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Early american literature's portrayal of women
Early american literature's portrayal of women
Effect of religion on early American literature
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Religion as a Gothic Element in American Romanticism American Romanticism can be strongly defined through its use of Gothic elements. Webster’s defines gothic as "of or relating to a style of fiction characterized by the use of desolate or remote settings and macabre, mysterious, or violent incidents" (529). Pre-American Romantic writers, such as Anne Bradstreet and Jonathan Edwards, do not tend towards the gothic in their writings of religion and religious elements. Although God is mysterious to both writers, they maintain certain characteristics and aspects expected of them and their religion. They keep their texts true to their beliefs. However, Mary Rowlandson begins a transition phase for the writers of this period. She begins to view God and religion in a darker and /more mysterious manner. By the time James Fenimore Cooper is writing, he blurs religion between two different religions. The Christian and the Indian God becomes mixed, along with their heaven. Whereas the earlier writers tend to understand and accept their God, the writers in the American Romantic period re-create their God adding a gothic twist to their religion and beliefs. Anne Bradstreet believes if she lives her life the way God meant her to live it, things will work out fine for her. She writes, "About 16, the Lord laid His hand sore upon me and smote me with the smallpox. When I was in my affliction, I besought the Lord and confessed my pride and vanity, and He was entreated of me and again restored me" (145). Bradstreet has a traditional view about God. She believes if she lives her life as a good person, she will be rewarded for it. If she lives her life full of pride and vanity, then she will pay the consequences. The good and just are rewarded ... ... middle of paper ... ...us. Cora and Uncas end up together. There is the traditional romantic ending of riding off into the sunset, but into a Heaven which accepts both Indians and whites equally, adding elements of the gothic. Works Cited Bradstreet, Anne. "To My Dear Children." The Norton Anthology of American Literature. Ed. Nina Baym. New York: Norton & Company, 1999. 144-147. Cooper, James Fenimore. The Last of the Mohicans. New York: Viking Penguin Inc, 1986. Edwards, Jonathan. "Sinners in the Hands of an Angry God." The Norton Anthology of American Literature. Ed. Nina Baym. New York: Norton & Company, 1999. 200-211. "Gothic." Webster’s Ninth New Collegiate Dictionary. 1991 ed. Rowlandson, Mary. "A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson." The Norton Anthology of American Literature. Ed. Nina Baym. New York: Norton & Company, 1999. 148-164.
Jonathan Edwards creates a more effective argument for the intended audience in “Sinners in the Hands of an Angry God” than “The Speech in the Virginia Convention” written by Patrick Henry, by utilizing various techniques. Patrick Henry makes a strong argument however in the end, Edwards’ sermon grows to be more effective. Edwards creates the argument by strengthening the writing through tone, structure, fallacies and knowledge of the congregation that became his audience. Henry’s piece uses methods of oratory persuasion but the actual topic of “Sinners in the Hands of an Angry God” has an advantage from the start by appealing to fear, a fallacy of logic. Even with the strong basis “The Speech in the Virginia Convention” by Patrick Henry, Edwards’ “Sinners in the hands of an Angry God” proves the more effective piece in the end.
“Sinners in the Hands of an Angry God” by Jonathan Edwards and “The Minister’s Black Veil” by Nathaniel Hawthorne are both 1700s Puritan works of literature with similarities, as well as differences, from their theme to tone and to what type of literary work they are. Edwards and Hawthorne are both expressing the topics of how people are all sinners, especially in regards to their congregation and that questions their congregation’s faith.
Rowlandson, Mary. A True History of the Captivity and Restoration of Mrs. Mary Rowlandson.In Women’s Indian Captivity Narratives. Ed. Kathryn Zabelle Derounian-Stodola. New York: Penguin Books, 1998.
“Sinners in the Hands of an Angry God” Rhetorical Analysis “Sinners in the Hands of an Angry God” by Jonathan Edwards uses imagery and symbolism to persuade the audience to become more devout Christians by channeling fear and emphasizing religious values. Jonathan Edwards was a Puritan minister who preached during the time of the Great Awakening in America. During this period of religious revival, Edwards wanted people to return to the devout ways of the early Puritans in America. The spirit of the revival led Edwards to believe that sinners would enter hell. Edwards’ sermon was primarily addressed to sinners for the purpose of alerting them about their sins and inspiring them to take action to become more devoted to God.
