Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Psychology article analysis
Literary analysis text
Literary analysis text
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Charlotte Bronte’s’, The Yellow Wallpaper the narrator is healthy until her husband, John moves her into a new house where she is confined and is in solitude. The Yellow Wallpaper makes Charlotte Bronte go mad, mentally and physically. Charlotte’s husband, John believes since she is sickly he should confine her in an attic with a cure called The Rest Cure which means the patient can not do anything but sit around their room all day. I chose this story because of the intense amount of detail in the room as well as with Bronte’s rapidly changing personality. When Charlotte first arrives at the house she says “A colonial mansion, a hereditary estate, I would say a haunted house” (Stetson, 647). Immediately when Charlotte arrives she begins …show more content…
Bronte has been confined for a couple of weeks at this point and begins to see a woman moving in the wallpaper because she is becoming lonely. “And it is like a woman stooping down and creeping about behind that pattern” (Stetson, 652). She begins to think that as the amount of sunlight changes in the room so does the wallpaper, “When the sun shoots in through the east window- I always watch for that first long, straight ray- it changes so quickly that I never can believe it” (Stetson, 653). “By moonlight- the moon shines in all night when there is a moon- I wouldn’t know it was the same paper” (Stetson, 653). She says with when it is dark outside and then a light in the room turns on whether it be a candle or lamp it looks as if the wallpaper becomes a jail for the woman that is stuck behind the yellow wallpaper. Bronte says besides the light changes that scare her, the wallpaper also smells. She says that the wallpaper smells only when it has not been sunny with a lot of air rushing into the room. The whole house smells of the wallpaper and so does she. Bronte says it is “A yellow smell” (Stetson, 654). Bronte begins to see the woman more and more, in the sunlight the woman will not move but when there is a spot of darkness or shade, the woman will “take hold of the bars and shake them hard” (Stetson, …show more content…
Physically she is confined to the house and the bed, mentally she is confined to only thinking about the same things (the woman behind the wallpaper) all day everyday since she is stuck in the same room for a long period of time. Bronte is extremely influenced by her situation, she got to the house not mentally sick but as the story goes on she becomes extremely mentally ill. The space makes you think she could possibly be in a mental hospital since it is in the middle of nowhere and she is confined to her room. John could just be visiting her and that why there is such a certain amount of time she is in this room and as to why the furniture could be bolted to the floor and bars are on the
The beginning of the novel starts out with a picture of a peaceful home that is very similar to the Moor House Jane lives in while visiting her cousins. It even states in line 2 that Bronte feels like the place is familiar. There is “marshland stretched for miles” ( ln 1) outside the home like the land of England in Jane Eyre. This common setting is also connecting how much Charlotte Bronte is like her character Jane. Dunn describes Bronte as “passionate [and] assertive” (ln 12) which is much like Jane Eyre’s character. Bronte is also said to not “come back to complain or haunt” (ln 20), and she lives in a “mod...
She was placed in this treatment called the “rest cure” that made her somewhat like a prisoner. She started to slowly decrease into psychosis due to her husband’s treatment, the environment, and the way society has treated her illness. The love the husband felt for his wife and the fear he had of losing her lead him to treat her in questionable ways. He placed her in environment that made her feel trapped and aided to her reduction in sanity. Ann Oakley in her article, “Beyond the Yellow Wallpaper” discusses how important this story truly is. Oakley talks about the gender differences and the harm that it can bring to a society. This treatment was acceptable and normal for the situation because society has taught him and her that it was normal. Even if the protagonist’s husband meant well the treatment she was placed in for depression lead her to have more psychological damage, increasing her insanity more each
“The Yellow Wallpaper” is a story about an anonymous female narrator and her husband John who is a physician who has rented a colonial manner in the summer. Living in that house, the narrator felt odd living there. Her husband, john who is a physician and also a doctor to his wife felt that the narrator is under nervous depression. He further mentions that when a person is under depression, every feeling is an odd feeling. Therefore, the narrator was not given permission by John to work but just to take medication and get well fast. This made the narrator to become so fixated with the yellow wallpaper in the former nursery in which she located. She was depressed for a long time and became even more depressed. This ha...
