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A midsummer night's dream conflicts
A midsummer night's dream conflicts
Gender in a midsummer nights dream
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Shakespeare's female characters are represented over an assortment of social classes. In this essay I will investigate how Shakespeare depicts women in A Midsummer Night's Dream. I will be analyzing particularly the characters and depiction of Hippolyta, Helena and Hermia and how they relate to the stereotypical nature of how ladies were dealt with by men, as well as how this issue is present in modern society.
Firstly, the most evident aspect with respect to Shakespeare's depiction of women in this play is that the female sex is materialized. All through the play, women are dealt with like items to be sold or exchanged. With reference to the foundation of the characters Theseus and Hippolyta, Greek mythology expresses that when Theseus,
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Egeus, Hermia's dad, has decided to wed Hermia to Demetrius, yet Hermia declines to do so. Egeus then raises this objection to Theseus, trusting Theseus can help him. In doing so, Egeus is appeared to view Hermia as an item as he overrules her wishes. Egeus says that Hermia has 'turned her obedience, which is due to me' (I.i.37) and that since 'she is mine, I may dispose of her' (I.i.42). These 2 lines show Egeus regarding Hermia as 'mere property' in light of the fact that he made her and consequently Hermia should obey her father’s …show more content…
The principal power struggle present in the play exists between Egeus/Theseus and Hermia. In Act 1 Scene 1, Hermia straightforwardly resists Egeus' wishes for her to marry Demetrius rather than Lysander. Through Egeus' eyes, Hermia is seen to have a 'stubborn harshness' (I.i.38) and she won't 'consent to marry with Demetrius' (I.i.40). She challenges Egeus despite knowing that tradition allows the father to wed his daughter off to whoever he wishes. Anyhow, she plots with Lysander and consents to his arrangement of leaving Athens to Lysander's widow aunt whose house is out of reach from the 'sharp Athenian law' (I.i.162). While fleeing may appear like a nuanced and modest form of insubordination, it is still a corroboration of Hermia's rights and opportunity as a woman to pick who she
In Act I Scene I, Egeus, father of Hermia, is clearly upset with his daughter’s choice in Lysander as a suitor. Egeus’ has so much love for Demetrius that he has chosen him to be Hermia’s husband in an arranged marriage. Egeus’ desire to have Hermia marry Demetrius is so strong that he would rather Hermia be dead than marry another. Egeus implores upon Theseus, “As she is mine, I may dispose of her, which shall be either to this
In act 1, Scene 1, we are introduced to the paternal love of Egeus and Hermia. Egeus, being Hermia’s father has all right over who she marries and so he chooses Demetrius as Hermia’s to-be husband however she doesn’t truly love Demetrius and has her heart set in Lysander. This led to troubled times for her as if she didn’t marry Demetrius she had two options: execution or becoming a nun.
She exemplifies her strengths in one occurrence by standing up to her father’s wishes concerning her wedding. Speaking to her father, Hermia proclaims, “So will I grow, so live, so die, my lord, ere I will yield my virgin patent up unto his lordship whose unwished yoke my soul consents not to give sovereignty” (I.i.81-84). Hermia demonstrates immense courage and strength by standing up to her father and threatening to pursue the occupation of a nun for the rest of her life. This persistence in marrying the love of her dreams, Lysander, shows incredible courage that resonates throughout the play. Here, Hermia exhibits boundless courage and strength and from now on, her vigor only grows stronger. Later on in the play, knowing that the rules of Athenian law of marriage did not apply outside of Athens, Hermia and Lysander snuck out of the city. As Hermia and Lysander conversed alone, Hermia demands, “Nay, good Lysander. For my sake, my dear, lie further off yet. Do not lie so near” (II.ii.47-48) when Lysander desires to draw nearer to Hermia. By this point, Hermia battled her father and contains immeasurable mental strength. At this instance, Hermia gains greater moral strength when she resisted Lysander’s inappropriate love. Displaying courage to stand up to her father and her moral strength to resist Lysander, Hermia exemplifies a strong
One strange element is why Egeus was so set on Hermia marrying Demetrius. Lysander came from as good a family as Demetrius. Both were well possessed with property and money so Egeus's power is made to seem senseless.
