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Reality of reality television
The phenomenon of reality television
Reality of reality television
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In the movie Now You See Me 2, Morgan Freeman said “The eye, it may not lie, but don’t think for a moment it can’t be lied to.” The art of manipulation has the ability to deceive one’s psyche and alter their perception of reality. Society tries to implement a certain criterion of what the norm is by using the art of manipulation, whether it be through TV shows, news, or even books. Unreal is a TV show that attempts to reveal the manipulation found on one of the most successful reality shows on television, The Bachelor. The Bachelor is a dating show that tries to portray true love and happy endings. The majority of the show’s audience finds these portrayals to be nonsense, and Unreal perfectly reassures them of their opinion. Whether it be love, …show more content…
In reality TV shows the producers are known as story producers, whose job is to coordinate and create a story on set. These stories are mainly created using manipulation. In Rachel E. Dubrofsky’s book, The Surveillance of Women on Reality Television: Watching The Bachelor and The Bachelorette, she says “Reality TV shows accurately portray the ‘reality of contrivance’” (Dubrofsky 24). Rachel is clearly stating in her analysis that reality TV shows are compiled with situations that are purposely constructed. Unreal portrays this contrivance in situations when the producers manipulate the contestants to participate in certain actions. Unreal gives its audience visual representation of the truth behind reality TV shows. Sarah Gertrude Shapiro was a former producer on The Bachelor and was a co-creator for Unreal. She based the majority of the show on her experience from working nine years as a producer on The Bachelor. This is prevalent because it brings truth to how similar these two shows actually …show more content…
Reality dating shows, like The Bachelor, portray feminism and beauty in and extremely stereotypical manner. The Bachelor portrays women as a size two, blonde, with big breasts, and white, when in reality the majority of women are not like this. In fact, in the upcoming season of The Bachelor, 15 of the 30 women are white blondes and all but one is white. This is a dangerous portrayal, because it gives the women of society the mentality that they have to be this way to find love. Apart from the false portrayal of feminism, the show also classifies women into certain character roles, just like Unreal. The producers set an environment that modifies the attitudes of the contestants, and use specific footage to classify them. For example, one girl could be classified as the mean girl, or another as the desperate “MILF.” Both The Bachelor and Unreal use this classification to serve the purposes of higher ratings, audience approval, and to make the show more
The first wave of reality TV shows (such as Survivor, The Weakest Link and Dog Eat Dog) played on people's collective anxieties about the new workplace culture whereby nothing is secure. The threat of expulsion and humiliation is what draws people to this style of programming. This was followed by the lifestyle programs, which were the once removed cousins of Reality TV. Naturally no one is entirely satisfied with the way they live so these programs played on people's desires to improve their lifestyle and living conditions. The third wave of Reality shows (such as Joe Millionaire, The Bachelor and For Love or Money) plays with people's fears of falsified relationships; are there ulterior reasons behind a `supposed' loving relationship (such as money)? The main appeal of Reality television is that the viewer experiences raw human emotions like humiliation, deceit and rejection from a removed perspective. The ability to inspect and analyse the happenings of others without being seen takes on a god-like perspective. It invokes the fantasy of having access to all that is hidden.
Do you know the guiltiest pleasure of the American public? Two simple words reveal all—reality TV. This new segment of the TV industry began with pioneering shows like MTV’s The Real World and CBS’s Survivor. Switch on primetime television nowadays, and you will become bombarded by and addicted to numerous shows all based on “real” life. There are the heartwarming tales of childbirth on TLC, melodramas of second-rate celebrities on Celebrity Mole, and a look into a completely dysfunctional family on The Osbornes. Yet, out of all these entertaining reality shows arises the newest low for popular culture, a program based on the idea of a rich man or woman in search of the perfect marriage partner. The Bachelor, and its spin-off The Bachelorette, exemplify capitalist ideology founded on the Marxist base-superstructure model and establish the role of an active American audience.
In the Time’s article, “Why Reality TV Is Good for Us,” author James Poniewozik discusses the rapid growth of reality television shows, as well as their recent popularity and success. According to Poniewozik, reality shows involve a huge chunk of the entertainment industry that succeeds because of their audiences’ astonishment and disgust regarding the exaggerated events that take place on the shows (Poniewozik)
“’Jersey Shore’ Season 5 averaged 5.8 million viewers, including one million ages 12-17” (McKay). These one million teenagers who are viewing “Jersey Shore” and other reality television shows fill their minds with the idea that they cannot have a nice time without the consumption of alcohol (McKay). Sexual immorality, violence, and intoxication consume the cast of this reality television show, and unfortunately, most of society. Not only that, but also the general lifestyle of the girls is to compete with each other through materialistic possessions such as clothes, money, or even men (McKay). Another reality show that is affecting viewers, women especially, is “Are You Hot,” in which competitors submit to a panel of judges for appearance rating (Becker). Shows such as this reduce self-confidence in women, making them believe they should be taller, skinnier, tanner, or really anything other than what they already have. “’[The show] emphasizes that how you look is more important than who you are or what you do. It really narrows the worth of the individual,’ Flanery says” (Becker). The more important things about an individual are q...
