happen to change their lives. They found that change through by being unorthodox, by fighting the flow, and by differing from the mold.
Chopin depicts marriage as a prison institution that confines women to life. In the story, there is no possibility of divorce and death seems to be the only way out. Evidently, since marriage is dictated by society, women do not seem bothered by their lack of freedom since they feel it is their obligation to run their homes without complaining. From the story, Mrs. Mallard does not seem perturbed by her present situation until she gets a taste of freedom after receiving the news about her husband's death. Precisely, we are told that she was beginning to recognize this thing that was approaching her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been.
A Woman Far Ahead of Her Time, by Ann Bail Howard, discusses the nature of the female characters in Kate Chopin’s novel’s and short stories. Howard suggests that the women in Chopin’s stories are longing for independence and feel torn between the feminine duties of a married woman and the freedom associated with self-reliance. Howard’s view is correct to a point, but Chopin’s female characters can be viewed as more radically feminist than Howard realizes. Rather than simply being torn between independent and dependant versions of her personality, “The Story of an Hour’s” Mrs. Mallard actually rejoices in her newfound freedom, and, in the culmination of the story, the position of the woman has actually been elevated above that of the man, suggesting a much more radically feminist reading than Howard cares to persue.
Marriage was not kind to Mrs. Mallard, her life was dull and not worth living, her face showed the years of repression. If she did love this man, why was marriage so harmful to her? Marriage was a prison for her
For one, brief hour she was an individual. Now she finds herself bound by masculine oppression with no end in sight, and the result is death.
Mrs. Mallard is an ill woman who is “afflicted with heart trouble” and had to be told very carefully by her sister and husband’s friend that her husband had died (1609). Her illness can be concluded to have been brought upon her by her marriage. She was under a great amount of stress from her unwillingness to be a part of the relationship. Before her marriage, she had a youthful glow, but now “there was a dull stare in her eyes” (1610). Being married to Mr. Mallard stifled the joy of life that she once had. When she realizes the implications of her husband’s death, she exclaims “Free! Body and soul free!” (1610). She feels as though a weight has been lifted off her shoulders and instead of grieving for him, she rejoices for herself. His death is seen as the beginn...
Written in 1894, “The Story of an Hour” is a story of a woman who, through the erroneously reported death of her husband, experienced true freedom. Both tragic and ironic, the story deals with the boundaries imposed on women by society in the nineteenth century. The author Kate Chopin, like the character in her story, had first-hand experience with the male-dominated society of that time and had experienced the death of her husband at a young age (Internet). The similarity between Kate Chopin and her heroine can only leave us to wonder how much of this story is fiction and how much is personal experience.
Mrs. Mallard was at first overjoyed with freedom because her husband was supposedly “dead,” yet at the end of the story, Mrs. Mallard comes face to face with Mr. Mallard. A whole new wave of emotions overcame Mrs. Mallard as she laid eyes on her husband instantly killing her from “a heart disease-of joy that kills.” It is ironic how Mrs. Mallard is overjoyed about her husband’s death, and she ended up dying because she found out he was alive instead. Her joy literally was killed, killing her on the inside as
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
In “The Story of an Hour”, Kate Chopin expresses many themes through her writing. The main themes of this short story are the joy independence brings, the oppression of marriage in nineteenth century America, and how fast life can change.
Mallard states that she is going to live her new life independently now that Mr. Mallard is gone; she accepts her newfound freedom and believes that she is now an independent woman. Mrs. Mallard was oppressed by Mr. Mallard, and Chopin hints at this oppression: “Chopin seems to be making a comment on nineteenth-century marriages, which granted one person - the man - right to own and dominate another - the woman,” (“The Story of an Hour” 266). The men and women should be treated equally in marriage and should be free, which relates to Mrs. Mallard feeling oppressed by Mr. Mallard. She realizes that she was below her husband her whole married life: “What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!” (Chopin 645). Her inferiority to her husband controlled her; his death allows her to start over as an independent being. Mrs. Mallard is known to have heart trouble, but readers do not understand what that trouble is until they soon find out: “Later, when we see Mrs. Mallard ‘warmed and relaxed,’ we realize that the problem with her heart is that her marriage has not allowed her to ‘live for herself,’” (Hicks 269). The readers find out that Mrs. Mallard’s mystery heart trouble dealt with her being confined by Mr. Mallard in marriage, which she soon turns away from. Mrs. Mallard’s internal struggle is caused by rushing into marriage; she did not develop herself before developing a relationship with someone else, such as Mr. Mallard: “Love is not a substitute for selfhood; indeed selfhood is love’s pre-condition,” (Ewell 273). Mrs. Mallard may have felt constrained by Mr. Mallard in her marriage because she did not know herself before. If she had known herself before the marriage, she would have known her own constraints and opinions, instead of feeling oppressed by Mr. Mallard. Mrs. Mallard accepts her freedom and independence. She decides to live
Kate Chopin, author of “The Story of an Hour” written in 1894 was the first author who emphasized strongly on femininity in her work. In the short story, Chopin writes about freedom and confinement Chopin is an atypical author who confronts feminist matter years before it was assumed. The time period that she wrote in women were advertised as a man’s property. The main idea in the short story is to illustrate that marriage confines women. In “The Story of an Hour” the author creates an intricate argument about freedom and confinement Mrs. Louise Mallard longing for freedom, but has been confined for so long freedom seems terrible. Mrs. Mallard wife of Brently Mallard instantly feels free when her husband dies. The reason she feels this way
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.