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Narrative essay on Stereotypes
How rape myths are embedded
Narrative essay on Stereotypes
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Annotated Bibliography
Sielke, Sabine. Reading Rape: The Rhetoric of Sexual Violence in American Literature and Culture 1790-1990. Princeton University Press, 2002.
Reading Rape examines how American culture talks about sexual violence and explains why, in the latter twentieth century, rape achieved such significance as a trope of power relations. Sabine Sielke traces the evolution of a specifically American rhetoric of rape, considering the kinds of cultural work that this rhetoric has performed and finds that rape has been an insistent figure for a range of social, political, and economic issues. Sielke argues that the representation of rape has been a major force in the cultural construction of sexuality, gender, race, ethnicity, class, and indeed national identity. This book teaches us what we talk about when we talk about rape. And what we're talking about is often something else entirely: power, money, social change, difference, and identity.
Strain, Megan. “Rape Is The New Black”: Humor’s Potential for
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We consider the potential for such humor that references rape to reinforce or subvert rape culture. Reinforcing rape humor serves to normalize rape, thereby reinforcing rape culture, while subversive humor serves to challenge rape culture. We present evidence referencing the humor literature, as well as historic and current events, to support our argument that rape humor may serve either or both of these functions. Examining these two types of humor provides insight into an issue that has become increasingly important in the United States, and may also inform about the potential role of humor in contributing to the national discussion on the prevalence of rape. We conclude by discussing the challenges associated with using rape humor as well as demonstrating applications of subversive humor as a weapon against rape
Schneider L, Mori L, Lambert P, Wong A. The Role of Gender and Ethnicity in Perceptions of Rape and Its Aftereffects. Sex Roles [serial on the Internet]. (2009, Mar), [cited March 16, 2014]; 60(5/6): 410-421. Available from: SocINDEX with Full Text.
Susan Brownmiller’s excerpt Against Our Will: Men, Women, and Rape written in 1975 explores rape. It argues that from the beginning of time men had an advantage over women because their genitalia can serve as a weapon, which, in turn, generates constant fear. “Rape provides a sufficient threat to keep all women in a constant state of intimidation, forever conscious of the knowledge that the biological tool must be held in awe for it may turn to weapon with sudden swiftness borne of harmful intent”(Brownmiller, 312). Females are subjected to the harsh reality of rape at a young age through fairytales such as Little Red Riding Hood. Stories like these emphasize how weak women are and how heroic, brave and strong men are. Susan Brownmiller believes that the way to destroy the idea that “you can’t thread a moving needle,” and “no women can be raped against her will” by spreading awareness about rape and how it is a moral wrongdoing and punishable under the
Kelly, Liz (1987) “The Continuum of Sexual Violence.” In: Women, Violence and Social Control, edited by J. Hanmer and M. Maynard. Atlantic Highlands: Humanities Press International: 46-60.
Davis, Angela Y. “Rape, Racism and the Myth of the Black Rapist” in Feminism and “race”, edited by
Susan Griffin’s Rape: The All-American Crime touches on many issues within American society. She begins by recounting how she was taught to be afraid of strange men from such a young age that she had not yet learned what it was she was so afraid of, and then goes into her experience with harassment, an experience shared by every woman at some point in her life. Griffin recounts the belief that all rapists are insane and the proof that they are just normal men and dispels the myth that rape is normal activity that is prohibited by society. However, she goes on to clarify that our culture views rape: “as an illegal, but still understandable, form of behavior” (Griffin 514). It seems that the wrongness of rape is determined by the situation in
One of the most horrible things that has erupted from the subjugation of women is rape culture. Rape culture is the downplaying of the crime of rape to appease the violator, the accusation that the victim made a choice that led to their rape, or even jokes that suggest rape. According to Jessica Valenti’s, “In Rape Tragedies, the Shame Is Ours,” in today's world many people give in to rape culture by participating in these acts that somehow change our mindsets into believing that, “it is more shameful to be raped than to be a rapist”. Once ...
