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Gothic and Romanesque architecture
Gothic and Romanesque architecture
Gothic architecture analysis report
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Renaissance architecture can be classified by Classical Roman, or Greco Roman, elements and was followed by the Baroque architecture, and Gothic architectural styles. Examples of Classical Roman elements would be basilicas, columns, domes, as well as the accentuation placed of balance, proportion, and geometry. The Palazzo Farnese interior shows a significant amount of arches and Renaissance paintings on the inside. On the exterior of the Palazzo Farnese a large number of columns are visible, as well as the geometry of the windows located above the columns. Carnegie Hall, in New York City, New York was opened in 1891 and shows drastic similarities with the Palazzo Farnese. With the architectural details of Carnegie Hall it can be shown that
Pennsylvania has a wide variety of beautiful historical buildings that reflect many different styles of architecture. They include historical homes, unique covered bridges, government buildings, and breathtaking churches. Some of Pennsylvania’s most recognized examples of great architecture are Frank Lloyd Wright’s “Fallingwater” and The Pennsylvania Academy of Fine Arts located in Philadelphia. However, the one building that I think of when it comes to great architecture is The Pennsylvania State Capitol. The Pennsylvania State Capitol building, located in Harrisburg, is a great example that represents a variety of architectural elements and a rich history.
During the period of Renaissance, human’s thought and intelligence has reached its highest and its effect on the architectural form, it became clear and its engagement of rational aspect on the building. Mainly geometrical forms are the characteristics which can be identified. Not so long after Renaissance period of Baroque architecture was introduced, rather than logic and reasoning they wanted to capture the emotional atmosphere by using the architectural elements such as light, height, crafted art, costly materials and so on as being mentioned by(Scotti 2007, 5-10).
One of the great architects in time was Andrea Palladio, who was made famous for his magnificent Villas built in Italy in the fifteen hundreds. To do so he drew from the Greek and Roman’s architecture, studying many of their finest works, to create his masterful villas. This process would develop into a style of architecture, which became known as Palladianism. This style has inspired buildings which have dominated the landscape for the last four hundred years. These buildings include: English castles, American public buildings, Swiss railroad stations, Spanish libraries, Tuscan villas and Canadian hotels. Many of these buildings are considered to be the great buildings of the world.
These houses were engineering marvels for their time. While everyone in Europe was building castles, the Native Americans of the area we live in today were building houses which were efficient and strong. While these houses do not exist today, there are many sites which you can go and visit which have reconstructed the structure of a longhouse for you to go inside and take a look around. I was privileged enough to live within five minutes of one and have seen these impressive structures. Without these structures, there is no way that these people would have been able to survive the harsh climate that New York has in the winters.
It was designed in 1954 by Leonard Glasser, a well-known Miami Modern architect, whose buildings throughout Miami Beach include the Coral Gables post office, the Fun Fair drive-in on 79th street causeway and Miami’s 990 Insurance building. He also collaborated on the design of the Bacardi Building. The Ocean Front auditorium, although not his best expression of the style, is known for being one of the few MiMo structures on the beach. It consists mainly of a smaller rectangular shape attached to a larger one. Originally, it was connected to the older Miami Beach Patrol building. It was first conceived as a community center for the elderly, but was later built as an auditorium. By the 1990’s it was repurposed and leased by the MDPL and it has served as its headquarters ever since (except the short period of time when the building was under renovation)
When studying an ancient culture, it is important for one to comprehend the many unique elements that make up that culture. The study of architecture enables historians to deepen their understanding of a culture and identify the modern influences of that society. Architecture is an essential aspect of ancient Greek culture and its long lasting influence is evident in most cities today. The Greek Revival style dominated American architecture during the nineteenth century. Many prosperous citizens believed that the ancient Greece architecture embodied the spirit of democracy. When analyzing the architecture of New York City, one will find many examples of Greek Revival architecture, the most notable examples being the Old Custom House on 28 Wall Street, the first National City Bank building on 55 Wall Street, and Saint Peter’s Church at 22 Barclay Street.
Mannerist architecture engages the viewer by using Classical elements but in a new and innovative manner. The Palazzo de Te, designed by Giulio Romano serves a distinguished example of Mannerist architecture. The Palazzo de Te, was designed as a modest country villa, and was enlarged to include a horse farm. The Palazzo has an unsettling architectural setting. The trigylphs dip into the cornice, resulting in holes above the area. Meanwhile the pediment corners do not met, along with the placement of a highly unusual placement of an arch right below the pediment. There is also significant difference in the use and placement of columns; engage columns divide t...
