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Literature to movie adaptation proces
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Bolinger (the creator of the film) did a decent job of transitioning the short story to a film, but their was a lot of changes that made the movie a tad bit different than the regular short story. Many times when a creator of a movie tries to recreate a short story into a film, they put it into what they see when they vision the short story and stuff they wanted to add into the film. Which is usually different than what the normal reader visions when he thinks about The Pedestrian. “The major difference between books and film is that visual images stimulate our perceptions directly” (PBS). So knowing this it's obvious that Bolinger had a different point of view of The Pedestrian then Rad Bradbury (the writer of the short story The Pedestrian) …show more content…
The film and the movie had the same plot and such but their was enough differences to confuse people. In the book instead of it being illegal, it was more of an usual thing to be walking outside. “What are you doing out? … Walking, just walking, walking?” (Bradbury 50). In the movie Leonard Mead and his friend get scared about getting caught by the helicopter and Leonard held himself responsible so his friend Bob Stockwell would not get in trouble which brings up a new piece of evidence. In the book Leonard is by himself, however in the film he is walking with a friend named Bob Stockwell. “He would stand upon the corner of and intersection and peer down long moonlit avenues of sidewalk in four directions, deciding which way to go, but it really made no difference; he was alone in the world of A.D. 2053” (Bradbury 47). According to the book Leonard is all alone, on the other hand it shows in the film that he has a friend he adventures with. He goes to his house and convinces Bob to come with him. The differences of the book and the film may confuse people, but they were done to improve the book and …show more content…
Making a film out of literature does not make sense because every single person has a different perspective about books when you read them because you picture it differently in your head. Bolinger made his film with his perspective changing everyone else's point of view on the short story making it a little difficult for people to view the film with a different perspective. Sometimes filmmakers usually add changes from the short story into the movie to make the film easier to make, but it is confusing to other people, i feel like filmmakers shouldn't just put in some random changes in a movie based of a short story that already has everything in it. The Pedestrian was a good short story but I feel like the film based on it wasn’t as good as a job, I believe the team that worked on the film left out the feeling of loneliness by adding Bob into the mix and changed to many things to where it still worked but was not as enjoyable as reading the short story, I’m not just saying this about only The Pedestrian but all other movies that are based on books besides Harry Potter and other great
The film is a fairly faithful adaptation of the book. The amateurish style of the book gives it some appeal as a more sleek and sophisticated style wouldn’t evoke a sense of angst’ desperation and confusion that the novel does.
...rtrayed differently in the movie. Lennie is shown as being very mentally challenged, whereas in the book he is just a little slow and has a mind of a young child. Although some changes are made in the movie to make it flow better, it is still based on the same story as the book. The movie has the same plot line and characters, and some of the scenes are told in the exact same way as they are in the novel. As well, the movie and the book give out the same themes. This story is about how all the people in the Great Depression were trying to escape their unhappy, lonely lives, but weren’t capable of doing so. The movie stays very true to the book even though some things are removed or added. Everything that is added or changed still works very well and captures the film perfectly.
Perseverance pushes people towards what they believe in, a person’s perseverance is determined upon their beliefs. A person with strong beliefs will succeed greater to someone who does not. In the novel Fahrenheit 451 by Ray Bradbury, Guy Montag perseveres against society as well as himself in order to demolish censorship. Perseverance embraces values and drives people closer to their goals.
In the story, ¨The Pedestrian,¨ the author Ray Bradbury uses society, his character, Mr. Leonard Mead and the setting to explain the theme, ¨Too much dehumanization and technology can really ruin a society.¨ Mr. Leonard Mead walks around the city every night for years, but one night would be different as one cop car roams around waiting to take the next person away.
Imagine a society where owning books is illegal, and the penalty for their possession—to watch them combust into ashes. Ray Bradbury’s novel, Fahrenheit 451, illustrates just such a society. Bradbury wrote his science fiction in 1951 depicting a society of modern age with technology abundant in this day and age—even though such technology was unheard of in his day. Electronics such as headphones, wall-sized television sets, and automatic doors were all a significant part of Bradbury’s description of humanity. Human life styles were also predicted; the book described incredibly fast transportation, people spending countless hours watching television and listening to music, and the minimal interaction people had with one another. Comparing those traits with today’s world, many similarities emerge. Due to handheld devices, communication has transitioned to texting instead of face-to-face conversations. As customary of countless dystopian novels, Fahrenheit 451 conveys numerous correlations between society today and the fictional society within the book.
nursery give you a sense that this is a typical suburban home of the time.
Overall, the movie and book have many differences and similarities, some more important than others. The story still is clear without many scenes from the book, but the movie would have more thought in it.
