Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How social norms affect society
The roles of citizenship
Essay on effect of social norms
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Claudia Rankine’s Citizen is a story about stories, about the repetition of American racism and the structures of inequality that are upheld in grand, sweeping gestures but also in smaller, less noticeable ways that build and accumulate. Within this exploration and exasperation exists a central question: what does it mean to be a citizen? This paper will attempt to answer said question, especially in regards to the following brief quotation from page 151 of the text: “Yes, and this is how you are a citizen: Come on. Let it go. Move on.” This sixteen word segment regarding the death of Trayvon Martin marks the only place in the text where the word citizen is used. The single use of ‘citizen’ gives this section special significance, especially …show more content…
when the phrase is considered in context. Rankine’s Citizen is an American story, from its reproduction of Michael David Murphy’s Jim Crow Road (Rankine, 6) to specific mentions of those murdered by American racism. By declaring that “this is how you are a citizen,” Rankine seems to suggest a guide, an answer to the question of what being a citizen in modern America - a country that is so often against minorities - truly means. With that context considered, this section, or ‘guide,’ is in some ways the climax of the story.
Being a citizen in America is not a celebration of patriotism, but instead the mantra Rankine recites: “Come on. Let it go. Move on.” This syncopated, lilting order blurs the line between internal and external voices, giving the words a double meaning. It is unclear if the narrator is telling herself to move on, or if someone else is pushing her into silence. Either way, it is a forced conformation to societal expectations. If the narrator is pushing herself to move on, the lines become tragic, with the narrator shunting her own mourning over Trayvon Martin to the side in favor of focusing on how to be the type of citizen America wants black people to be. The narrator cannot even allow herself to properly feel for fear of more death. Safety is not implied, and moving on is the only thing left to do. From an external viewpoint, with the lines are creating pressure on the narrator from an outside force, the lines become stifling, suffocating. Mourning does not make a citizen, and neither does protesting injustice. Instead, the only response to citizenship is the hollow repetition of “Come on. Let it go. Move on.” Earlier in this paper, I stated the question the text asks as “What does it mean to be a citizen in America?” This is not the true question. Citizen’s true question holds the severity and weight of “What does it mean to be a black citizen in America?” Rankine does not provide a universal answer, but then again, no citizen’s experience is universal. Instead, she defines citizenship only by what society dictates minorities must do after atrocities are
committed. Citations Murphy, Michael David. Jim Crow Road. 2008, photograph. Rankine, Claudia. Citizen: An American Lyric. Minneapolis: Graywolf Press, 2014.
They argue that the accruing of property by figures such as Johnson meant that they literally did not think of themselves as living within a racist society, and that, despite the decline of this freedom, it is a mistake to consider their opinions as an “aberration” in a narrative of inevitable racial exploitation (Breen & Innes, 112). Rather, they claim that to understand such people as such an aberration inevitably leads to a situation in which the real equality of their freedom is
Ranikine’s addresses the light upon the failed judicial systems, micro aggressions, pain and agony faced by the black people, white privilege, and all the racial and institutional discrimination as well as the police brutality and injustice against the blacks; The book exposes that, even after the abolition of slavery, how the racism still existed and felt by the colored community in the form of recently emerged ‘Micro aggressions in this modern world’. Claudia Rankine’s Citizen explores the daily life situations between blacks and whites and reveals how little offensive denigrating conversations in the form of micro-aggressions were intentionally conveyed to the black people by the whites and how these racial comments fuel the frustrations and anger among the blacks. She gathered the various incidents, where the black people suffered this pain. This shows the white’s extraordinary powers to oppress the black community and the failure of the legal system Rankine also shares the horrible tragedy of Hurricane Katrina experienced by the black community, where they struggled for their survival before and post the hurricane catastrophes.
Ever since the abolition of slavery in the United States, America has been an ever-evolving nation, but it cannot permanently erase the imprint prejudice has left. The realities of a ‘post-race world’ include the acts of everyday racism – those off-handed remarks, glances, implied judgments –which flourish in a place where explicit acts of discrimination have been outlawed. It has become a wound that leaves a scar on every generation, where all have felt what Rankine had showcased the words in Ligon’s art, “I feel most colored when I am thrown against a sharp white background” (53). Furthermore, her book works in constant concert with itself as seen in the setting of the drugstore as a man cuts in front of the speaker saying, “Oh my god, I didn’t see you./ You must be in a hurry, you offer./ No, no, no, I really didn’t see you” (77). Particularly troublesome to the reader, as the man’s initial alarm, containing an assumed sense of fear, immediately changing tone to overtly insistent over what should be an accidental mistake. It is in these moments that meaning becomes complex and attention is heightened, illuminating everyday prejudice. Thus, her use of the second person instigates curiosity, ultimately reaching its motive of self-reflections, when juxtaposed with the other pieces in
At the time when humans were learning to use spears constructed out of sticks and stones and the
Racism is an attribute that has often plagued all of American society’s existence. Whether it be the earliest examples of slavery that occurred in America, or the cases of racism that happens today, it has always been a problem. However, this does not mean that people’s overall opinions on racial topics have always stayed the same as prior years. This is especially notable in the 1994 memoir Warriors Don’t Cry. The memoir occurred in 1957 Little Rock, Arkansas and discusses the Melba Pattillo Beals attempt to integrate after the Brown vs. Board of Education court case. Finally, in Warriors Don’t Cry, Melba Pattillo Beals discusses the idea that freedom is achievable through conflicts involving her family, school life, and friends.
