More handpicked essays just for you.
Elizabeth Frankenstein character analysis
Literary analysis for frankenstein
Ethical dilemmas in frankensteins
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Mary Shelley’s novel Frankenstein, Victor Frankenstein and the monster are connected in a complex relationship. Frankenstein’s monster is submissive to his creator, Victor, who is the only man with the knowledge of creating another of his kind. On the other hand, Frankenstein is passive to his creation, because physically, it is stronger than he and has the capability of murdering his entire circle of family and friends, and it doesn’t take much effort for him to do so. Their relationship is not marked by a “Super-Hero” pattern.
After relating the tragedy of being rejected by Felix’s Family, the creature begs Frankenstein to have mercy on him. The monster asks Frankenstein of a favor: “He continued, ‘You must create a female for me with whom I can live in the interchange of those sympathies necessary from my being. This you alone can do” (130). In this instance, the fiend is putting himself in a position of submissiveness. Through these words the creature is admitting to Victor’s singular intelligence and ability. Victor is the only one capable of creating a female companion for him. The monster believes the female companion is absolutely necessary to his being, therefore the monster is requesting a role of submission and reliance upon the graciousness victor will express.
It is also very prevalent while at the same time the creature is submissive to his creator, Victor’s fate lies in the hands of his creature as well. The creature forewarns Victor of what could happen if Victors decides not to comply with the monsters demands: “Have a care; I will work at your destruction, nor finish until I desolate your heart, so that you shall curse the hour of your birth” (131). The creature realizes that he has power and is currently ...
... middle of paper ...
... completely anti-heroes either. They have both perpetrated evil against one another, and both of the characters have suffered so until it is hard not to express sympathy toward them. Victor comes to conclusion near the end that the real enemy is ambition: “Seek happiness in tranquility and avoid ambition, even if it be only the apparently innocent, one of distinguishing yourself in science and discoveries. (200). Ambition drives Frankenstein to create the monster in the first place, and without it the tragic ending could have been avoided completely. Had Victor pursued scientific knowledge like the rest of his colleagues, none of his family would have murdered. As Frankenstein lies on his death bead he has come to the realization that an innocent intention can quickly become a disaster.
Works Cited
Shelley, Mary. Frankenstein. 1818. New York: Bantam Books, 1991.
In Mary Shelley’s Frankenstein, Victor and the monster go through a journey filled with love, betrayal, and ambition. However, there are key differences between the two of them. Victor leads a good life, but has an inner spark within him that leads him to rebel against the normal world and seek glory. The monster starts off with derelict beginnings and simply wishes for the basic needs that every human gets to experience such as love, affection, and friendship. Eventually, they both face problems, and as a result, devise evil plans, and yet their motivations and rationale cause the reader to have more sympathy for the monster than Frankenstein.
To begin, the monster longed for human connection so badly, he even begged Victor to create his wife: “You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do, and I demand it of you as my right which you must not refuse to concede,” (174). In this quote, the monster asks Victor to make him a companion, which Victor blatantly denies. This eventually leads to
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Locked in a perpetual struggle for dominance, both struggle to gain internal peace. Victor Frankenstein feels obligated to destroy his creation for the good of society, and the Monster wishes to come to terms with his abandonment – both are unable to find happiness. Here there is a contrast of power: Frankenstein’s intellectual power contrary to the Monster’s physical power (this is however, not to say the Monster lacked intellectual power, only that Frankenstein possesses greater fear of the physical aspects of the Monster). The first instance of this battle for power can be seen when the Monster demands of Frankenstein to “create a female…with whom [he] can live in the interchange of those sympathies necessary for [his] being.” (p174) – here Frankenstein is in control. He is the only one that has the knowledge to create another being like the Monster, and thus, when the Monster asks this favour of Frankenstein he places his happiness in the hands of another. The Monster is dependent on the actions of another. However, there is a power reversal when Frankenstein denies the monster his ‘female’ (p174). Frankenstein dashes the Monster’s last hope at happiness, so the Monster threatens the life of his loved ones. Here, Frankenstein is at the mercy of his creation. For though “[Frankenstein is the] creator… [the Monster is his master” (p205) – here the Monster establishes his dominance over Frankenstein by outwardly stating his power over his creator. This power struggle is most effectively culminated in the chase around the globe. Yet it must be seen that neither Frankenstein and his Monster are in control. The Monster leaves clues for Frankenstein, demonstrating his need for Frankenstein to follow him, for without Frankenstein the Monster has no purpose in life. On the other hand, Frankenstein is following his creation all over the world, through desert, sea, and cold. Thus, it is clear that as a
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
