Raskolnikov's Use Of Diction In The Grim Reaper

264 Words1 Page
bulb-icon

Recommended: Death in literature symbolism

Context: After striking down the old pawn lady, Raskolnikov carefully pulled out the keys to unlock a wooden chest in the bedroom. Raskolnikov becomes paranoid as he struggles to find the right key to fit the lock. He soon opens the box and begins pocketing the various gold articles. Meanwhile, he hears steps in the room where the old woman lay. Fear gained mastery over him as he stood in silence. Concept: Dostoevsky’s reference to death radiates an overall ominous connotation. After mercilessly killing Alyona Ivanovna, Raskolnikov becomes the physical embodiment of death itself. Death, also known as the Grim Reaper, is known for holding a scythe. Similarly, Raskolnikov holds an axe that is used for the same purpose. Using diction such as

Show More
Related

  • Tolstoy's The Death Of Ivan Ilych

    677 Words  | 2 Pages

    The short story “The Death of Ivan Ilych” is about a man who realizes he is dying and that no one in his life cares about him. Even more disappointing for Ivan is the realization that besides his success as a high court judge, he has done nothing else to make his life worth saving. The death of Ivan Ilyich, sadly, comes as a release of stress to all. In the end, Ivan is soothed by the release of death, his family and friends are relieved of having responsibility of Ivan taken off their shoulders, and the reader is released from the stressful journey. Tolstoy teaches the audience through the structural elements of the “black sack” metaphor and pathos about the unavoidability of death and the relief of accepting it.

    Read More

  • The Use Of Figurative Language In The Masque Of The Red Death

    472 Words  | 1 Pages

    The Masque of the Red Death was very serious from the beginning to end. The story never pulled away from the sense of a looming threat. Poe did not waste anytime, he cut straight to the point and set the tone right away. The tone relates to people language and the specific words that he uses to create illusion and imagery. Poe uses different times of words to define his language which is called Old English today. Poe sentences are also short and they are practically identical in the simple structure. Poe is a very different writer than most writers today, he has a unique way about his language.

    Read More

  • Literary Techniques Used by Fyodor Dostoyevsky in Crime and Punishment

    2235 Words  | 5 Pages

    Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.

    Read More

  • Resurrection of Lazarus in Dostoevsky's Crime and Punishment

    452 Words  | 1 Pages

    In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.

    Read More

  • Rationalizing Radicalism in "Crime and Punishment" vs. "Demons" by Dostoevsky

    1375 Words  | 3 Pages

    Dostoevsky was made aware of the problems with Nihilistic ideas while he was exiled in Siberia. Crime and Punishment was Dostoevsky’s first attempt at a psychological analysis of a person’s inner struggles to rationalize this radicalism. Raskolnikov represents that intelligentsia and is being used by Dostoevsky to portray and warn against succumbing to these ideals. Dostoevsky uses Raskolnikov’s life to illustrate the implications and applications of this Nihilist to the public and then expands upon it in Demons.

    Read More

  • Fyodor Dostoevsky’s Crime and Punishment

    2299 Words  | 5 Pages

    Dostoevsky’s St. Petersburg is a large, uncaring city which fosters a western style of individualism. As Peter Lowe notes, “The city is crowded, but there is no communality in its crowds, no sense of being part of some greater ‘whole.’” Mrs. Raskolnikov initially notices a change in her son marked by his current state of desperate depression, but she fails to realize the full extent of these changes, even after he is convicted for the murder. The conditions and influences are also noticed by Raskolnikov’s mother who comments on the heat and the enclosed environment which is present throughout the city. When visiting Raskolnikov, she exclaims "I'm sure...

    Read More

  • Emily Dickinson's Because I Could Not Stop For Death

    727 Words  | 2 Pages

    This is highly ironic as He is connotatively depicted as gruesome, horrid, and like the Grim Reaper. Additionally ironic is that the Grim Reaper carries a scythe, and they pass a field of grain. As if the speaker is too busy and cannot find time for Death, “He kindly stops for [her]—” (line 2). There are further applications of metaphors and personification in “Immortality” (line 4), which is personified to represent the speaker’s soul riding in the carriage, and in, “[Death] knew no haste” (line 5), which emphasizes His docile description and can mean that the speaker had a slow

    Read More

  • Analysis of Crime and Punishment by Fyodor Dostoevsky

    1488 Words  | 3 Pages

    This shows that an idea like Raskolnikov's ordinary and extraordinary people can lead to horrible things like his murder of the two women but also hints at the fact it in the future may lead to a "great future deed". It is especially interesting to see that the idea put forth by Dostoevsky in the end is one of love being a transformative force. That this love comes from the severely religious Sonya, mirrors the idea of Christ's "new word" being love. Through careful examination of Raskolnikov's idea and its use as a metric for looking at the character one is better able to understand the novel, the character, and the possible larger implications of that message.