Since they lacked certain physical and/or cultural characteristics needed to belong in the American nation, they were not considered worthy enough to receive the same rights and privileges they deserve. Therefore, Takaki hopes that with his book, people would acknowledge how America developed a society centered to benefit only white people with the creation of laws hindering these racial groups from receiving the same and equal rights they deserve.
In a country that proclaims to be founded on the ideas of freedom and protection of the citizens’ rights, a country founded in the dreams of many who seek to break chains of oppression or better opportunities, there’s an evident discrepancy in the image. In “Pressure to Cover,” Kenji Yoshino demonstrates through various examples the gaps in the system that has been attemptedly repaired during the Civil Rights movement, especially after so much has been done to pursue the expansion civil rights seemingly without much accomplishment. While Yoshino covers a broad analysis of the discriminatory devices found within American society, it is important to revise one of few superficially discussed ideas in the essay: the role of immutable and mutable traits. I will provide a deeper insight than Yoshino accomplishes into these traits, which do not simply exist as one or the other, but rather as interconnected, relative
America have a long history of black’s relationship with their fellow white citizens, there’s two authors that dedicated their whole life, fighting for equality for blacks in America. – Audre Lorde and Brent Staples. They both devoted their professional careers outlying their opinions, on how to reduce the hatred towards blacks and other colored. From their contributions they left a huge impression on many academic studies and Americans about the lack of awareness, on race issues that are towards African-American. There’s been countless, of critical evidence that these two prolific writers will always be synonymous to writing great academic papers, after reading and learning about their life experience, from their memoirs.
In Audre Lorde’s bildungsroman essay “The Fourth of July” (1997), she recalls her family’s trip to the nation’s capital that represented the end of her childhood ignorance by being exposed to the harsh reality of racialization in the mid 1900s. Lorde explains that her parents are to blame for shaping her skewed perception of America by shamefully dismissing frequent acts of racism. Utilizing copious examples of her family being negatively affected by racism, Lorde expresses her anger towards her parents’ refusal to address the blatant, humiliating acts of discrimination in order to emphasize her confusion as to why objecting to racism is a taboo. Lorde’s use of a transformational tone of excitement to anger, and dramatic irony allows those
From slavery being legal, to its abolishment and the Civil Rights Movement, to where we are now in today’s integrated society, it would seem only obvious that this country has made big steps in the adoption of African Americans into American society. However, writers W.E.B. Du Bois and James Baldwin who have lived and documented in between this timeline of events bringing different perspectives to the surface. Du Bois first introduced an idea that Baldwin would later expand, but both authors’ works provide insight to the underlying problem: even though the law has made African Americans equal, the people still have not.
A human being is a complicated entity of a contradictory nature, where creative and destructive, virtuous and vicious are interwoven. Each of us has gone through various kinds of struggle at least once in a lifetime, ranging from everyday discrepancies to worldwide catastrophes. There are always different causes and reasons that trigger these struggles, however, there is common ground for them as well: people are different, even though it is a truism no one seems to be able to realize this statement from beyond the bounds of one’s self and reach out to approach the Other. The concept of the Other is dominant in Frederick Douglass’s text “The Meaning of July Fourth for the Negro”, for it determines the main conflict and illuminates the issue of intolerance and even blasphemy regarding the attitude of white Americans towards Negroes. The text was written as a speech to commemorate the signing of the Declaration of Independence and delivered at Rochester’s Corinthian Hall on July 5, 1852.
After slavery ended, many hoped for a changed America. However, this was not so easy, as slavery left an undeniable mark on the country. One problem ended, but new problems arose as blacks and whites put up “color lines” which led to interior identity struggles. These struggles perpetuated inequality further and led W. E. B. Du Bois to believe that the only way to lift “the Veil” would be through continuing to fight not only for freedom, but for liberty - for all. Others offered different proposals on societal race roles, but all recognized that “double consciousness” of both the individual and the nation was a problem that desperately needed to be solved.
In “Citizens: An American Lyric” by Claudia Rankine the audience is placed in a world where racism strongly affects the daily American cultural and social life. In this world we are put as the eyewitnesses and victims, the bystanders and the participants of racial encounters that happen in our daily lives and in the media, yet we have managed to ignore them for the mere fact that we are accustomed to them. Some of these encounters may be accidental slips, things that we didn’t intend to say and that we didn’t mean yet they’ve managed to make it to the surface. On the other hand we have the encounters that are intentionally offensive, things said that are
Following the 1890’s, the world began to undergo the first stages of globalization. Countries and peoples, who, until now, were barely connected, now found themselves neighbors in a planet vastly resembling a global village. Despite the idealized image of camaraderie and brotherhood this may seem to suggest, the reality was only discrimination and distrust. Immigration to new lands became a far more difficult affair, as emigrants from different nations came to be viewed as increasingly foreign. In the white-dominated society of the United States during the late 19th and early 20th centuries, the only way to truly count oneself as American was to become “white”. For this reason, the idea of race, a socially constructed issue with no real physical basis, has become one of the most defining factors which shape immigration and assimilation in the United States.
DuBois presents the question “[h]ow does it feel to be a problem?”, introducing the attitude towards African-Americans upon their emancipation (DuBois 3). The idea of freedom for slaves meant equality, but “the freedman has not yet found in freedom his promised land […] the shadow of a deep disappointment rests upon the Negro people” (6). The challenge faced during this time was how to deal with the now freed slaves who once had no rights. DuBois states that African-Americans merely wish “to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly i...