The Creature, after learning what it is to love, requests that Victor creates a companion for him. Victor rejects the creature’s proposition, as Victor now understands the consequences of animating what shouldn't be alive, the Creature wants nothing more than for Victor to suffer, to feel the pain that he, as a wretch, faces. The Creature does so by devoting his life to the destruction of Victor’s. In chapter 24, the Creature states “But it is even so; the fallen angel becomes the malignant devil.” The creature is viewed as entirely evil by the characters of the novel, despite the scenes in which his benevolent nature is shown. It is ironic that Victor and his creature are foils of one another, yet they suffer a similar fate: their desire to destroy one another led to their ultimate
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
A monster is usually viewed to be a supernatural creature that humans judge based on looks and not necessarily on personality. In the novel, Frankenstein written by Mary Shelley, the monster is a creature Victor creates but abandons immediately because he is horrified by his own creation. Due to the monster’s appearance, society does not give the creature a chance to show his true self. Therefore, the monster faces an external conflict because of Frankenstein’s and society's rejection, making it difficult for him to blend into his new life. Victor creates the monster because of his unusual compulsion of aspiring to be like God. However, Victor does not know how to treat or be responsible for his creature. Victor Frankenstein is the true monster
The wise Uncle Ben once told Peter Parker, “remember, with great power. Comes great responsibility.” There is no greater power than that acquired by the infamous Victor Frankenstein in Mary Shelley’s Frankenstein when he discovers the secret to creating life. Shelley’s Frankenstein is a tale of creation that depicts acts of human conception and discovery. The Oxford English Dictionary defines creation as “the action or process of bringing something into existence from nothing by divine or natural agency; the fact of being so created.” It defies the natural order of things and creates a world of its own. The multiple acts of creation and discovery bring upon a certain set of responsibilities and implications as depicted by David Collings who analyzes the responsibilities that come as a result of these acts in his essay “The Monster and the Maternal Thing: Mary Shelley’s Critique of Ideology”. The main act of creation is evident through Victor Frankenstein’s creation of the Being which is depicted most prominently in the novel. However, there are multiple other acts of creation and discovery that may not be apparent at first sight. One of the most important being, Victor’s discovery of the knowledge required to create life. Apart from initially creating the Being, Victor also plays a critical role in the Being’s evolution into a raging and vengeful creature. Perhaps above all other acts of creation and discovery is Victor’s personal creation of himself into a monster. As stated by Collings most of these acts of creation on Victor’s part are subconsciously brought upon because of their lack of a maternal figure but also in part because of his desire for fame and glory. However, he is blinded by his motives and forgets that with his...
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Victor Frankenstein, the main character in Mary Shelley’s novel, is the creator of the monster. When Victor created the monster, he believed he created the monster for the betterment of humankind, but he actually created the monster because he desired to prove to the world that an average human can do Godly acts. The desire to create the monster goes back to Victor’s childhood. As a young kid, Victor’s passions always lied in science and chemistry and in college; he became obsessed with the idea of creating life out of inanimate objects. He then decided to specialize in Alchemy. Within Shelley’s book Frankenstein, Victor said:
..., played God, abandoned his creation, and then hid any relation to the creature. Victor is quite at fault for the murders that take place in Mary Shelley's Frankenstein. True, the monster does know right from wrong, the difference is he was not brought up by his parents that way. How to live life is something that is learned and imprinted through experience and guidance. The monster was never fully given the chance to live because upon the day he arrived he was instantly rejected. Victor created the monster physically and emotionally within himself and in turn died by it.
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.
I believe that Victor and the creature are both right about what they want and yet monstrous in their reactions. Victor is right about what he wants; one reason is because he is very committed to his work and in creating life for his creature. On the other hand he is evil because he abandoned the creature and left him on his own: "I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited" (Shelley 57). Shelley shows Victor's monstrous reaction to the creature in the way that he abandoned the creature to his own luck and he shows no responsibility for him.
In Frankenstein, Mary Shelley uses the motif of monstrosity to convey the theme that a person’s outward appearance is not what makes them a monster but rather their actions or inactions that classify true monstrosity. Despite the fact that the monster Victor Frankenstein creates is a literal example of monstrosity in the novel there are many parts that give meaning to monstrosity within character’s actions. Although Victor appears normal, since he is human his ambitions, secrets, selfishness, and inaction makes him a monster himself. Along with monstrous characters the pursuit of knowledge that is seen in Victor, his monster, and Walton in Frankenstein prove that knowledge can be a monstrosity. Mary Shelley’s Frankenstein is created using the life stories of different characters in the novel. The novel itself could be seen as a monster created similarly to Victor’s monster.