Raskolnikov Conscience

886 Words2 Pages
bulb-icon

Recommended: Crime and punishment fyodor dostoevsky example dissertation

In Dostoevsky's novel, Crime and Punishment, the author’s voice is heard through Raskolnikov and the other characters. Dostoevsky’s use of polyphony in this novel lets the reader explore both the inside and outside perspectives and motives of a criminal. The point of view follows that of Raskolnikov for most of the novel, but there is also perspective from the other characters as well as a narrator. Because of this, the novel is not strictly about Raskolnikov, but it brings into view the impact of others characters on Raskolnikov’s conscience. Raskolnikov’s inner monologue reflects deeply the voice of Dostoevsky and weight of guilt on the human conscience.
In the novel, Dostoevsky places the reader in several different points of view. Through …show more content…

Dostoevsky knew how to reveal, to see, to show the true realm of the life of an idea. The idea lives not in one person’s isolated individual consciousness -- if it remains there only, it degenerates and dies. The idea begins to live, that is, to take shape, to develop, to find and renew its verbal expression, to give birth to new ideas, with the ideas of others. Human thought becomes genuine thought, that is, an idea, only under conditions of living contact with another and alien thought, a thought embodied in someone else’s voice (Bakhtin …show more content…

The reader gets to explore both the events preceding and following the crime. Mikhail Bakhtin praises Dostoevsky because his novels “change the form of their existence: they become thoroughly dialogized images of ideas not finalized monologically; that is, they enter into what is for them a new realm of existence, artistic existence” (Bakhtin 647). Dostoevsky creates new ideas through his characters and gives a different position of the author. “The new artistic position of the author in relation to the hero in Dostoevsky’s polyphonic novel is a seriously realized dialogical position which is fully pursued… To the author the hero is not a “he”, not an “I” but a total “you”., i.e. a different, other fully justified “I” (“you are”)” (Jones 194). Dostoevsky gives Raskolnikov a voice and through that voice is the voice of the author. Dostoevsky’s novel gives rise to the genre idea of carnival. It creates a scene for the reader where the are in the middle of the act. The reader gets a clear picture of the main source of “action” but also subsequent events occurring. In regards to the idea of carnival, Bakhtin

Show More
Related

  • Sevastopol In May By Tolstoy

    1892 Words  | 4 Pages

    He abandons omniscience, the story’s main narration style, and writes in the first-person: “The hero of my story, whom I love with all my heart and soul, whom I have attempted to portray in all his beauty and who has always been, is now and always will be supremely magnificent, is truth” (Tolstoy 109 [1986]). Unlike many literary works, there is no analysis needed in order to uncover Tolstoy’s primary message — he directly expresses to readers that truth is the center of the text. Essentially, the story’s characters, settings, and plot are merely vehicles Tolstoy manipulates to bring him to this final sentence where the central theme is revealed; everything in the piece ties back to the concept and central theme of truth. Some might say this ending degrades the story’s literary appeal because it does not allow for a clean resolution, but in many ways, this proclamation serves as the story’s climax. In this moment, the veil of fiction is lifted away from the reader’s eyes and only then can they see the story clearly.

    Read More

  • Morally Ambiguous Characters in Fyodor Dostoevsky's Crime and Punishment

    779 Words  | 2 Pages

    Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.

    Read More

  • Fyodor Dostoevsky's Crime And Punishment

    1732 Words  | 4 Pages

    As the story unfolds, Dostoevsky introduces the reader to Raskolnikov, a troubled young man who is extremely isolated from those who surround him. He lives in a small, dingy, dusty, and dirty room in a small unattractive house. He lives in an abstract world neglecting the real. He is quite separate from all the people with whom he has contact. In the opening chapter, Raskolnikov is said to be, "so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only his landlady, but any one at all" (1). People come physically close to him, but everyone is forced to remain distant mentally. He walks through the crowded, noisy, dirty streets of St. Petersburg physically but somehow he never does so mentally, moving through the streets like a zombie, not a man. He is not aware of his location and often jostles bewildered pedestrians. Therefore, at the outset of the novel Dostoevsky illustrates the apparent schism between the mind and body of Raskolnikov.

    Read More

  • Theodicy and Dostoevsky's The Brothers Karamazov

    2495 Words  | 5 Pages

    Hansen, Bruce. “Dostoevsky’s Theodicy.” Provo, Utah: Brigham Young University, 1996. At . accessed 18 November 2001.

    Read More

  • Comparison of Raskolnikov and Svidrigailov in Crime and Punishment

    574 Words  | 2 Pages

    In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.

    Read More

  • Literary Techniques Used by Fyodor Dostoyevsky in Crime and Punishment

    2235 Words  | 5 Pages

    Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.

