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Witchcraft in the medieval time period
Witchcraft in the medieval time period
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It is widely regarded that Rapunzel was given to a witch named Dame Gothel (which is true) because Rapunzel’s mother longed for and tried to arrogate the rapunzel (a plant) from Gothel’s garden. However, the story of Rapunzel’s birth and childhood is just a little different from what we know. It is true that Rapunzel’s parents did not have a child for a long time but when Rapunzel’s mother saw the rapunzel from Gothel’s house, she didn’t realize that the rapunzel was actually genetically modified. It was modified in such a way that when Rapunzel was born, she had a coherent blob of goldenrod hair; however, her hair was so golden that it emulated a mirror. As she grew into her childhood, her hair became congeal. All the while, Gothel did not remain quiet as Gothel was acquisitive. …show more content…
Instead, Gothel decided to create a plantation of these genetically engineered rapunzels to make a profit and made Rapunzel belabor on these extensive plantations.
Gothel decided to enforce this because she was a little jealous and envious of Rapunzel’s golden hair. As an extreme, Gothel became carping, demeaning and downgrading Rapunzel at every moment. Soon, these plantations became a huge profit as the farmers of the countryside saw their customers increase their consumption of rapunzels. Gothel, understanding the profits of the plantation, became insatiable. With the increase in profits, the labor on Rapunzel increased when she was 10 years old. By then, Rapunzel realized the type of world she was living in and decided to stop being taciturn. Substantiating the unfair labor as evidence, Rapunzel rose in insurrection against Gothel. Gothel tried to compromise with Rapunzel, but Rapunzel remained intransigent. Gothel realized that to keep her profits, she had to become largesse. Using this as a germane moment, Gothel gave Rapunzel the freedom to explore the country, which Rapunzel regarded as an
encomium. Gothel, fearing that Rapunzel might temporize and run away, plotted to eschew Rapunzel from society. After exploring the countryside, Rapunzel came home and figured out that Gothel had decided to shut her in a castle with no stairs or any way of escape. Angry at Gothel, Rapunzel became invidious and attacked Gothel with offensive language. At that same moment, Rapunzel realized that Gothel had provided her with shelter and food. Indebted to that, Rapunzel began to build a tenable castle in the rapunzel plantation to lock herself. Afraid that the castle may have been built in a banal style, Rapunzel went to the market and conducted a reconnaissance to evaluate the castle. The building of the castle took a total of two years; Rapunzel was 12 when the castle was finished. Without dreading too much about her arduous life, Rapunzel locked herself from society.
Liesel’s mom leaves her with foster parents because she wishes to protect her from the fate she is enduring. The words Paula, Liesel’s mom, uses go against Hitler because she is a communist which resulted in her being taken away and Liesel to lose her mother and experience the loss of her. This shows Liesel experiences unhappiness because of her mother’s disappearance which is caused by the words she openly uses that contradicts Hitler.
In the 21st centuries take on the fairytale Rapunzel, the movie “Tangled” depicts the troubled life of an adolescent that is raised by a woman whom is not her mother. Rapunzel is abducted from her crib as an infant by an evil witch, Gothel, for the sole purpose of using her magical hair to enhance her beauty to make her young again. As an eager Rapunzel ages, she soon wants to be set free into a world that she has yet to see.
A fairy tale is seemingly a moral fiction, intended mainly for children. A lesson in critical analysis, however, strips this guise and reveals the naked truth beneath; fairy tales are actually vicious, logical and sexual stories wearing a mask of deceptively easy language and an apparent moral. Two 19th Century writers, the Grimm brothers, were masters at writing these exaggerated stories, bewitching young readers with their prose while padding their stories with allusion and reference: an example of which is "Rapunzel." Grimm's "Rapunzel" is packed with religious symbolism, which lends a new insight to the meaning of this classic story.