Tulley, Stephen Richard. “Awakened to the Holy.” Sinners in the Hands of an Angry God! In
The Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson is a personal account, written by Mary Rowlandson in 1682, of what life in captivity was like. Her narrative of her captivity by Indians became popular in both American and English literature. Mary Rowlandson basically lost everything by an Indian attack on her town Lancaster, Massachusetts in 1675; where she is then held prisoner and spends eleven weeks with the Wampanoag Indians as they travel to safety. What made this piece so popular in both England and America was not only because of the great narrative skill used be Mary Rowlandson, but also the intriguing personality shown by the complicated character who has a struggle in recognizing her identity. The reoccurring idea of food and the word remove, used as metaphors throughout the narrative, could be observed to lead to Mary Rowlandson’s repression of anger, depression, and realization of change throughout her journey and more so at the end of it.
Mary Rowlandson was a pretentious, bold and pious character. Her narrative did not make me feel sorry for her at all, which is strange since she really did go through a lot. During the war, the Narragansett Indians attacked Lancaster Massachusetts, and burned and pillaged the whole village. During the siege Mary and her six year old child were shot, she watched her sister and most of her village either burn or get shot. She was kept as a captive, along with her three children and taken with the Narragansett’s on their long retreat. The exposition of the story is set immediately. The reader is perfectly aware of Missus Rowlandson’s status and religious beliefs. She constantly refers to the Narragansetts in an incredibly condescending way, to the point that you know that she does not even consider them human. She paints them as purely evil pe...
Mary Shelley’s world renowned book, “Frankenstein”, is a narrative of how Victor Frankenstein, a brilliant chemist, succeeds in creating a living being. Although Frankenstein’s creation is benevolent to begin with, he soon turns murderous after being mistreated by humans. His anger turns towards Frankenstein, as he was the one who brought him into the world that shuns him. The Monster then spends the rest of the story trying to make his creator’s life as miserable as his own. This novel is an excellent example of the Gothic Romantic style of literature, as it features some core Gothic Romantic elements such as remote and desolate settings, a metonymy of gloom and horror, and women in distress.
Rowlandson, Mary. A True History of the Captivity and Restoration of Mrs. Mary Rowlandson.In Women’s Indian Captivity Narratives. Ed. Kathryn Zabelle Derounian-Stodola. New York: Penguin Books, 1998.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Southern Gothic Literature is a subgenre of Gothic fiction writing, which takes place in the American South. The Southern Gothic style is one of that employs the topics such as death, bizarre, violent, madness, and supernatural. These tools are used “to explore social issues and reveal the cultural character of the American South (Wikipedia).” The view of the South which is self-identified as the “national” or “American” view is basically a colonial Romance, with the rest of the nation identified with the forces of the light and the South with the forces of the darkness (Wacker 107).The authors of Southern Gothic typically use damaged characters to make their stories better, and to show deeper meanings of unpleasant Southern characteristics. These characters are diverse from society due to social, physical or mental disabilities. However, not all characteristics of the characters are bad; it is that a mixture of good and bad is found in most of the characters. Two authors who express the Southern Gothic writing style are William Faulkner, who wrote “A Rose for Emily,” and Flanner O Conner, the author of “Good Country People” and “A Good Man is Hard to Find.”
A Narrative of Captivity and Restoration of Mrs. Mary Rowlandson by Mary Rowlandson tells the story of Rowlandson as she is taken into captivity by Native Americans. Rowlandson’s narrative is made up of multiple elements, some being survival, food, religion, and civilization. Calvinism is one of the major elements seen throughout Mary Rowlandson’s narrative. As Calvinism is a major theme discussed throughout the narrative, Rowlandson’s captivity and the beliefs of Calvinism and redemption are expressed through a similar lens. The theme of religion, more specifically Calvinism and redemption play a key role in the story of Mary Rowlandson’s survival from captivity. Rowlandson tells a story in which she loses countless family members, faces starvation,
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.
In her account, A Narrative of the Captivity and Restauration of Mrs. Mary Rowlandson, Rowlandson
Two influential writers were born 56 years apart, but both still held(tense) the same amount of significance to American Literature. These impressive authors, are Anne Bradstreet and Jonathan Edwards, who are Puritan writers from the 1600s and 1700s. Bradstreet is a poet, two of her works include, “My Dear and Loving Husband” and “Upon the Burning of Our House.” Anne Bradstreet is a faithful wife, and a well educated woman for her time. She found her inspiration from being a doting wife while being very religious. In comparison, Edwards is a preacher whose sermons speak to many people and make them convert over to Puritanism. One of his most famous sermons is, “Sinners in the Hands of an Angry God.” These two Puritan authors writers have many