In Ray Bradbury’s Fahrenheit 451, Bradbury uses the life of Guy Montag, a fireman in a near future dystopia, to make an argument against mindless conformity and blissful ignorance. In Bradbury’s world, the firemen that Montag is a part of create fires to burn books instead of putting out fires. By burning books, the firemen eliminate anything that might be controversial and make people think, thus creating a conforming population that never live a full life. Montag is part of this population for nearly 30 years of his life, until he meets a young girl, Clarisse, who makes him think. And the more he thinks, the more he realizes how no one thinks. Upon making this realization, Montag does the opposite of what he is supposed to; he begins to read. The more he reads and the more he thinks, the more he sees how the utopia he thought he lived in, is anything but. Montag then makes an escape from this society that has banished him because he has tried to gain true happiness through knowledge. This is the main point that Bradbury is trying to make through the book; the only solution to conformity and ignorance is knowledge because it provides things that the society can not offer: perspective on life, the difference between good and evil, and how the world works.
Two Works Cited Mankind has made great leaps toward progress with inventions like the television. However, as children give up reading and playing outdoors to plug into the television set, one might wonder whether it is progress or regression. In "The Pedestrian," Ray Bradbury has chosen to make a statement on the effects of these improvements. Through characterization and imagery, he shows that if mankind advances to the point where society loses its humanity, then mankind may as well cease to exist.
As members of a first-world nation, we are disrespectfully quick to point out the flaws and downfalls of impecunious societies and use the societies like mere scenery, even though we walk together on this earth. In “Sun and Shadow," Ray Bradbury manipulates Ricardo to convey to the reader the impertinence from outsiders and the responses from Ricardo and his fellow townspeople. A photographer is encountered doing a photo shoot on Ricardo’s property, and Ricardo becomes unhappy with his presence and angrily tells him to leave. After Ricardo’s increasingly sharp comments and attitudes augment, the photographer becomes satirical and facetious, poking fun at the lifestyle in which Ricardo lives. The short-tempered townsman reveals his defiance through actions projected towards the photographer. Through the use of characterization, Bradbury defines the fine societal line between Ricardo, the penurious dweller of the village, the inconsiderate photographer, and the sympathetic townspeople.
Throughout the short story “The Veldt," Bradbury uses foreshadowing to communicate the consequences of the overuse of technology on individuals. Lydia Hadley is the first of the two parents to point out the screams that are heard on the distance where the lions are. George soon dismisses them when he says he did not hear them. After George locks the nursery and everyone is supposed to be in bed, the screams are heard again insinuating that the children have broken into the nursery, but this time both the parents hear them. This is a great instant of foreshadowing as Lydia points out that "Those screams—they sound familiar" (Bradbury 6). At that moment, Bradbury suggests that George and Lydia have heard the screams before. He also includes a pun by saying that they are “awfully familiar” (Bradbury 6) and giving the word “awfully” two meanings. At the end we realize that “the screams are not only awfully familiar, but they are also familiar as well as awful" (Kattelman). When the children break into the nursery, even after George had locked it down, Bradbury lets the reader know that the children rely immensely on technology to not even be able to spend one night without it. The screams foreshadow that something awful is going to happen because of this technology.
he doesn't he even own one. This where you can see how he is different
Many of Ray Bradbury’s works are satires on modern society from a traditional, humanistic viewpoint (Bernardo). Technology, as represented in his works, often displays human pride and foolishness (Wolfe). “In all of these stories, technology, backed up by philosophy and commercialism, tries to remove the inconveniences, difficulties, and challenges of being human and, in its effort to improve the human condition, impoverishes its spiritual condition” (Bernardo). Ray Bradbury’s use of technology is common in Fahrenheit 451, “The Veldt,” and The Martian Chronicles.
In the book Fahrenheit 451 the theme is a society/world that revolves around being basically brain washed or programmed because of the lack of people not thinking for themselves concerning the loss of knowledge, and imagination from books that don't exist to them. In such stories as the Kurt Vonnegut's "You have insulted me letter" also involving censorship to better society from vulgarity and from certain aspects of life that could be seen as disruptive to day to day society which leads to censorship of language and books. Both stories deal with censorship and by that society is destructed in a certain way by the loss of knowledge from books.
In an attempt to convince readers of the sincerity of its stories’ messages, science fiction writers will create a believable plot, making their fictional world seem just plausible enough. Firstly, in the Ray Bradbury story, “The Last Night of the World”, it described what the family did before going to bed on “The Last Night of the World”, they treated the night as it wasn’t really the last night, but as it was an ordinary one at that. Bradbury wrote, “They washed the dishes and stack them away with special neatness. At eight-thirty the girls were put to bed and kissed good night and the little lights by their beds turned on and the door left open just a trifle” (Bradbury2). Next, in the movie The Island there is a “lottery” to be won and