From the beginning, Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. In her defense, she uses words of chastity and moral purity to claim her fidelity and love towards Lysander and inability to wed Demetrius “I know not by what power I am made bold / nor how it may concern my modesty” (pp). The concern, or befitting, of Hermia’s modesty, by not wedding Demetrius, is protecting the very essence of her womanhood from someone whom she feels isn’t worth of the ultimate consummation of love – marriage (and the subsequent sex). This is continued in her next dialogue, where Hermia states that she would rather die “quote” (pp) or become a nun than give up her virgin “privilege” “quote” (pp). Hermia’s claims of “privilege” and “sovereignty” validate her chastity and moral purity as something that should only be shared with Lysander, not Demetrius. However, the sovereignty of Hermia’s claims also fits in with Demetrius’ arguments regarding his rights to Hermia’s hand in marriage: “quote” (pp). Demetrius’ use of “sovereignty” and “right” turns the supposed “love” of Hermia and Demetrius’ arranged marriage into a legal contract, where Hermia is property and social placeholder instead of a loving companion.
Imagine being a woman in sixteenth century Europe. Females were raised to believe that they were subservient and that men knew better on any subject. Basically, women had no rights. They were considered property, first “owned” by their fathers and then control was “transferred” to the husband chosen for them. Marriage was not about love, but in most cases, it was a business deal that was mutually beneficial to both families – an interesting fact is that like young women, most young men had no choice in the selection of their future betrothed. These traditions and the gender roles assumed by men and women at that time had an impact on Shakespeare’s writing and performances and a great example of this is evident in A Midsummer Night’s Dream.
These women are sexualized, audacious, respectful, and flirtatious. Women in the Elizabethan society were considered the weaker sex and in need of always being protected. Women, however, were allowed many freedoms in Shakespeare writings. The thinking from both plays was that women were not above men but more like sex objects and a necessary part of society. Women have evolved into so much more, however, I would like to think this is from the open-mindedness of how Shakespeare saw each woman.
Hermia is the daughter of Egeus. She is a tiny woman that possessed sparkling eyes and a lovely voice. Hermia is very adamant about what she wants from the balance of the play. She has only eyes for Lysander and is very faithful, even when faced with the obstacles of death or the nunnery. Throughout the play Hermia emotions were confused at times. She even says "Am I not Hermia? Are you not Lysander? (Act III Scene 2 Line 292). We see at this point that she is confused and her feelings are hurt. At that very moment I think she feels like she has lost part of herself, a part that she has given to Lysander. So when Lysander returns to her, she is her self once again.
Barbara A. Mowat and Paul Werstine comment in the Introduction to Shakespeare: Othello that sexism is a big factor in the play:
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
In the struggles of Hermia and Lysander to find a place where they can freely express their true love, it is evident that the course of something as scarce as true love always comes with obstacles. Lysander says: “How now, my love? Why is your cheek so pale? / How chance the roses there do fade so fast?” (1.1.130-131), showing that he and Hermia make a faithful couple truly showing their adoration for each other. However, Hermia’s father Egeus refuses to allow to these two lovers marry. This is the conflict Hermia faces: to disobey her father (and the Athenian law), or to mind her father’s will and allow this “edict in destiny” to lose course. “O hell, to choose love by another’s eyes!” (1.1.142), Hermia decides. Hermia chooses to follow the path her true love brings rather than to do what her father insists. In this example, complications manifest in the troubles with true love. In addition, even Titania and Oberon have difficulties
Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 366-398. Neely, Carol Thomas. “Shakespeare’s Women: Historical Facts and Dramatic Representations.”
Although the women in Shakespeare’s time where not given the opportunity for their voices to be heard, Shakespeare gave them a voice through the production of his plays. In both A Midsummer Night’s Dream and King Lear, Shakespeare highlights the ways in which male superiority impedes with the lives of females, he also queries and mocks the accepted patterns of prescribed feminine and masculine behaviors. “While female characters such as Regan and Goneril take on masculine characteristics and King Lear takes on feminine characteristics, Shakespeare demonstrates that men and women are forever searching for a balance between their gender roles, and that this can sometimes be corrupted by power” (Ink).
Shakespeare's "Othello" can be deciphered frame a women's activist viewpoint when perusing the play. A women's activist examination of the play "Othello" gives us a chance to see the diverse social values and how ladies were seen in the Elizabethan culture. Othello is a case to show the desires of the Elizabethan culture. As indicated by the Elizabethan culture, ladies were just expected to wed. As their single occupation, marriage was their most imperative thing to be centered around. Ladies should be submissive to their spouses and all men when all is said in done. Ladies were thought to be lesser to men.