Representation of New York in Manhattan and Sex and the City
Manhattan, the city of New York, is often depicted in the media by
images of skyscraper buildings and yellow taxis. I am going to analyse
the representation of New York by looking at and comparing the opening
sequences of the series "Sex and the City" with the film "Manhattan".
I will be looking specifically at how the directors achieve their
interpretations of New York by the images of New York and the
cinematic devices that they use. Both directors have a similar idea of
portraying New York as a city of two halves but they both have very
different ways of doing this.
John Thomas, director of "Sex and the City", uses a range of cinematic
devices including camera shots, pace, editing and some images and
stereotypes to show Carrie as a metaphor for New York. In the first
few frames of the clip Carrie is in a close up shot with the
background around her blurred and not in focus. The focus here is on
Carrie's emotions; she is confident, relaxed and happy which
represents the bold vibrant and colourful side to New York. The clip
is divided into two halves, separated by a shot in the middle of
steering through the centre of a traffic jam from a low angle looking
up. Although this is quite an ambiguous shot and could also represent
New York as looking down on Carrie as being mysterious and
intimidating showing the other side to New York itself, to me it shows
a journey back to reality from the stereotypical side of New York
representing a change or a definitive border between the two halves of
New York. Towards the end of the clip tension is built up by the music
to a clim...
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...rall impression that is expressed to the audience
shows the reality of New York.
I conclude that although "Manhattan" and "Sex and the City" were
filmed in completely different decades and in completely different
styles they still have a lot in common about the way that they portray
New York City. Both directors are portraying the suburban reality and
the stereotypical romance as two very different sides of New York. The
fact that the directors show these sides of New York in a different
order suggests that they are giving hindmost impressions last. "Sex
and the City" concludes in reality with Carrie being splashed but
everybody carries on regularly with their busy everyday lives. However
"Manhattan's" ultimate image is of fireworks over the New York skyline
suggesting the romantic and stereotypical view of New York.
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There is no such thing as silence here. Everything jumps out at once, like the feathers on a peacock, immediately catching your attention. There are uncountable masses of colorful blobs moving, but within that great glob, there are many people, each person moving with the powerful confidence of a lion. The buildings all loom over the people, a grand oak tree above thousands of ants, tying together this concrete landscape. There is a tangible atmosphere of wonder, and you are left in awe of such an astonishing place. This magnificent place is none other than Times Square in New York City.
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