Throughout the semester I have grown accustomed to my surroundings. Well, at least for the most part. There is still one building that intrigues me to this very day. As I’d walk past it on my journey to Baruch College, I’d stare the entire time. The building seems like a simple rectangular building. However, some aspect of the architectural design captivates me. Strangely enough, army trucks are always parked alongside the building. However, upon attempting to research the building, I could not find it. I was too intimidated to venture in and inquire for the name. None of the bystanders I asked knew the name of the building, nor cared to.
Rittenhouse square has a long and noteworthy history and design. Once upon a time Rittenhouse Square was known as Southwest Square, but in 1825 it was renamed after David Rittenhouse, who was an astronomer, inventor, clockmaker, and the first director of the U.S. Mint. Rittenhouse square is located between Walnut and Pine Streets, from 15th Street to 24th Street, in the southwest quadrant of downtown Philadelphia, or as commonly referred to—the city of brotherly love. The design for this square was originally devised by William Penn, who formed Philadelphia and was the governor of Pennsylvania and his surveyor Thomas Holme in 1682. Although the plans had been completed for this square it was not until the year 1816 that any manner of design had been implemented. This turned out to be a fence around the square, which was paid for by the local residents in a loan to the city for the production of this fence.
Eiffel was a French civil engineer from France and is famous for the design of the Eiffel Tower in Paris and his valuable contribution to the construction of the Statue of Liberty in New York. Eiffel made a name for himself by building various bridges like the Garabit viaduct in Cantal, France between 1882 and 1884.
The Elizabethan era was an era of art above all else. Elegance reflected in all areas of the peoples’ lives. From the entertainment and language to the churches and castles, beauty shone bright.There were many vents for artistic creativity during the Elizabethan era; countless instruments, painting, books, playwright, and last but not by any stretch the least, architecture. Elizabethan architecture has a vast amount of variety and personality, the buildings reflected the pride of both the inhabitants and the builders.
In the Florence Cathedral, Florence, Italy, there is a cathedral church whose octagonal dome, built without the aid of scaffolding, was considered the greatest engineering feat of the early Renaissance. Dedicated to Santa Maria del Fiore, Our Lady of the Flower, it is also known as the Duomo, after the Italian word for cathedral. Created by many great Early Modern artists, this piece of architecture is a perfect example the Renaissance style. We can come to a better understanding of why this is so by exploring what the characteristics of the Renaissance “style”. To understand the properties of the Florence Cathedral that fit the Early Modern style, I will begin with a description and its history. The cathedral's architectural style, although greatly influenced by French Gothic elements remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral began in 1294 on the site of a Christian church founded in the 6th or 7th century and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto, Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome. The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others. The building's stained-glass windows are the work of the Italian architect and artist Lorenzo Ghiberti, and the interior is decorated with sculpture and fresco paintings by several Renaissance masters. Construction of the campanile (bell tower), situated to the right of the entrance to the Duomo, was begun by Giotto and completed according to his plans in 1359, after his death. Nearly 278 ft high, the campanile is embellished with red, green, and white marble panels of relief sculpture by Italian artists Andrea Pisano and Luca della Robbia, and niches with sculpted figures by Donatello and other masters. Facing the cathedral and campanile is a smaller, octagonal structure, the Baptistery of San Giovanni, noted for its gilt-bronze doors, elaborately worked in high relief by Andrea Pisano and Lorenzo Ghiberti. With that background information about the cathedral, one question comes to mind: what is it that makes the Renaissance style distinct? Renaissa...
Originally a Gothic town hall, the Palazzo della Ragione or Basilica (commissioned in 1549), was on the verge of crumbling and Palladio won a competition to redesign it. His answer was to encase it on three sides with a two-storey loggia that provided reinforcement and transformed the exterior with classic columned arcades on two levels. Arches were placed between pilasters, Doric on the lower level, Ionic above, supporting entablatures. In each bay, the arch rests on small columns placed away from the larger pilasters with a rectangular gap in between - now known as the ‘Palladian motif’.
All through history humans have suffered trying to find food and shelter and the Great Depression is case where millions suffered from starvation. In a period of drought, economic failure, poverty, and agony we saw the development of new ideas that lead to iconic buildings in America and changed architecture in a whole new way. The Art Deco District in Miami showed the intensity of The Great Depression in the 1930s with the rise in crime and poverty. Even through hardships the people of the 1930s created some extravagant work that displays Art Deco architecture with neon colors and gaudy designs.
What makes modern architecture? Before answering this, one would need to understand what the term “modern” exactly describes. In architecture, modernism is the movement or transition from one period to another, and it is caused by cultural, territorial, and technological changes happening in the world. In Kenneth Frampton’s Modern Architecture: A Critical History, he details these three major societal changes that impact and create modern architecture.