Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Depiction of females in rap music
Depiction of females in rap music
Depiction of females in rap music
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Depiction of females in rap music
Tricia Rose analyzes themes discussed in American rap lyrics in her paper Voices from the Margins. Rap Music and Contemporary Black Cultural Production. Themes discussed draw attention to the marginalization of black Americans, gender and sex, and cultural views of raps context.
Rose speaks about black marginalization which is expressed in rap. Rap talks about the experiences of life as a black American normally expressing emotions conveying their reactions to oppression. The lyrics criticize the United States for the oppression which is expressed as racism, economic situation, and their drive to overcome the situation they are forced in. The voice of rap comes from everyday situations. Rose says “They rap about how to avoid gang pressures and still earn local respect, how to deal with the loss of several friends to gun fights and drug overdoses.”(2) Rap speaks about serious subjects that might be foreign to the listener, however, is a reflection of their situation.
The cultural view of rap’s context is seen with the return of the ghetto to public consciousness. Neighborhoods which were viewed
…show more content…
by the mass public on nightly news saw a biased perspective of The Ghetto. Often overlooked was the positive aspects of these communities. Rose quotes the ghetto is a “Source of identity.”(12) This identity comes from the realities of their situation. Without being in that situation people should refrain from speaking about it because they don’t have the full understanding. It also serves a purpose to keep people out for reasons of socio-political impact. Lastly Rose brings up gender and sexuality brought up within rap and it’s audience.
Many criticize the involvement of sexist views in rap lyrics, however, doesn’t consider that to the widespread view of this sexism is still prevalent. It is even more common to see male-dominated sexism in the music industry because without the help of male figures women in the industry wouldn’t have the opportunities they could. Rose talks about sexism in rap which can take the standpoint from black male's perspective to protect themselves from rejection. This rejection on a cultural level could further impact its listeners in negative ways. The overarching theme is that culturally sexism is prevalent to all social groups as seen with the marketing slogan sex sells. This not only needs to be discussed to overcome problems of sexism but looked at in terms of what it’s real meaning
is. Raps voice in society is a reflection of the black American social, cultural, and political situation. Its reflection brings up marginalization of its people expressed in often criticized harsh vocals which explain the life of living under oppression, and it’s contributions to overcome it. Rap also reflects the idea of the ghetto as it tries to bring a deeper meaning to their communities in opposition to the news which portrays their communities in a negative light. Finally, Rap’s message of sexism and gender roles can be viewed as a larger problem to society in general however it’s individual cause might have deeper roots. Sexism and gender issues can’t be solved unless there is an active conversation on the topic. With this information, we can better understand Raps lyrics and why people might criticize the genre.
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
Oswald, Janelle. “Is Rap Turning Girls into Ho’s?” The Black Book: A Custom Publication. 3rd ed. Ed. Sam Pierstorff. Modesto: Quercus Review Press, 2012. 171-175.
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
4. Foreman, (2002). The Hood Comes First: Race, Space, and Place in Rap and Hip hop. Middletown, Conn.: Wesleyan University Press.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
In some of the lyrics, rappers are portraying women as “hoes” or “bitches.” Of the many different names that rappers are calling women, I find that objectifying women has become one of the major concerns. “Sexually explicit and derogatory lyrics are especially apparent in rap music, which has been criticized for its derogatory presentation of women using lyrics that objectify, exploit, or victimize them” (Cundiff 72). It sickens me that rappers can constantly talk negatively about women and get paid millions of dollars to do it. There are many different positive subjects that you can rap about, get your point across, tell a story, and still “be cool.” In many cases, women are identified as sex toys and sex is all that they are good for. Rap music videos have become predominantly sexually explicit. Children look up these music videos, and see nothing but half naked women dancing on poles and shaking their butts. By exposing young teenagers to this type of visual image, these demeaning representations can begin to become a falsified reality. This can make teens believe that it’s ok to view women this way, when in fact, we are much more than a piece of ass put on this earth to entertain the male species. When looking over an article, I found out that more than half of each rap song consists of sexual objectification. “Sexual objectification was found to occur in 67% of the misogynistic lyrics in their songs” (Cundiff 73). Not only are women looked at as sexual objects, but they are also seen as someone who can’t be trusted. In some rap lyrics, artists talk about how their girl cheated on them multiple times. Women are frowned upon because of this. But, for some reason, when rappers are pimps and have multiple “hoes” with them, it’s ok. In my opinion, rappers should consider the impact and influence they have on their fans. As more and more teens are being exposed to negative lyrics, women
The negative perception of women throughout popular culture in the form of music has greatly impacted the portrayal of women on today’s society. This study involves on examination of sexist ideologies in dancehall lyrics that portray women in stereotypical and negative manner. This particular king of music explored in the study is dancehall music, a popular genre in Jamaican culture today. The primarily focus is on the effect of popular songs have on women in society, as well as how song lyrics can cause objectification of women and how are the roles of men and women reflected.