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The windows are barred, symbolizing the restrictive nature of the narrator’s mental condition. She is imprisoned within her mind. Her room was once a nursery, symbolizing that she is helpless and dependent on her husband’s care, similar to how a parent is reliant on the care of it’s parents, “… for the windows are barred for little children,” (Gilman 2). The narrator is not only trapped by her own mind and mental condition, but her husband’s wishes and expectations as well. The most significant symbol within the story is the yellow wallpaper. Initially, the narrator only views the wallpaper as something unpleasant, but over time she becomes fascinated with it’s formless pattern and tries to figure out how it’s organized. She discovers a sub-pattern within in it in which she distinguishes as a barred change with the heads of women that have attempted to escape the wallpaper like the woman she has been “seeing” moving within the wallpaper, “And she is all the time trying to climb through. But nobody could climb through that pattern - it strangles so; I think that is why it has so many heads” (Gilman 8). The yellow wallpaper is symbolic of a women’s place in society within the nineteenth century. It was not commonplace, or deemed acceptable, for women to be financially independent and/or engage in intellectual activity. The wallpaper is symbolic of those economic, intellectual, and social restrictions women were held to, as well as the domestic lives they were expected to lead. The narrator is so restricted by these social norms that her proper name is never given within the story, her only identity is “John’s wife”. At the climax of the story, the narrator identifies completely with the woman in the wallpaper and believes that by tearing the wallpaper, both she and the woman would be freed of their domestic prisons, “…there are so many of those
The spacious, sunlit room has yellow wallpaper with a hideous, chaotic pattern that is stripped in multiple places. The bed is bolted to the ground and the windows are closed. Jane despises the space and its wallpaper, but John refuses to change rooms, arguing that the nursery is best-suited for her recovery. Because the two characters, Emily and Jane, are forced to become isolated, they turn for the worst. Isolation made the two become psychotic.
...oney to sustain themselves. Many of them felt trapped, as if behind the hideous yellow wallpaper. They were expected to have a domestic life, oppression was present in and out of the house. The color yellow is prominent in the story, it is a lively color that is often used to symbolize life and energy. The use of the lively yellow color contrasts the feelings of the narrator. The narrator realizes that herself as the woman becoming a freed woman from the oppression of the yellow wallpaper, which represents the Victorian society. At the end of the short story, when the wife refuses to leave and the husband faints she symbolically steps over his body to freedom. Imagery present in “The Yellow Wallpaper” shows the narrators slow spiral into madness. The imagery along with the oppression and isolation felt by the narrator lead to lunacy which eventually set her free.
The wallpaper symbolizes the trapped narrator and the structure of the tradition. Also, Elisa’s chrysanthemums are discarded and the narrator’s feelings are disowned which portrays the rejection of women. Elisa ends up “crying weakly like an old woman” and settles for wine (233). The narrator’s actions lead to her husband fainting “but he did, and right across my path by the wall, so that I had to creep over him every time” (447). The narrator is insane and causes faintness in her husband, hoping that she now has an escape. To conclude, John Steinbecks “The Chrysanthemums” and Charloette Perkins “The Yellow Wallpaper” show two different outcomes mainly arisen due to being trapped inside an isolated house or a garden and having a limited life under a husband's control.