Harry Connick Jr. Is a well known famous jazz pianist turned actor selling over 25 million records and counting. Connick is ranked among the top 60 best-selling male artists in the United States by the Recording Industry Association of America. He has had seven top 20 US albums, and ten number-one US jazz albums, The pianist is from my hometown New Orleans to a Jewish mother, whose family owned a local record store. Connick began playing the piano at the young age of three, so well he began making public appearances by the time he was five. Giving his mother all the credit for teaching him Christian behavior , and his parents faith with shaping his values more than the doctrines of the church, though he values those deeply. It wasn't
As Ralph, “the boy with fair hair” matured to the boy with “matted hair”, his perspective matured from haughty to compassionate. Early on, Ralph believes that “Piggy was an outsider, not only by accent, which did not matter, by fat, and ass-mar, and specs, and certain disinclination for manual labor”. He rejected Piggy’s “proffer of acquaintance”. He believed “this was [the children’s] island, [that] it was a good island”, that, “until the grown-ups come to fetch [them], [they] will have fun". However, by the end of the novel, Ralph understood that deep down the children fear the island, “the littluns, even some of the others, [talk and scream] as if it wasn’t a good island”. Empathy develops through experience and understanding of truth. Scout thought “Boo was about six-and-a-half feet tall, dined on raw squirrels and any cats he could catch”. At the beginning of the novels, Ralph nor Scout understood the true nature of Piggy or Boo. However, their respective experiences mean “the end of innocence”. Scout and Ralph begin to differentiate between empathy and authority, good and evil. Scout realizes “[Boo] was real nice, and most people are, when you finally see them”. Ralph recognizes the importance of his “true, wise friend called Piggy”. Yet concurrently, they see “the darkness of man’s heart”. Man discriminates even when doing so harms
...on silver plates. Disney changed the idea of the fairy tale from a girl who works for what she wants to a girl who gets what she wants.
The familiar story of Rapunzel, as told by the brothers Jacob Ludwig Carl and Wilhelm Carl Grimm, takes on new meaning with a psychoanalytic interpretation. It is a complex tale about desire, achievement, and loss. The trio of husband, wife, and witch function as the ego, id, and superego respectively to govern behavior regarding a beautiful object of desire, especially when a prince discovers this object.
Though Rapunzel’s lengthy confinement in one room, her home, is convincing evidence of the female’s domestic belonging, it does not adequately demonstrate the connectedness of the woman to the domestic. The ambitious young Prince faces an insurmountable task when he plans to elope with Rapunzel; he must, temporarily, displace the woman from her domestic home. After the Prince decisively wins Rapunzel’s affection, Rapunzel delineates her escape plan: “ 'I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse’” (The Brothers Grimm). First, Rapunzel states she will “go away with [the Prince]” and he will “take [her] on [his] horse,” two statements which reveal both Rapunzel’s dependence upon the Prince and her lack of independence. Though Rapunzel agrees to leave her domestic realm, she does so only to elope in the safe, steady hands of the Prince, venturing from one sphere of domesticity, with her mother, to another sphere of domesticity with a man. Rapunzel also promises to “weave a ladder with [silk].” Weaving, a deep-rooted, traditional female activity arises in Rapunzel because it is both feminine and perfectly accessible within a domestic setting. The woman’s skills, in any patriarchal work, are not
Rapunzel is an old fairytale that shares some differences with the Italian version. In the German version the father of Rapunzel is present and is the one in the garden caught taking the rampion plant. This is different from the Italian version which only mentions the mother. This difference shows the differences between both countries at the time these fairy tales were written. Germany during the 1800s, was well off and broken up into different kingdoms. It was more common that a couple stayed together during such economic stability. Italy however, suffered during the time that Petrosinella was written which was 1643. Italy faced foreign domination and economic crises during this time which explains why Rapunzel mother was alone during this time. She was symbolizing the dire times that the country itself was facing. The vegetable that was stolen in the fairy tale also varies between both versions. In the German version, the husband goes after rampion radishes. Radishes and dreams of radishes are thought to be ...
