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Rebecca analysis literature
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In Rebecca, Daphne Du Maurier uses symbolism to explore the complex character known as Rebecca. When re-reading the novel one is able to depict the smallest details that divulge the characters background and true intentions that are otherwise hidden when first explored. Du Maurier uses the setting, FOILS, and names in order to reveal a deeper meaning to her character. By using the setting Miss Du Maurier leaves hidden meanings behind her characters names to communicate a deeper understanding of their personalities and intentions. Miss Du Maurier forces the reader to look behind the obvious and mundane to observe the hidden depth and layers of the characters she breathed life to. Beneath Du Maurier’s words, her symbolism feeds into the reader’s imagination with the simple narration of plot, that alludes to a deeper perception of each of the characters. This added depth transforms Rebecca from the average Gothic romance to a literary classic.
One of the first and most prominent forms of symbolism that is applied to the novel is the long drive to Manderley. This drive makes use of the setting as an introduction to the late Rebecca. When we first read of the Manderley drive and its unsettling location, one is plunged into a still and silent atmosphere a realm that one suspects belonged to the late Mrs. De Winter, Maxims first wife. “The drive twisted and turned as a serpent.” (Du Maurier 65) This depiction, under closer inspection holds a deeper meaning. Unconsciously, the reader is immersed into the crookedness known as Rebecca’s nature. Her constant changing of face from social hostess to abusive wife.
On a second look at the novel, one also becomes aware of the small details Du Maurier leaves depicting both Rebecca and the pre...
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...the true nature of Rebecca, and how ones setting, title, and inner sanctum divulge one's true being. From her detailed depictions of Manderley, Miss. Du Maurier uses every aspect of the estate to foreshadow Rebecca’s nature and her effect on those around her. Firstly by using the setting Miss Du Maurier exposes how one's power can extend over their land even after death. Even causing, an overshadowing of one who is living. The author then uses this overshadowing of power to FOIL the two mistresses of Manderley, emphasizing how ones name creates power. Thus, causing the reader to use both of the mistresses of Manderley as FOILS throughout the novel. By the end of the novel, Miss Daphne Du Maurier succeeded in bringing Rebecca our complex antagonist to life through her talents of weaving in symbolism and double meaning into her novel creating a literary work of art.
Miss Hancock, her personality and beliefs were contrasted entirely by her character foil, Charlotte’s mother, “this civilized, this clean, this disciplined woman.” All through Charlotte’s life, her mother dictated her every move. A “small child [was] a terrible test to that cool and orderly spirit.” Her mother was “lovely to look at, with her dark-blond hair, her flawless figure, her smooth hands. She never acted frazzled or rushed or angry, and her forehead was unmarked by age lines or worry. Even her appearance differed greatly to Miss Hancock, who she described as,” overdone, too much enthusiasm. Flamboyant. Orange hair.” The discrepancy between the characters couldn’t escape Charlotte’s writing, her metaphors. Her seemingly perfect mother was “a flawless, modern building, created of glass and the smoothest of pale concrete. Inside are business offices furnished with beige carpets and gleaming chromium. In every room there are machines – computers, typewriters, intricate copiers. They are buzzing and clicking way, absorbing and spitting out information with the speed of sound. Downstairs, at ground level, people walk in and out, tracking mud and dirt over the steel-grey tiles, marring the cool perfection of the building. There are no comfortable chairs in the lobby.” By description, her mother is fully based on ideals and manners, aloof, running her life with “sure and perfect control.” Miss
...hemes, all of which are represented with symbols, mainly revolving around the central character of Robert Ross and the complicated relationships he has with the natural world, his past, and the perils of war. It is through the symbols of the book which Findley is able to address the issues of ethics, guilt, and the past, mainly through the personal struggles faced by Robert in the novel. Robert Ross and the symbols associated with him serve an important message: to fight for what is right, yet not let the evils of life corrupt and destroy one’s self.
Daphne Du Maurier's Rebecca Rebecca has been described as the first major gothic romance of the 20th century; Mrs. Danvers’ character is one of the few Gothic interests within the novel. Her unnatural appearance and multi-faceted relationship with Rebecca provides scope for manifold interpretations and critical views. Furthermore, Mrs. Danvers connection with Rebecca and Manderlay is a sub-plot in itself, making Mrs. Danvers the most subtly exciting character in the novel.
The novel complicates its own understanding of women
...e relationship with men, as nothing but tools she can sharpen and destroy, lives through lust and an uncanny ability to blend into any social class makes her unique. Her character is proven as an unreliable narrator as she exaggerates parts of the story and tries to explain that she is in fact not guilty of being a mistress, but a person caught in a crossfire between two others.
Symbolism “acts as webbing between theme and story. Themes alone can sound preachy, and stories alone can sound shallow. Symbolism weaves the two together” (Hall). Symbolism uses the story to convey the theme. Darkness is used in the novel to show the secrecy and lies that the story has. The whole story involves secrecy among two women and a man. Without symbolism the story would just have a very dark house and two very mysterious and disturbed women. Instead there is a feel of secrecy right from the beginning. Symbolism gives the story excitement, while also providing the reader with a good read. The author can read the first few pages and determine the story is not a happy
...her room she will no longer be bound to her husband but rather free to do what she wants whenever she chooses to. Mrs. Mallard is at last apart from a person who was once somebody she loved but then started to dislike him because of his selfishness towards her. Then at last she comes to a point when she sees him and dies because she knows she will be jailed up again with his possession with her.