    Read More

  • Dostoevsky's Crime and Punishment

    1270 Words  | 3 Pages

    First, Dostoevsky gives the reader the character, Raskolnokov. He is the main character, whom Fyodor uses to show two sides of people their admirable side and their disgusting side. He loves Raskolnokov, which is why Fyodor uses Raskolnokov’s point of view throughout the whole novel. Personally, Fyodor dislikes some of his qualities but understands that all people are plagued with some bad traits, and that Raskolnokv is trying to make emends for some of his wrong doings, i.e. the murder of the pawnbroker and her sister. He knows that what he did was wrong and is willing to suffer for his crime, and he does throughout the whole book with his constant depression. Dostoesky believes in punishment for your crimes, this is why he shows Raskolnokov suffering through most of the novel, to show his great love for penance. Dostoevsky likes the kind giving nature of people; this is why he portrays the main character as a kind, gentle, and giving, person. Often, Raskolnokov thinks only of others benefits such as when he helped Katerina by giving her all his money for Marmelodov, as well as his caring about what happens to his sister with her marriage to Luzhin. Raskolnokov hates Luzhin’s arrogant and pompous attitude, which reflects Dostoevsky’s animosity of the same qualities in people in the real world.

    Read More

  • Resurrection of Lazarus in Dostoevsky's Crime and Punishment

    452 Words  | 1 Pages

    In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.

    Read More

  • Rationalizing Radicalism in "Crime and Punishment" vs. "Demons" by Dostoevsky

    1375 Words  | 3 Pages

    Dostoevsky was made aware of the problems with Nihilistic ideas while he was exiled in Siberia. Crime and Punishment was Dostoevsky’s first attempt at a psychological analysis of a person’s inner struggles to rationalize this radicalism. Raskolnikov represents that intelligentsia and is being used by Dostoevsky to portray and warn against succumbing to these ideals. Dostoevsky uses Raskolnikov’s life to illustrate the implications and applications of this Nihilist to the public and then expands upon it in Demons.

    Read More

  • Fyodor Dostoevsky’s Crime and Punishment

    2299 Words  | 5 Pages

    Dostoevsky’s St. Petersburg is a large, uncaring city which fosters a western style of individualism. As Peter Lowe notes, “The city is crowded, but there is no communality in its crowds, no sense of being part of some greater ‘whole.’” Mrs. Raskolnikov initially notices a change in her son marked by his current state of desperate depression, but she fails to realize the full extent of these changes, even after he is convicted for the murder. The conditions and influences are also noticed by Raskolnikov’s mother who comments on the heat and the enclosed environment which is present throughout the city. When visiting Raskolnikov, she exclaims "I'm sure...

    Read More

  • Comparing Crime and Punishment and Notes from the Underground

    490 Words  | 1 Pages

    Dostoyevsky's characters are very similar, as is his stories.  He puts a strong stress on the estrangement and isolation his characters feel. His characters are both brilliant and "sick" as mentioned in each novel, poisoned by their intelligence.  In Notes from the Underground, the character, who is never given a name, writes his journal from solitude. He is spoiled by his intelligence, giving him a fierce conceit with which he lashes out at the world and justifies the malicious things he does.  At the same time, though, he speaks of the doubt he feels at the value of human thought and purpose and later, of human life.  He believes that intelligence, to be constantly questioning and "faithless(ly) drifting" between ideas, is a curse.  To be damned to see everything, clearly as a window (and that includes things that aren't meant to be seen, such as the corruption in the world) or constantly seeking the meaning of things elusive. Dostoyevsky thought that humans are evil, destructive and irrational.

    Read More

  • Character Development in Crime and Punishment by Fyodor Dostoevsky

    1278 Words  | 3 Pages

    In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.

    Read More

  • The 3 Levels of Discipleship Taught by Jesus Christ

    1546 Words  | 4 Pages

    When Jesus called His disciples, His invitation was simple. He invited them to follow Him. The same is true today. In Matthew 28, Jesus gave His last charge to His disciples, and the charge was simple. He called his followers to go and make disciples. Much effort has been placed by Christians to fulfill this charge, commonly referred to as the Great Commission. Jesus chose to fulfill the implementation of the New Covenant through 12 men who He called, appointed, and commissioned, and he only had a few short years to prepare them for the task (Willson, 1990). His methods were unconventional and were revolutionary for that time. His disciples were to be trained extensively by Jesus, living with Him for three years prior to His ascension. He taught about servant leadership and its meaning for both the leader and follower Matt. 20:25-28). From the beginning, Jesus put in place a careful plan, and an examination of His actions in the Gospels showed that Jesus left behind the pattern to be replicated. His methods, which included the incorporation of three different levels of discipleship, included His interaction with Peter, His closest three (Peter, James, and John), and finally the group of 12. This paper identified and analyzed the three levels of discipleship Jesus modeled, these discipleship methods were then measured against modern leadership theories, and Jesus’s level of involvement and interaction with his disciples were critiqued in light of these modern theories in an effort to determine the effectiveness of this approach.

    Read More

  • Conflict in Crime and Punishment, by Fyodor Dostoevsky

    652 Words  | 2 Pages

    Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion. The moral side of Raskolnikov's mind requires absolution in a Christian manner. This need obliviates his claim to be a Nietzschean superman, and illustrates that all humans have a desire for morality.

    Read More

  • Raskolnikov’s Theory of Extraordinary Men

    1286 Words  | 3 Pages

    Raskolinkov’s beliefs transform from the beginning of the novel to the ending. His theory was never complete and to test his theory he commits the murder of an evil soul. The irony of this novel is Raskolinkov who though he was an extraordinary men, have the will to commit murder but not the power to live with the crime on his hands.

    Read More

More about Raskolnikov Conscience

Open Document