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The monster (frankenstein) analysis
The monster (frankenstein) analysis
Frankensteins character chapter 5
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In Mary Shelley’s Frankenstein, the monster recounts his devastation upon reading Frankenstein’s journal pages that he wrote the night of the monster’s creation.
‘“I sickened as I read. ‘Hateful day when I received life!’ I exclaimed in agony. ‘Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust? God, in pity, made man beautiful and alluring after his own image; but my form is a filthy type of yours, more horrid even from the very resemblance. Satan had his companions, fellow devils, to admire and encourage him, but I am solitary and abandoned (Shelley, Miller, and Bloom 110-111).’”
The monster is so hurt by what Victor wrote about him, that it wounds him deeply, in a way that only his creator can inflict. In this passage, Mary Shelley so articulately illuminates the theme of rejection. In this moment of vulnerability, the monster describes to Frankenstein that his desire to be loved is so strong that he must either be loved or he will inflict rage. Through the monster, Shelley explicates the theme of rejection and the truth that someone can only be rejected so many times before they begin to act out.
Shelley shows the reader just how
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much the monster has been rejected by man and makes us feel sympathy for him. ‘“I have good dispositions; my life has been hitherto harmless and in some degree beneficial; but a fatal prejudice clouds their eyes, and where they ought to see a feeling and kind friend, they behold only a detestable monster (Shelley, Miller, and Bloom 114).’” His pain is seen later when he is attacked and beaten by the people that hold his affection. “Felix darted forward, and with supernatural force tore me from his father, to whose knees I clung; in a transport of fury, he dashed me to the ground and struck me violently with a stick. I could have torn him limb from limb, as the lion rends the antelope. But my heart sank within me as with bitter sickness, and I refrained. I saw him on the point of repeating his blow, when, overcome by pain and anguish, I quitted the cottage, and in the general tumult escaped unperceived to my hovel (Shelley, Miller, and Bloom 115).” Even when beaten and attacked by those he loves, he still refrains from retaliation because of his affection for them, brought about by his desire and need to love and be loved. At this point Shelley begins to slowly reveal to the reader the monster’s ever increasing frustration of being rejected. After revealing to Victor his motives behind killing William, he asks Frankenstein to create a female companion for him to love. When Frankenstein refuses, the monster attempts to reason with him by explaining why he needs a companion. “‘I am malicious because I am miserable. Am I not shunned and hated by all mankind (Shelley, Miller, and Bloom 124)?’” Here, the monster clearly says that the reason he is so malevolent is because he is rejected by mankind and has no one. After a series of events, involving Frankenstein backing out on his promise to create a wife for the monster, the monster begs him to change his mind. “‘Shall each man,’ cried he, ‘find a wife for his bosom, and each have his mate, and I be alone? I had feelings of affection, and they were requited by detestation and scorn. Man! You may hate, but beware! Your hours will pass in dread and misery, and soon the bolt will fall which must ravish from you your happiness forever. Are you to be happy while I grovel in the intensity of my wretchedness (Shelley, Miller, and Bloom 146)?’” This final act of betrayal causes the monster to enact his horrific agenda of violent vengeance.
After this passage, we lose all sympathy for the now murderous monster. Shelley uses this passage to mark a turning point of the monster’s personality from being eager for companionship to being a revenge driven monster. She does this to once again express to us that everyone has their limit of how much pain they can endure before their emotions get the best of them. For the rest of the story, it is a vengeance-driven struggle between the monster and Frankenstein. After Frankenstein finally comes to peace with the events of his life, he dies. It is only after he dies that the monster comes to apologize to him. The monster, in his confession of wretchedness, tells Captain Walton of his
regret. “‘I was nourished with high thoughts of honour and devotion. But now crime has degraded me beneath the meanest animal. No guilt, no mischief, no malignity, no misery, can be found comparable to mine (Shelley, Miller, and Bloom 196).’” In this honest evaluation of his behavior, Shelley articulates through the monster that even though people treated him badly, it is still him that inflicted pain upon someone else. The monster’s actions are not justifiable because of the constant rejection he received, because only he could have chosen to murder the loved ones of Frankenstein. Throughout the novel, we see the monster be cruelly rejected continuously. It was only a matter of time before he would outwardly express his pain through inflicting pain on others. Shelley uses the monster to express to the reader that rejection can change a person for the worse. This is especially true for the monster because the only thing he desires and lives for is the hope that someone will finally love him regardless of his physical appearance.
"Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you contains several thematic elements; specifically, the element of betrayal. Through a complex plot, Shelley creates dynamic characters who come to the realization that the dangers of searching for the unknown secrets of life can lead to ruined and tarnished relationships. The irreversible damage that comes with finding the unknown appears to have a substantial effect on the character’s relationships with one another; especially, the central relationship between Victor Frankenstein and the monster. To the reader’s surprise Frankenstein is not the monster, but the doctor and creator of the monster, Victor. Victor Frankenstein, the creator of the monster and avid scientist, is perhaps the most complex character due to the
The greater detail provided by the book about the monster’s experiences allows the reader to sympathize with the monster more so than an audience member. When the Frankenstein monster is retelling the story of the hardships he has endured, he mentions events that were overlooked in the play. One example of this is when the monster saved a girl’s life. Such an act would normally be considered very heroic and receive much praise under any circumstances, but instead the monster is rewarded by being shot, receiving only “the miserable pain of a wound which shattered the flesh and bone.” (Shelley 135) The book also examines the months of hard work the creature put into learning about human nature and language in order to be fully accepted when he chose to reveal himself. The monster hid by the cottage for around a year, listening and learning during t...
The creature’s moral ambiguity characteristic was a vile ingredient to the construction of this novel Frankenstein because it made the reader 's sympathies with him even after the audience knows he had committed murder because the readers had seen the truth this creature had to face. That he had tried everything within his power to peacefully live with them, to interact, communicate, and befriend them “these thoughts exhilarated me and led me to apply with fresh ardour to the acquiring the art of language”, that even though he was seen as a monster because of the looks he was created with, something he had no control over, he still had hope to be seen as equals, ”My organs were indeed harsh, but supple; and although my voice was very unlike the soft music of their tones, yet I pronounced such words as I understood with tolerable ease. It was as the ass and the lap-dog; yet surely the gentle ass whose intentions were affectionate, although his manners were rude, deserved better treatment than blows and execration;” this hope of his was utterly crushed, and can only set him up for utter disappointment(12.18). Because in the end he only received hates, scorns, violence, and prejudice from his good will. So in the end of the story, Mary Shelley’s forces the readers to see within the creature’s heart and for
Walton's letters play an important role for the reader may find many foreshadowed themes. As the novel progresses, the reader will realize how Walton and Victor Frankenstein share similar views on their life's roles. Both men are driven by an excessive ambition, as they desire to accomplish great things for the humankind. Walton is an explorer who wants to discover a new passage to the Pacific and therefore conjures "inestimable benefit on all mankind to the last generation" (16). Victor's purpose is to "pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation" (49). These explorers will demonstrate that such pursuit can prove to be very dangerous in quest for knowledge. Walton's ship becomes stuck in the ice and Victor's creation finally kills everyone dear to him. However, this parallel is not the only one: we can easily compare Walton's search for a friend ("I have no friend, Margaret" (19)) with the monster's request for a female because he feels alone ("I desired love and fellowship" (224)). This similarity between man and monster suggests that the monster perhaps is more similar to men than what we may perceive. If it is assumed that Shelley also shared this view when she wrote the novel, maybe she meant that the real monster manifests itself differently tha...
...e seeking help and strength to take care of problems in their lives. Victor Frankenstein is a man with a loving and caring family. Family and friends are an important part of his life. He has his whole life in front of him, when creates his monster. He creates the monster in the likeness of man with same need of love and affection as man. Although, this is his creation, he lets the monster down and does not care for him. The monster begins to feel neglected and lonely and wants desperately to have a human relationship. The monster turns angry and revengeful because he is so sad and abandoned. He wants Victor to feel the way that he does, all alone. The monster succeeds and Victor ends up losing all the important in his life and his own life. In the end, the monster dies and the need for human relationship becomes the destruction for both the monster and Victor.
