Rattle drum are shaken membranophones, and, as their name indicates, they combine elements of both the rattle and the drum, and percussion is either by impact of the knotted ends of attached cords or leather thongs, or by partly filling the drum with pebbles.
The former rattle drum type is referred to as a drum with external percussion and the latter one is known as internal percussion.
Today these drums are found in Asia from India to Japan and in Syria and Lebanon as well as Egypt and also among Amerinds of the Americas.
As studies have shown: “The ancient practice of placing or suspending votive objects in the interior of drums has been suggested as a possible origin for these curious instruments, whose history can be traced to the Shang
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In ancient times, however, it consisted of two or more drums impaled on a handle; two wax balls are suspended from the drum by cords so they will strike against the heads when the drum is twirled; its principal use is by itinerant vendors or as a child's toy.”
In the older form the drums were superposed.
In India and Tibet hourglass drums are transformed to rattle drums.
Among the Yemeni rattle drums were still known in the eighteenth century but are now extinct. A third form is in use in the Eastern churches of modern Egypt as well as by Syrian Christians and Lebanese Maronites. The internal percussion rattle drum is known from South America via Central America, where the Puralla of Guatemala makes it, to North America. The Chippewa and the Cree have a unique two-headed frame drum filled with pebbles; when making the drum, instead of cutting off the excess board after the frame is completed, and extra length is left to form a
The traditional dances were called he and ke and after several days of dancing was called haikil. The crafts the pomo made was animal traps made of baskets, sticks, and their nature resources. The pomo's favorite game is stick dice. It takes an hour to make an instrument, the pomo played three different kinds of phones the Idiophone, the aerophone, and the chordophone each instrument is either high pitch or low pitch but the traditional music sounds
In ceremonial practices, scared objects were often placed into baskets. The ceremonial baskets were made especially for different ceremonies and were never used for every day purposes. Sacred objects were sometimes single fetishes and sometimes collections of objects brought together though the years and kept in a ceremonial basket (Underhill 24). The proper way to keep fetishes was in an oblong basket of twilled yucca (Underhill 24). This oblong basket was called a waca, not to be confused with the ordinary coiled basket, which was called a hoa. It was very important to the tribe not to keep scared objects in regular baskets. People who owned a fetish kept their basket packed with eagle down, deertails and periodically “fed” the scared object with cane cigarettes and even food (Underhill 24-25). They could not move the baskets with out a ritual, which was part of the ceremony for food or purification. If anyone who was not authorized to move the basket touched it, the tribe believed a flood would come. The ceremonial baskets are very important to the Tohono O’odham tribe for a lot of their religious ceremonies.
Their Sundance ceremony surrounds the story of the tai-me, “The Kiowas were hungry and there was no food. There was a man who heard his children cry from hunger, and he went out to look for food. He walked four days and became weak. On the fourth day he came to a great canyon. Suddenly there was thunder and lightning. A voice spoke to him and said, ‘Why are you following me? What do you want?’ The man was afraid. The thing standing before him had the feet of a deer, and its body was covered in feathers. The man answered that the Kiowas were hungry. ‘Take me with you,’ the voice said, ‘and I will give you whatever you want.’ From that day Tai-me has belonged to the Kiowas”(36). This story is used to tell how the tai-me came to be a part of the Kiowa tribe and why they worship it as a part of the sun dance ceremony. Momaday describes that the “great central figure of the kado, or sun dance, ceremony is the taime”(37). It was a small image representation of the tai-me on a dark-green stone. As a symbolic part of this ceremony, it is kept preserved in a rawhide box of which it is never exposed to be viewed other than during this
the native cultural practices of the use of the pipe. Herb than was able to find true
...ggest most elaborate wheel known in history, it is still a part of Native Americans ritual life. Annually about 60 different tribes visit this wheel and there are over 180 sacred ceremonies help at this wheel as well. So this just goes to show that this is still being used in native communities.
Voodooism is a fascinating way of life. Ever since living in Haiti in the early 1980's, the constant thumping of drums in the twilight has intrigued me. Their melody and rhythm seemed to consume the moist evening air like a pungent odor that will not dissipate. Life is very different in Haiti than it is in the United States, and however odd it seems to Western mentality, I could feel the presence of spirits in and around almost every aspect of life in Haiti.