Everyone wants to find that special someone. The idea of love has become an obsessive fascination among modern society. The Bachelor, is a reality TV show that appeals to that obsession. The entire premise of the show is centered on the notion of finding love. Such a simple concept has created an empire for ABC. With a diehard fan base that calls themselves “Bachelor nation” , thirty consecutive seasons, three spin off series, and on average 11.7 million viewers (Mullins,2013) , it is no surprise this show has social consequences. The bachelor has unparalleled entertainment value. With systematically placed drama, and too good to turn off plot twists the show is a smashing success. The Bachelor franchises in particular the bachelor, indorses
This paper will compare and contrast the 1950’s quiz show scandal and 2016 reality TV shows. I will base the information of 2016 reality TV shows from my personal knowledge of watching The Bachelor and Big Brother Canada. It is evident that through the year’s viewers have become more ok with rigging of TV shows and are less bothered by lying, cheating and manipulation. It seems across that board that producers are confident in controlling their own shows in anyway that will keep viewing numbers up. The quiz shows and todays reality TV shows both seem to take a quest narrative of how they take this adventure to getting the money. These shows could possibly follow the narrative from rags to riches but I don’t completely agree with that because these shows do not follow show the contestants as extremely poor, the winnings are also are not usually a life changing
The way that reality TV portrays reality is completely misleading. It is giving the public what they want in a very unethical way, by completely lying about how they reach a “truth”. The people behind the scenes of reality have found a way to perfectly edit everything that the public sees so it keeps only the “juicy stuff” (Crouch pg 1). Often times, producers of competition shows will step in if the plan was to eliminate someone that is good for ratings (Crouch pg 4). Building shows often lie about needed skills, prices and the amount of time it takes for projects (Crouch pg 5). Anytime that shows have “big surprises” it is almost entirely staged because there’s such a complicated process needed for dramatic shots and lighting ...
Cynthia M. Frisby, in her article "Getting Real with Reality TV", analyze reasons why audiences are attracted to reality television programs. According to Frisby, reality television shows have captivate audiences because, apparently people enjoy watching other people 's lives, and they can compare themselves and lives with others. Different people in society see reality tv in different ways: some see it as something to lift it, in either way reality affect society both positively and negatively.
Since young women are being surrounded and exposed to different types of media, it also influences the identity of young women by reinforcing negative stereotypes. In Chapter 3: “Bitches and Morons and Skanks, Oh My!” of Reality Bites Back, Pozner reveals how popular reality television shows have a strong impact on today’s society by shaping the way women view things and define themselves. She also states how dating shows, like The Bachelor and Flavor of Love, often describe women as “catty, bitchy, manipulative, not to be trusted, and cannot live without a man” (pg. 97). The problem with these dating shows is that it tells young women that they need to become the most seductive and beautiful to win the guy’s heart. This also convinces the young women, who watch the show believe that they have to be manipulative and untrustworthy in order to obtain whatever they want. Because young women have been subject to these stereotypes, they also begin to make generalization and change their perceptions about other people, especially to women. Another example is the reality TV series, Keeping ...
The “Bad girls club” has gained much success in rating, because of the negative aspects shown in women. Every Tuesday millions of watcher tune in to watch these women make a fool of their self, partying and getting intoxicated until losing control or black out. A woman who is a part of this show consider their self as a “bad”. The Bad Girls Club shows the stereotypes women deal with currently. Fight for no reason, making everything a competition, bring one another down and giving each other labels. For example: if two of the girls didn’t get along , they would try to get rid of them by fight each other, throw all their stuff out onto the street and putting their bed in the pool. Meanwhile, many reality shows continue the traditional race and gender based stereotypes. The “Bad girls club” is a product of this misleading format that supports profit-making and negative stereotypes under the appearance of reality television. If people use stereotypes to understand an issue, the decision they make in their life may have negative consequences for the group being stereotyped, whether people intend it or not. In this way, portrayals in the media might help perpetuate discrimination and negativity (Gorham
Television does much more then entertains its viewers. Reality shows has given the American people a bad reputation. The reality shows that Americans watch every day are also shown all over the world. For example, shows like Jersey Shore, The Real House Wives, Keeping up with the Kardashians, Hunny Boo Boo, and Duck Dynasty is representing Americans. The rest of the world sees Americans as childish, aggressive, spoiled, rich, dumb, disgusting, or/and as red necks.
Reality Television has changed television in a way that no one could have imagined. Being the one of the most talked about genre in history, it is seen by millions of viewers. It has more ratings than any other kind of show (Breyer 16). From its start, there have been many Reality Television shows. Shows like The Real World, Survivor, Big Brother, and Jersey Shore. All of these give off a negative portrayal of reality. While Americans watch these shows, it seems that the show is real life, but in reality, no pun intended, before the show is even filmed, it’s written, edited, and produced (Breyer 21). Writers humiliate and degrade people just for the plot of the show, making their private lives public (Breyer 16).
English fashion model Georgia Jagger has made the bold statement that “Reality TV rots people 's brains”. This seems to be a common opinion among many people. Which leads one to wonder why these reality programs are still created year after year despite all of the constant criticism. The reality T.V. show that continue to reel in audiences on a weekly basis seem to be those which have to do with finding love. These types of shows can, and are often, altered to keep the genre from going stale, but essentially they all serve the same purpose. Dating shows aim to match up complete stranger in an attempt of finding “true love”. Although most shows recycle the same program with slight differences, their audience does not seem to go down. The reason
The Bachelorette is a reality TV series geared to attract an audience that’ll fall helpless for a cheesy love story, constant drama and a happy ending. The producers implicitly value beauty and status over personality and genuine love. Through analyzing the appearance, race, social expectations and economic status of the contestants and chosen Bachelorettes, I determined the show is most likely phony. Social status and beauty standards are inevitable, as people seem to be blinded by their vanity and shallow morals.
As I walked through the Healey Family Student Center last Monday night, I saw a gaggle of students all crowded in front of a screen. On it, there was a young woman sobbing and threatening the lives of twelve other, seemingly unhinged women. Many of the students appeared unfazed or amused by the woman’s pain. What I saw as a grossly disconsolate scene was simply the typical reaction seen on The Bachelor, a smash-hit reality television series in which thirty women compete for the chance to marry one man. Why do we accept this kind of behavior as “normal” from a reality TV star?