As the narrator’s mental state changes so does the way she perceives things around the house. The most prominent example of this is the imagery of the wallpaper and the way the narrator’s opinion on the wallpaper slowly changes throughout the story; this directly reflects what is happening within the narrator’s mind. At the beginning of the story the narrator describes the wallpaper as “Repellent...revolting... a smoldering unclean yellow” (Gilman 377). As the story continues the narrator starts to become obsessed with the wallpaper and her opinion of it has completely changed than that of hers from the beginning. Symbolism plays a big part in “The Yellow Wallpaper” too. This short story has a multitude of symbols hidden in it but there are specific ones that stand out the most. The recurrence of the wallpaper definitely makes it a symbol. An interesting interpretation is that the wallpaper represents women, in the sense that the 18th century woman was considered almost decorative and that is exactly what the purpose of wallpaper is. Another prominent symbol that runs parallel with the wallpaper, are the women the narrator would see in the wallpaper. The women appear trapped behind bars in the paper and one could argue that the women the narrator sees represents all women of her time, continuously trapped in their gender
The Yellow-Wallpaper is a short story written by Charlotte Perkins Gilman. It narrates the story of an unnamed woman that is subjected to the famous “rest cure” in order to cure her from her mental illness. This story shows
The yellow wallpaper referenced in the title of the story holds significant symbolic meaning relating to the oppression of the narrator and the progression of her psychological deterioration. Early on, the narrator expresses her disdain for the yellow paper covering the walls of her temporary bedroom, referring to it as “that horrid paper,” and declaring it the worst wallpaper she had ever seen in her life (Gilman 77, 79). The frequently mentioned pattern of the wallpaper, which is particularly exasperating to the narrator, symbolizes the societal patterns of gender-related restrictions. “It is […] pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit
The narrator is suffering from a mild depression that her physician husband has prescribed complete bed rest in order for her to recover. During their summer vacation, she is confined to a room at the top of the house where she can see the world passing her by day in and day out. Her brother who is also a physician concurs with her husband's prescription leaving her with no option but to succumb to the torment of being left alone in the room with the yellow wallpaper.
The room becomes the woman’s world because he cannot leave. The yellow wallpaper represents her fear of being trapped. It also is the very thing causing her imprisonment inside the room. The narrator says “At the night in any kind of light, in twilight, candle light, lamp light, and worst of all by moon light it becomes bars!” (Gilman 662). Every night she lies awake and looks at her cell of a room as her eyes roam around the wallpaper. At the beginning she hates the wallpaper but becomes infatuated with it as the woman continues to try to get out. “ ‘nobody could climb through that pattern it strangles so…strangles them off and turns them upside down, and makes their eyes white’… If this can be seen as a metaphor of women’s oppression and death in the limited domestic space” (Fanghui). The woman could end up feeling useless, “suffocated” (Fanghui), and so closed off and commit suicide. The restraints used against her could be her downfall. She has become “possessive about the wallpaper” (Rao) because she feels “it is here property” (Rao). She no longer feels the need to leave because she has not found a way out yet. Once the narrator “freed the woman in the wallpaper” (Rao) she became insane (Rao). She says “I wonder if they all came out of the wallpaper, as I did?” (Gilman 665). She no longer sees the trapped behind the wallpaper as someone else but herself. She has been alone in for weeks trapped in the room with
The Yellow Wallpaper is a popular book when discussing psychology in the late nineteenth century. The author, Charlotte Gilman, wrote her experience of mental illness through her narrator. Gilman suffered with depression after giving birth and she never fully recovered from it. (Gilman 95). The narrator is depicted as a woman who has been diagnosed with what was called a nervous disorder. Her husband, a psychologist, gave her several different tonics and other substances that are supposed to make her better. She was also put on bed rest meaning that she was not able to work or do anything that would tire her out. She is told to go and rest several times during the story and it is evident that her ‘psychosis’ gets worse when she is forced to stay in her room and rest for the majority of her days and all night. She begins to see women in the pattern of her wallpaper and she becomes obsessed with it. The narrator becomes very protective of her wallpaper and gets almost jealous when she sees her sister-in-law looking at it and touching it. She even says “no person touches this pa...
Charlotte Perkins Gilman wrote The Yellow Wallpaper in 1890 about her experience in a psychiatric hospital. The doctor she had prescribed her “the rest cure” to get over her condition (Beekman). Gilman included the name of the sanitarium she stayed at in the piece as well which was named after the doctor that “treated” her. The short story was a more exaggerated version of her month long stay at Weir Mitchell and is about a woman whose name is never revealed and she slowly goes insane under the watch of her doctor husband and his sister (The Yellow Wallpaper 745). Many elements of fiction were utilized by Gilman in this piece to emphasize the theme freedom and confinement. Three of the most important elements are symbolism, setting and character.