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On July 14th 2012 a song was released which created a storm throughout the world, it was so different to the other music in the industry, so catchy, the dancing was so unique. It was put on to YouTube and a paradigm was created. So let’s see what is behind this music because on first thoughts one would quite feasibly argue what has Gangnam got to do with theology. Having to reflect on Gangnam? This is not theology, what on earth has theology got to do with this, and what sort of a college is this God? But once starting to research more into Psy and Gangnam, eyes were truly opened; let’s discuss the details and findings of Gangnam and the man behind it.
What is Gangnam
Gangnam has become a very affluent part of South Korea one might suppose it could be put on par with Beverley Hills, with the posh cars, big houses, designer labels; high maintenance one presumes is a high priority. But over thirty years ago it was an area no different from the majority of areas people live in. Money has been pumped in to make it what it is today. In 2010, the average household carried credit card debt worth a staggering 155 percent of their disposable income. Subway transport seems to be the main way to get around, no different from the western word really and there has never been any conflicts with regards to the faiths in South Korea, the sentiment of their culture is built on Gi (universal Energy), Heung (intrinsic energy of Joy), Jeong (Attachment, affection and Consideration). They convey peacefulness and simplicity as being part of their cultural heritage.
The Singer
Psy, is a singer, song writer in his 30’s whose real name is Park Jae-sang, he is married with two children and comes from Gangnam, Soeul, South Korea, media have ...
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In 21st century North America, there is a strange, seemingly-unanimous idea that, to fit the norm, one must be white, Christian and male. While, over the course of the latter 20th century and in the past decade, this has changed, the norm is very much still Christian and male; African-Americans now fit into the “All-American” stereotype, for the most part. However, there are, of course, outliers – deviants from the standard norm; these outliers make one wonder what the norm truly is, why it is so, how did it get to be that way, and what the norm will be in the future. Kanye West's 2004 single titled “Jesus Walks” is written as a ode to Jesus helping him and every other Christian through hard times in their life. Sampling the same beat and background vocals, Lupe Fiasco customizes West's song to fit his own spirituality, in “Muhammad Walks.” Finally, Matisyahu employs his gift of verse and beat-boxing to distribute a rap about his religion, Judaism, over the airwaves and on television. Both Matisyahu and Lupe Fiasco challenge the societal norm of Christianity, while Kanye West solidifies the claim that Christianity is a syncretic religion.
There is one universal language: the language of music. Music has a special quality and ability to bridge both social and cultural divides. A proposed theory by Dr. Gray, Founder and Director of National Musical Arts’ BioMusic Program; describes music has been around longer than human-beings have. Music is the one thing human beings from various backgrounds can relate to. Every living creature would agree. Music is heard everywhere not just among humans, but in nature as well, through the twitting of birds, winds blowing, the soft sound of raindrops against a windowpane, the ocean waves moving back and forth and the hum of the ocean rushing in a sea shell. There is no escaping it; music lives in and surrounds us steadily. While there are countless songs which confer social or cultural consciousness, this paper will analyze and address the dynamics of M.I.A.’s “Paper Planes”, video. Stylistically, the paper will examine the artist point of view, the unique use of lyrical analysis and sound description in relation to its historical, social, political and/or cultural context. This essay will also trace the lyrical analysis and sound description of song and discuss how the elements (visually, sonically, and lyrically) interplay with the theme of immigration and/or violence.
Hip Hop was, at its inception, a means for African Americans to tell their unaltered story. Towards the mid-’90s however, the genre began to be way more salse conscious than it ever was before. Artists, such as Nas for example, began to stray from their genuine and authentic selves to start making music about drugs, violence, and sex because that was what pushed their sales to the corporate level. This album was Lauryn Hill coming to re-educate the people in an attempt to bring them back to the root of Hip Hop. This poem focuses on many different themes, however this focuses on religion. In the poem Mystery of Iniquity the writer Lauryn Hill examines religion to illustrate racial discrimination, corrupting and crooked
St John, Graham. "Electronic Dance Music Culture And Religion: An Overview." Culture and Religion 7.1 (2006): 1-25. Academia.edu. Web. 20 Apr. 2014.
African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
In the video we see where Chris Garcia created a piece that not only captured my attention fully but also showed me a combination of different cultural practices. The song lyrics are a combination of the Caribbean and Indian dialect along with a feet moving, finger snapping, and hip swaying beats that make the entire piece enjoyable from start to finish. In the video we also see that the wardrobe of the dancers were their traditional Indian Sari and that the dance moves were a combination of the Caribbean Soca and the Indian style of dance.