Searles, Patricia and Berger, Ronald. Rape and Society: reading on problem of sexual assault. Westview Press, 1995
It is not a topic that is brought up often, especially at schools or at gatherings, yet it is crucial that everyone be educated, or at least informed on a topic that affects women every day. “Given that sexual violence continues to occur at high rates in the United States, it is vital that we understand attitudes and cultural norms that serve to minimize or foster tolerance of sexual violence” (Aosved, 481). Growing rates of sexual violence goes to prove that it is not taken seriously by many, especially when myths excuse the actions of the perpetrator and instead guilt victims into thinking they are responsible for the horrible act. Burt (1980), in her article titled, “Cultural myths and support for rape” attempts to make sense of the importance of stereotypes and myths, defined as prejudicial, stereotypes, or false beliefs about rape, rape victims and rapists- in creating a climate hostile to rape victims (Burt, 217). Examples of rape myths are such sayings as “only bad girls get raped”; “women ask for it”; “women cry rape” (Burt, 217). This only goes to prove that rape myths against women always blame and make it seem like it is the women’s fault she was raped and that she deserved it for “acting” a certain way. McMahon (2007), in her article titled, “Understanding community-specific rape myths” explains how Lonsway and Fitzgerald (1994) later described rape myths as “attitudes and beliefs that are generally
Many of the attitudes, beliefs, and mistaken ideas about rape have been with us for centuries. By looking at myths, such as “women ask for it,” and “it would do some women good to get raped,” from a historical perspective, lead us for better understanding how they evolved. Women are still seen as the property of men, are protected as such. Men and women are still taught to occupy very different roles in today’s world. Men are usually more aggressive, and women are seen as passive. (Vogelman) This socialization process is changing, but slowly.
According to Marshall University, Rape Culture is defined as “an environment in which rape is prevalent and in which sexual violence against women is normalized and excused in media and popular culture.” In American society, it is not hard to find examples of rape culture. In popular movies, music, and current events there is an undeniable notion of victim blaming, and sympathizing with male perpetrators. People have begun to use the term rape as a casual adjective. For example “I just raped him in that game,” could be used to describe two people playing a game and one winning easily against the other. American society uses pop culture and current events to promote and justify the prominent rape culture.
The poem Rape Joke, by Patricia Lockwood is very much a statement against rape culture and the normalization of sexual violence in our society. Nowadays it seems that a growing number of people are becoming desensitized towards delicate topics, such as rape, and are more willing to joke about said issues. Through her poem Patricia Lockwood is able to ask and answer the question,” Are Rape Jokes ever funny?” The poem is written in a way, as if it was indeed an actual joke, containing comedic lines such as “The rape joke it wore a goatee.
Rape Jokes and Are Not Always Funny When… Shingo Takatera California State University, Northridge When rape jokes can be funny? In Bad Feminist “Some Jokes Are Funnier Than Others”, the author Roxane Gay criticizes the American comedian Daniel Tosh for his rape jokes in his television show Comedy Central. During the show, a young female audience mentioned that “Actually, rape jokes are never funny” (2014). Then, Tosh replied that “Wouldn’t it be funny if that girl got raped by like five guys right now?”
Many of the attitudes, beliefs, and mistaken ideas about rape have been with us for centuries. By looking at myths, such as “women ask for it,” and “women secretly enjoy rape,” from a historical perspective, can lead us for better understanding how they evolved. Much stems back to the idea that women are still seen as the property of men, and are protected as such. Men and women are still taught to occupy very different roles in today’s world. Men a...
The society we live in is rape-conducive, rape-friendly, if you will. Despite the anger I feel joining those two words together, I know the sad paradox holds within it a great deal of truth. We are a violent society that has shrouded rape in mystery and shame. To stop this nightmare’s venomous crusades, all people must wage a private war to eradicate their own acceptance of the savage crime. While it is only a minority of men that actually commit rape, it is everyone’s silence that tells them it’s ok.
Webster’s Dictionary describes rape as the crime of forcing another person to submit to sex acts, especially sexual intercourse. Rape is a crime in which most women cannot defend themselves. The fear of rape plagues every woman at some point or another in her life. The traumatic effects of rape vary from mild to severe, from psychological to physical. This paper will evaluate rape, as well as the effects it has on women, the theory behind male dominance and patriarchy, and differences in demographics.