Rebecca by Daphne Du Maurier

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Rebecca is a beautiful, haunting, gripping tale of love, hate and

deceit told in the simplest and most endearing manner by Daphne Du

Maurier.

'Rebecca' is a beautiful, haunting, gripping tale of love, hate and

deceit told in the simplest and most endearing manner by Daphne Du

Maurier. Du Maurier weaves a beautiful web of mystery that holds you

captive until the very end of the novel. We readers feel the anxiety,

apprehension and fear that the protagonist describes and together we

move through each chapter with an anxiety that only ends with the end

of the novel itself. I think du Maurier's greatest accomplishment in

this book, character-wise, is the way she develops Rebecca, who is

already dead when the main action of the story begins, and never

really appears 'on-screen,' so to speak. Through this, Du Maurer is

able to create suspense and fear through the narratives. Rebecca is

very much alive in the memories of Maxim, the house servants, friends

and family members, but most crucially, of her personal maid, Mrs.

Danvers (and also of Rebecca's sleazy cousin, Jack Favel.

'Rebecca' begins with the description of Manderly, a beautiful old

mansion, with its menacing woods, rising turrets and long winding

drive. "A jewel in the hollow of a hand," Manderly, ridden by evil and

surrounded by mystery is the scene where the tale unfolds. Rebecca,

Manderly's late mistress, husband Max De Winter, Manderly's new

mistress, De Winter's second wife, and Mrs. Danvers the maid are the

principle characters

The story is related by Max De Winter's naive, shy young second wife

whom he meets at the hotel Cote d'Azur in Monte Carlo. She is

companion to a snobbish old lady Mrs. Van Hopper whose main occupation

is playing...

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so many ways, on your own attitude to love and relationships. You

become as a reader incredibly touched by the insight into pain and

loss in this novel. A subplot, which addresses the interference of

family, is also approached with tenderness and objective maturity. It

adds yet another dimension of loss, which lends yet more depth to the

story.

On one level, this is a love story; on another it is an

intergenerational tale of three women (grandmother Elspeth, mother

Ann, and Alice, the victim). But to describe it as such sounds

platitudinous, which it is definitely not. With smooth prose,

O'Farrell moves seamlessly among the victim's family and friends and

back and forth in time in seemingly random fashion, slowly revealing

her characters' pasts and stunningly bringing the story back to the

present. Despite its premise, this is not a depressing book.

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