Hip-hop began in the undergrounds in Bronx New York in the early 1970s and has gradually grown to become mainstream music. According to Lori Selke a professional writer for Global post, “hip-hop is the term that refers to more than just a musical genre; it includes culture, dance, art, and even fashion” (Selke). Since it originated in the 1970’s, hip-hop has had profound influence on society, and has grown into the lives of listeners worldwide; hip-hop’s influential power is astonishing. Within the last decade, hip-hop artist like Jay-Z, Nas, and Young Jeezy helped to increase voting in the 2008 presidential campaign by informing a hip hop audience consisting of a majority of African Americans on soon to be 44th President of the United States, by using their voice and lyrics as their tool to encouraging people to stand up for a change by voting. According to Emmett Price in his book Hip Hop Culture (2006), “in the early years prior to the rise of recorded rap music via Sugar Hill Gang’s controversial “Rapper’s Delight” (1979) hip-hop was a growing culture driven by self-determination, a love for life, and a desire to have fun [through entertaining fans and expressing themself].” (Price) Although artists today accomplish the same things, the focus of the lyrics has changed consisting of “extolling violence, drug and alcohol use, and detailing sexual exploits” (Selke). If one were to observe the most popular music from artist in the 80’s until now, they would notice a definitive change in its overall message. If hip-hop continues on its current route it will become a musical genre known solely for its references to sex, drugs, and violence.
Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but originated as an empowering art form for urban youth and emerging working class.
Soh, C. S. (2001). South Korea. In C. R. Ember & M. Ember (Eds.), Countries and Their Cultures (
Music is not a new happening in the world, but has a rather deep history. Lovers of music, including composers, singers, and listeners always have various reasons as to why they are attracted to music. However, the music industry has always attracted critics with some claiming that music classes are a waste of time and that the major aim of music is to enhance life enjoyment. In this essay, I will argue that in real sense, music can be much more than just sweet melodies and dances can be more than just good moves; music and dances play vital roles in the social, cultural, and political lives of people or communities.
The concepts of bi-musicality and bilingualism, as tools that Christian rappers have developed in negotiating authenticity and used to make space from themselves in two intertwined but distinct cultures have the potential to help us understand the nature of one such ‘spaces’ created: the hip-hop worship church and its’s hip-hop worship experience. At its core, a hip-hop worship and church experience is on that is predominantly or solely driven by hip-hop music, spoken word, slang, dance and dress. More than just a concert or an opportunity of one or two rappers to be displayed in a line-up of other CCM and Gospel artists, the hip-hop worship experience puts both hip-hop and Christianity at the center in new and exciting ways. Therefore, it
The crowd grew louder as DJ Renegade screamed, “Rep yo’ city, where you from, rep yo’ city, where you from” around the room and clubgoers chanted their area of the city. Some with excitement and joy while others seemed to be focused on the lyrics of song oozing from speakers all around the room as the request was being made by DJ Renegade. “Fuck them other niggas cause I’m down for my niggas, what; fuck them other niggas cause I’m down for my niggas, what; fuck them other niggas, I ride for my niggas, what; I die for my niggas, fuck them other niggas,” those were the lyrics blasting (2005 Snoopified Album: The Best of Snoop Dogg). For some this moment indicated it was going to be
Christian rock, Christian hip hop, or Christian pop, also known as gospel, are a few of today’s more mainstream Christian genres. Since it is not only for enjoyment, the words to contemporary Christian songs are more significant than the sound itself; thus, contemporary Christian music has the freedom to incorporate different types of music into one; for example, gospel music is a combination of secular music, a hint of jazz and soul music all merged together with a Christian-like message. Not only is contemporary Christian music beautiful, but it also breaks barriers that allow non-believers to enjoy music without being forced to “accept Jesus Christ as their Lord and
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.
Korea is a country that has a long history of societal and financial hardships that many would say continues to this day. These hardships can be seen in a vast amount of the events that occurred in Korea as they fought for their right to democracy. The events that occurred in Korea along with the various Korean Presidents that attempted to silence that cry for democracy with oppressive and restrictive regulations/laws, led to an abundance of financial difficulties across the country. When a society has financial problems, starvation and survival issues are usually soon to follow. In a society in which financial, starvation, and survival issues arise, the population tends to get restless while they look for any way possible to rid themselves