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
In Shelley’s novel, the final picture of Frankenstein’s monster reveals important qualities of his inner nature; he is shown in the last moments of his life to be felling, fully conscious of his guilt, and firm in his decision to end his life. This is the conclusion of a long series of events providing insight into how the monster changed as a result of his creator’s actions and the actions of the people with whom he came in contact. Up until this final point, he has changed from being good and hopeful to being caught up in the desire for a companion, to being evil and only focused on revenge. All these changes are recounted by the monster himself in this scene. (Blackwood's Edinburgh Magazine)
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Locked in a perpetual struggle for dominance, both struggle to gain internal peace. Victor Frankenstein feels obligated to destroy his creation for the good of society, and the Monster wishes to come to terms with his abandonment – both are unable to find happiness. Here there is a contrast of power: Frankenstein’s intellectual power contrary to the Monster’s physical power (this is however, not to say the Monster lacked intellectual power, only that Frankenstein possesses greater fear of the physical aspects of the Monster). The first instance of this battle for power can be seen when the Monster demands of Frankenstein to “create a female…with whom [he] can live in the interchange of those sympathies necessary for [his] being.” (p174) – here Frankenstein is in control. He is the only one that has the knowledge to create another being like the Monster, and thus, when the Monster asks this favour of Frankenstein he places his happiness in the hands of another. The Monster is dependent on the actions of another. However, there is a power reversal when Frankenstein denies the monster his ‘female’ (p174). Frankenstein dashes the Monster’s last hope at happiness, so the Monster threatens the life of his loved ones. Here, Frankenstein is at the mercy of his creation. For though “[Frankenstein is the] creator… [the Monster is his master” (p205) – here the Monster establishes his dominance over Frankenstein by outwardly stating his power over his creator. This power struggle is most effectively culminated in the chase around the globe. Yet it must be seen that neither Frankenstein and his Monster are in control. The Monster leaves clues for Frankenstein, demonstrating his need for Frankenstein to follow him, for without Frankenstein the Monster has no purpose in life. On the other hand, Frankenstein is following his creation all over the world, through desert, sea, and cold. Thus, it is clear that as a
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
Frankenstein by Mary Shelly is an old classic that has been enjoyed by many generations. Despite the fact that the novel was written over a hundred years ago, it is not only beautifully written but also enthralling and well composed. At the young age of eighteen, Mary Shelly raises questions about education and knowledge to which are answered through the well written characters in the novel. The Monster, who is a creation of another character, is highlighted as an individual who goes through an intellectual change.
In this essay I am going to answer ‘how and why does Mary Shelley make the reader sympathise with the character of the monster in her novel Frankenstein’.
After hearing the monster’s side of the story Frankenstein started to show some compassion for the being and agreed to it’s desire for a mate. Now that Frankenstein has learned the full story of his creation he feels the need to take responsibility for it now with the line, “did [he] not as his maker owe him all portions of happiness” (Shelley 125), less the monster start to attack humanity out of
The greater detail about the monster’s experiences provided by the book is the first thing that allows a reader to sympathize with the monster better than an audience member. When the Frankenstein monster is retelling the story of the hardships he has endured, he mentions events that were overlooked in the play. One example of this is when the monster saved a young girl’s life. An act such as this would be praised with the greatest heroism if it was done by a human, but as a reward he is shot, receiving only “the miserable pain of a wound which shattered the flesh and bone.” (Shelley 135) The book also examines the months of hard work the creature put into learning about human nature and language in order to be fully accepted when he chose to reveal himself. The monster hid by the cottage for around a year, never leaving during the day and working to help the cottager’s at night in order to learn from them. The monster went ...
However repugnant he was on the outside, when Frankenstein’s creature begins to tell his tale of sorrow and rejection the creature does not seem to be monstrous. Although rejected multiple times by the humans around him when he finds a family in poverty and “suffering the pangs ...