Griet, from Girl With A Pearl Earring by Tracy Chevalier and Jean Valjean from Les Miserables are both expected to steal because of their low class, limiting their position in the eyes of their respective societies. In Les Miserables, Jean Valjean is branded as a thief, although he stole for his struggling sister's sake. He is then hounded by the police inspector, Javert, even after serving his sentence, because his low class makes people expect him to continue to steal. When he is under the persona of Monsieur Madeleine and revealed to be Jean Valjean, Fantine dies from shock (Victor Hugo). She would not expect a seemingly rich man like Monsieur Madeleine to steal, because of his high class as a mayor. However, if he was known to be Jean Valjean,
But the misery taught Madame Loisel to accept her situation. She was dressing like commoners; she was doing all the household chores without complaining. She was living a poor woman’s life and she accepted it. Because she knew that she has to pay the debt for the necklace. So this misery lasted for ten years when they finally cleared all the debts. It was a huge relief for them. That little incident has shaken her life; she realizes that it losing it was the reason of her misery. This is where she is wrong, instead of thinking that she should be thinking why she borrowed it at the first
Since the very day of her birth, Mathidle has constantly chased after the affluent existence as she fantasizes that women like her friend, Madam Forestier, relish. Through her husband’s invitation to the minister’s gala, she adorns herself in a fine dress and a priceless diamond necklace, and transforms her into a beautiful envied person far from her usual impoverished disposition. However, after she loses the necklace, replaces it, and repays the debts, she finds pleasure within her “new” life as a lower class woman, which is who she was destined to
In many fairy tales, there is always a damsel in distress that is beautiful and the male character always falls in love with her. In Rapunzel the short story, Rapunzel is put into a tower and lives there most of her young life by her ‘mother’ before her prince comes to recuse her. The difference between Tangled and Rapunzel the short story is that, Rapunzel is the princess and her prince is actually a thief, which ends up falling in love with her. Tangled illustrates how a naïve and beautiful heroine, evil mother figure, and a shallow egotistical hero can make a fairy tale story end with love and marriage.
The Necklace also displays distinctive realism in the use of socioeconomic influences which are essential to the plot. The major conflict in the story would be absent and the theme would not be obtainable without Mathilde Loisel’s insecurity about her own socioeconomic reputation. An example of Loisel’s self-deprivation nature is presented when she realizes she does not have a necklace, she says “I shall look absolutely no one. I would almost rather not go to the party” (Maupassant, sec. 3). Another example of the self-conflict caused by social pressure is Loisel’s immediate attempt to replace the necklace and her reluctance to speak to her friend Madame Forestier about the necklace for ten whole years. If she were not conflicted by societal pressures she might have avoided the whole situation altogether. The Necklace establishes a realistic difference in value between the necklaces and proposed clothing. Her husband proposes flowers which were valued 10 franks so in any case if she had chosen the flowers there would have been an insignificant economic loss. Her decision not to tell her friend about the necklace ends up costing her seven times the worth of the original. The roses symbolize the simpler things in life to the theme of the story. Mathilde Loisel’s withered appearance at the end
This over exaggeration of the human imagination is what makes fairytales stand alone in their own category of fictional stories. Valerie Gokturk describes a fairytale as, “having magical things happen…talking animals… inanimate objects talking.” This can be seen through the Cinderella story as Cinderella is treated poorly by her new step-family, so in response she turns to frequently visiting her passed mother. Upon request, the father of Cinderella brings her a hazel twig to place on the mother’s grave. With the twig placed on the ground, a magical element comes into play as a hazel tree grows and produces birds that grant Cinderella wishes. This sense of magic is further seen as the tree produces a series of exquisite dresses that Cinderella wears to the prince’s ball. No tree of non-magic origin would be able to fully grow in such a short period of time, not to mention being able to spawn flawless dresses. The birds are seen as having a magical essence as Cinderella talks to them, instructing them to pick out the lentils out of the ash in the fireplace. This event can be seen as slightly more plausible; however, the fact that the birds can communicate with Cinderella places the series of events that unfold in a magical category. With the utilization of talking birds as well as a magical tree, it is clearly shown that the story of Cinderella has the essential element of magic that allows it to