It tells the story of a woman who lives secluded in mind, body, and soul for about three months in what is a “hereditary estate” (Gilman 462) , but how she portrays to the reader as “a haunted mansion” (Gilman 463). Extremely unhappy in her current situation (a suffering woman who nobody believes is truly ill), she escapes through her writing. Having to keep her passion of writing a secret and hiding it from her husband, housekeeper, family and friends, the story has untold endings to her thoughts due to the abrupt arrival of unexpected guests. The diary helps us to see the quick, spiraling downfall and eventual breakdown of an unstable woman whose isolation from society may have encouraged her imminent disease. Through quickly written journal entries, the audience can see the unfolding of the unstable woman. This enlarges the view of the narrative because it helps show a plot line of the progression of an illness (which is the theme as a whole of the
In “The Horse Dealer’s Daughter,” symbols are used to fulfill the quest of happiness and love. This love story has many symbols, which show hidden meaning. One can fully understand a story, if one can point out certain symbols. Symbols create ideas and images for the reader to better understand the story. (Symbol)Mabel, one of the two main characters in this story, is depressed and suicidal. After her mother died, she feels like there is nothing to live for. Her mother was the love and joy in her life; without her, she is lost. All she has left is her house, which she is extremely proud of, and her brother, which she seems not to care for. She decides to release herself from her troubles by drowning herself in a pond. The other main character, Dr. Fergusson, sees her and tries to save her life. This pond is a strong symbol with many meanings. It is a start of a new experience, and a change of two people’s lives.
The struggle the other characters face in telling Mrs. Mallard of the news of her husband's death is an important demonstration of their initial perception of her strength. Through careful use of diction, Mrs. Mallard is portrayed as dependent. In mentioning her "heart trouble" (12) Chopin suggests that Mrs. Mallard is fragile. Consequently, Josephine's character supports this misconception as she speaks of the accident in broken sentences, and Richards provides little in the way of benefiting the situation. In using excess caution in approaching the elderly woman, Mrs. Mallard is given little opportunity to exhibit her strength. Clearly the caution taken towards Mrs. Mallard is significant in that it shows the reader the perception others have of her. The initial description the author provides readers with creates a picture that Mrs. Mallard is on the brink of death.
What does this really mean? In the beginning of the book, it is not as suspenseful like the middle to the end. All through the book, you will see a lot of foreshadowing in the maze of murder. Agatha Christie wrote mystery novels and stories which the detective along with the reader must sort through a mysterious maze of such details to arrive at the solution to the crime. People would like to analyze Christie’s use of numbers and alphabetic letters to symbolize doubleness and death in the novel and play versions of The Little Indians and the short story and play versions of witness for the prosecution. Symbolism is all in and throughout the book. Some symbolism consists of foreshadowing leading to surprises and plot twists. For example, Christie uses the number 8 and 0 and the letter “o” to signify death in these works. In her numerical system, 8 counts as a double zero, one on top of each other, symbolizing death. The letters and numbers occur in repeated patterns which provide the attentive with an awareness of the general death in various guises, create a game ambience as we trace the reappearances in many ways (Ardolino). There are many more examples of symbolism in the book, but there are three major ones that stood out:
In the book, Rebecca by Daphne Du Maurier, there exist a big emphasis on social class and position during the time of this story. When we are introduced to the main character of the story, the narrator, we are right away exposed to a society in which different privileges are bestowed upon various groups. Social place, along with the ever present factor of power and money are evident throughout the story to show how lower to middle class groups were treated and mislead by people on a higher level in society. When we are introduced to the narrator, we are told that she is traveling with an old American woman; vulgar, gossipy, and wealthy, Mrs. Van Hopper travels across Europe, but her travels are lonely and require an employee that gives her warm company. This simple companion (the narrator) is shy and self-conscious, and comes from a lower-middle class background which sets up perfect for a rich man to sweep her off her feet. The narrator faced difficulties adapting to first, the Monte Carlo aristocratic environment, and second, to her new found position as Mrs. De Winter, the new found mistress of Manderley.
The major interpretive difficulty of this novel is Woolf’s use of multiple perspectives. Josephine O’Brien Schaefer writes:
To begin, the first symbolic meaning one can interpret from the window is when Mrs. Mallard gazes out over the trees and gets lost in the little specks of sunshine peering through the cloud-covered sky. This can be seen as a sign is freedom, and in a sense she can fly away like a bird. Marriages in 1894 were not like they are today, most marriages were arranged by the families, and the wife was expected to be the
Woolf presents three characters who embody three different gender roles. Mrs. Ramsay is the dutiful wife and mother. Mr. Ramsay is the domineering patriarch. Lily Briscoe is an independent, aspiring woman. Woolf sets these three roles in contrast with each other. She allows the reader to see the power and influence each character has. Mrs. Ramsay’s submissive and supportive nature arouses admiration. Mr. Ramsay’s condescending manner provokes animosity. Lily Briscoe’s independence enables her to find meaning and fulfillment in her life.