Reader Response And A Grain Of Wheat

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F. Scott Fitzgerald once said, "The reason one writes isn't the fact he wants to say something. He writes because he has something to say." This quote applies directly to Ngugi Wa Thiong’s novel A Grain of Wheat. One could infer from this quote that some writers write not just for the enjoyment derived from it, but rather out of a feeling of obligation to let readers hear what they may have to say. Ngugi’s message that he feels obligated to convey is delivered, however, he uses a very unusual writing technique to arrive there. He wants the readers to understand the pain, suffering, and confusion that took place during the Emergency. Through jumbled chronological order, numerous character and point of view changes, and a powerful conclusion, Ngugi relays his message with immense authority.

The writing style Ngugi uses in this novel is quite impressive. The most obvious difference in this writing opposed to the other two stories we have read is that without maintaining chronological order, he travels from the start of the Emergency in Kenya to the conclusion of the Emergency. One can understand the complexity of this time shifting by examining the first four chapters. Ngugi begins the novel with Mugo experiencing a nightmare six days before Uhuru. Immediately the readers begin questioning exactly what is taking place. Then, Mugo is awake and begins walking through the town. The entire first chapter is following Mugo through his day. Ngugi gives the readers the names of people who are not yet significant to the story. In the beginning of the second chapter, Ngugi proceeds to lead the readers into a history lesson of the beginning of the Emergency. He starts by examining the original leaders of the movement and explains...

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... say something. He writes because he has something to say,” he made a valid statement. Not every writer has something that needs to be heard, but some authors do. Ngugi found a very unique way to deliver a message that needed to be heard, with great strength and passion.

Works Cited

Hall, Donald. Literary and Cultural Theory: From Basic Principles to Advanced Applications. Boston:

Houghton Mifflin Company, 2001.

Miall, David. "Poetics 19." Readers' Response to Narrative: Evaluating, Relating, Anticipating (1990):

323-339.

Palmer, Eaustace. An introduction to the African Novel. New York: Africana Publishing Corporation,

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Thiong'o, Ngugi. A Grain of Wheat. Jordan Hill, Oxford: Heinemann Educational Publishers, 1986.

Vipond, Hunt. "Point Driven Understanding: Pragmatic and Cognitive Dimensions of Literary

Reading." Poetics 13 (1984): 261-277.

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