REVENGE THE BITTER SWEET
“Revenge is always the weak pleasure of a little and narrow mind” Juvenal, Roman poet.
The faultless revenge is a deed so many reviled, so many have tried and what so many more have desired. In reality it’s a punishment for an errant, success without being exposed and fulfillment without regretting of pleasing retribution. Moreover, the perception of vengeance was almost been since the dawn of written words, mankind had the passion to strict vengeance on others who persecuted to us. For example, the oldest set of regulations which marked the establishment of standardized revenge in human history is the Code of Hammurabi which was implemented by the sixth king of Babylon around 1760 B.C. the code strictly believed in the eye for an eye concept; in fact that’s exactly how was phrased. Revenge, also took place as a sort of literature that refers to a full genre of dramatically works. It was a clear practise influenced by the renaissance genre of the Roman playwright. Like, Seneca the Younger, Stoic and most of all Thyestes. These pieces provided many themes as torture, sinister intrigue, madness and retaliation. Though, another strong influence came from Italian literature which delivered another spring to the revenge tragedy, reinforced by a stereotype that held in modern Italians as unforgiven. Numerous of their legends encounter villain, sexual infidelities, private revenge and bloody feuds between rival families. Consequently, some scholars had categorized Italian revenge was influenced by the medieval era, which is fulfilled by gruesome tales of revenge and blood thirst violence. Relatively, another important effect originated from American literature which added an innovative vision to the theme reveng...
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... Fortunato. Montresor accomplishes his chore. As a consequence, his obsession and need for retaliation lead him to his remorse.
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• The cask of amontillado. Dir. Bernard Wilets. Perf. education. AIMS Media, 1982. Film.
The mood established by Edgar Allan Poe in his short story, "The Cask of Amontillado," plays a crucial role in conveying to the reader his underlying theme. For example, when Montresor, the narrator, st...
Evil exists naturally in the world, and there are many acts that are considered evil. As a result, evil is often a theme in literature. “The Tragedy of Hamlet, Prince of Denmark” by William Shakespeare, and “The Cask of Amontillado” by Edgar Allan Poe each rely heavily on evil to portray a message. Out of all of the evil acts that exist, exacting revenge is the evilest act that a person can make, for a person’s rash decision to exact revenge will ruin their sense of morality. The characters of Hamlet and Laertes in “Hamlet” each commit terrible acts of revenge, as does Montresor in “The Cask of Amontillado.”
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
In modern times, phrases such as “an eye for an eye makes the whole world blind,” are commonly used. Also, the mere word revenge holds negative connotations as it is seen as immature and unnecessary. The theme of revenge uses archetypes to develop ideas without having to reiterate their meaning. According to the creator of the term, Carl Jung, “archetypes are defined as being a collectively inherited unconscious idea, pattern of thought, image, etc., universally present in individual psyches.” (Dictionary) The Count of Monte Cristo, one of the novels that pioneer this theme, tells the story of a man’s quest for revenge on those who betrayed him. This man spends 14 years of his life imprisoned because of his betrayers, but he manages to escape to avenge his suffering. In the novel The Count of Monte Cristo, Alexandre Dumas uses the archetypes of the byronic hero, the betrayer and the old sage to demonstrate that one’s suffering doesn’t give them the right to seek revenge on those who have failed them.
Many people percieve revenge to be something that falls under justice, as they are driven by emotions, while others consider getting the police involved as serving justice. Moreover, some people find revenge to be pleasing and satisfying, but to argue the point that just because something is more satisfying does not mean it is
Russ,RJ.” Symbolism In edgar Allan Poe’s ‘ The Cask Of Amontillado’.” Yahoo Voices.Yahoo, Inc.,28 April 2008. Web.17 March 2014.
Poe, Edgar Allan. "The Cask of Amontillado." Reading and Writing about Literature. Phillip Sipiora. New Jersey: Pearson Education, 2008.
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
Edgar Allen Poe’s The Cask of Amontillado is a story of fear and revenge. The dark
Poe’s first-person narration style in “The Cask of Amontillado” allows the reader to experience the story from a different level and the ability to look at the story from a different light. An unusual perspective. From the mind of a killer, the narrator and main character making him familiar with the reader. Poe focuses more of the thoughts and emotions of the main character rather than physical attributes of Montresor which made for a more intimately disturbing story for the reader.
Bar-elli, G. and Heyd, D. (1986), Can revenge be just or otherwise justified?. Theoria, 52: 68–86. doi: 10.1111/j.1755-2567.1986.tb00100.x
Throughout history, revenge, or vengeance, has been altered by several cultures and even the American culture. This is shown throughout many ancient greek epics. Throughout these two epics, what is just revenge and what the action of revenge is are much different than what Revenge is seen through today’s society. Revenge is the main theme in The Iliad, with Achilles’ revenge on Agamemnon and Hector, and in The Odyssey, with Poseidon’s revenge on Odysseus and Odysseus’s revenge on the Suitors, and these epics define how revenge was seen in the ancient Greek world.
Edgar Allan Poe is a famous writer in writing detective stories and horror stories. One of his horror stories, “The Cask of Amontillado” was talking about how a man took his revenge to his friend. However, to look deeply in this story, I found that this story was not just simply a horror tale about how a man gets his revenge in the safest way. Instead, it also demonstrates much irony in several areas: the title, the event, the season, the costume, the environment, the characters’ personalities, a man’s dignity and cockiness and at the end, the public order. he are
Womack, Martha. “Edgar Allan Poe’s ‘The Cask of Amontillado.’” The Poe Decoder. Christoffer Nilsson, 1997. n.pag. Web. 6 Nov. 2011 .
The idiom “revenge is sweet” appears so frequently that one might think the cliché is true, yet the nature of revenge is far more complex and may leave more bitterness in its wake. The cyclical nature of revenge and man’s inhumanity to man means it has a propensity to intensify and devastate the people in its wake including the inflictor. Gabriel García Márquez’s Chronicle of a Death Foretold and Isabel Allende’s The House of the Spirits examine the theme of the nature of revenge through the presence and significance of prominent characters seeking revenge in both Latin American novels.