    Read More

  • Character Development in Crime and Punishment by Fyodor Dostoevsky

    1278 Words  | 3 Pages

    In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.

    Read More

  • Religion as Societal Conformity in Crime and Punishment

    1045 Words  | 3 Pages

    Raskolnikov’s conscience no longer allows him to feel good about killing someone after he actually kills her. After that, Raskolnikov struggles because, as Dostoyevsky puts it, “a crime is always accompanied by illness” (249). Raskolnikov’s guilt consumes him to an extreme amount and “he did not sleep, but lay there in a state of oblivion” (84). This illness is cert...

    Read More

  • The Renewal of Raskolnikov in Crime and Punishment

    2444 Words  | 5 Pages

    Raskolnikov, in Dostoevsky's novel Crime and Punishment, is a complex character difficult to understand. He believes himself superior to the rest of humanity, and therefore he believes he has the right to commit murder. After he kills Alena Ivanovna, an old pawnbroker, Raskolnikov discovers his supposed superiority has cut him off from other people. He exists in a self-created alienation from the world around him. Raskolnikov mearly drifts through life, unable to participate in it anymore. It is only through Sonya that Raskolnikov is able to gradually regain his connection to humanity; she helps him to understand that, although he cannot be superior to others, she loves him regardless. Although he finds it difficult to reject his theory that certain individuals may commit acts not permitted ordinary people, Raskolnikov does accept that he is not such an individual, that he is ordinary. Through this realization and Sonya's love for him he finds the strength to confess to his crime and accept responsibility for it; this allows him to slowly began to rejoin the world around him.

    Read More

  • Dostoevsky and Psychology

    2901 Words  | 6 Pages

    Fyodor Dostoevsky's remarkable insight into the psychology of man is seen here in the development of Raskolnikov's dream on the beating of a horse by drunken peasants. The dream is significant on several planes, most notably in the parallel of events in the dream with Raskolnikov's plan to murder the old pawnbroker. It also serves as perhaps the most direct example of the inseparable tie between events of the author's life with the psychological evolution of his protagonists, as well as lesser characters, through the criminal minds of Raskolnikov, Rogozhin, Stavrogin, and Smerdyakov, and into the familial relationships of The Brother's Karamazov.2

    Read More

  • Egoism in Crime and Punishment

    423 Words  | 1 Pages

    When Raskolnikov surrenders he accepts his mistakes and rejects his self-centered attitude.  "It was I who killed the old woman and her sister, Lizaveta, with an axe, and robbed them," Raskolnikov confesses. (476) With his surrender he not only accepts his methodical mistakes in the execution of the crime, but he sees something beyond himself.  He begins to see the magnitude and horror of his act.  He had taken a life.  By realizing the immorality of his crime and rejecting his self glorifying mind set, Raskolnikov accepts his own humanity.

    Read More

  • Raskolnikov’s Theory of Extraordinary Men

    1286 Words  | 3 Pages

    Raskolinkov’s beliefs transform from the beginning of the novel to the ending. His theory was never complete and to test his theory he commits the murder of an evil soul. The irony of this novel is Raskolinkov who though he was an extraordinary men, have the will to commit murder but not the power to live with the crime on his hands.

    Read More

  • Fyodor Dostoevsky Crime And Punishment Analysis

    1980 Words  | 4 Pages

    Throughout the book, “Crime and Punishment,” by Fyodor Dostoevsky, we see key words that play major roles in the plot and development of the story. Five words, in particular, act as front-runners in symbolic themes; they are crime, punishment, poverty, suffering, and child. There is no doubt that these words play a major factor in the novel because not only do we see these words often, but also we experience the words as they are lived through by many of the major characters. What some readers might not realize is that Dostoevsky does not let only one of the words dominate a scene in the book; they are intermingled concepts. Where there is one of the five major words of the novel, Dostoevsky usually accompanies it with another. All five of the words are dependent of each other and without one of them, the novel would not demonstrate the story and powerful themes that Dostoevsky was looking to present.

    Read More

More about Raskolnikov's Use Of Diction In The Grim Reaper

Open Document