If you have ever watched the television show “Survivor” or a “Foster’s” commercial you have probably heard that annoying but rather interesting noise in the background music. The instrument that is capable of making such a strange noise is called a didgeridoo. The didgeeridoo is a strange type of trumpet that is used by the Aboriginal people of northern Australia. It is used just as we use our musical instruments for singing and dancing or ceremony and entertainment. It is thought to be one of the oldest instruments still used around the world today. It’s recorded history goes back nearly 1500 years but it is probable that it has been around much longer.
The modern piano is an odd mix of instrument types; it’s both a percussive and a string instrument. When a key is pressed, a hammer strikes a string, which produces the note. We know that percussion instruments such as drums were made as far back as we have discovered written documents and probably long before. However, it is more difficult to determine exactly what the string instruments were like. We have some documentation found in the Bible that speak of harps and lyres, but there is no concrete knowledge of tuning or the style of music played; we can only guess at it using what few written sources that survive. However, we have drawings of the lyres and harps that were used. The harps used by the Assyrians for example, were held or hung against the player’s chest while he played which also enabled him to dance or walk easily during ceremonies. Conversely, the Egyptian harps were made in a variety of sizes and were either set on the floor or a stand. The player stood or crouched to play it during more intimate settings. (Blom 8) The Greek lyre however was plucked compared to the harp’s...
It should also be noted that the Native American reed flutes, rattles, and drums significantly influenced the blending of different beats and rhythms into a single piece of music. Native American drums greatly influenced the variety o...
A lot of the orchestral percussion instruments originated in Asia Minor. Sometime during the 15th century when people were moving east they carried there instruments with them, some of those instruments just happened to be percussion instruments. Crusaders carried back drums they had found in the Middle East during the crusade. (Jason)
Drumming, over the ages, had been depicted in healing rituals, rich with images of figures holding drums embellished on cave walls and archeological sites all over the world. More recently, the therapeutic effects of group-drumming have been explored which has led to research studies providing an evidence base for considering drumming as a therapeutic intervention in its own right or as part of other programs (Blackett & Payne, 2005). In addition to being regarded as one of the oldest instruments in world history, the drum has also held different values and benefits across a diversity of cultures. For instance, drumming in American Indian culture is a traditional-based activity that has been cherished and utilized over centuries to promote self-expression and healing (Dickerson, et al., 2012).
For example, the Chi Wara is a ceremonial object. The Chi Wara is from the Bamana people, who used the visuals of dance as well in their art. The Chi Wara is a mystical, zoomorphic, animal headpiece that encompasses an antelope, anteater, and human. It is said to bring favors of fertility, agri...
Mainly the West Africans used percussive instruments. These drums came in all sizes ranging from ten to twelve inches to ten to twelve feet. Their drums were made out of hollowed out logs and gourds with a tight skin over the hollow. They also used idiophones to make music. They used a variety of bells, castanets, gongs, and sometimes they made small xylophones or small pianos. Aerophones weren't as prevalent as the percussions or idiophones. Some explorers made small flutes, horns and trumpets from elephant tusks.
Everyone knows that Music is played an important role in human lives. Music Instruments are also created for people to play and compose songs for them. The Instrument that I want to mention in this paragraph is one of the traditional keyboard Instruments. That is Pipe Organ. This Organ earns a Great reputation as the King of Instruments. The console includes stops, the pedals and there are one to seven manuals or keyboards for a Pipe Organ. This Organ creates sounds by pumping the air through the hundreds of tubes which is controlled by the keyboard. Pipe Organ is inspired by the water Organ in the third century B.C which is invented by the Greek engineer in Egypt. His name is Ktesibios or Tesibius, he is also known as a
I have chosen to write this essay on the drum kit, which is an instrument that I play myself. The drum is one of the oldest instruments known to man and has been used by many cultures around the world. Primitive tribal societies used drums to celebrate victory in battle as well as in ritual dance and worship to the deities. The drum kit (also known as the drum set or trap set), however, is an American invention whose rise was seen in the late 19th century. This is an instrument that has taken the work of several percussionists and turned it into something that can be mastered by one; a phenomenal contraption that has only gotten better with time and continues to develop over the years.