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The main theme of the alchemist
The main theme of the alchemist
An essay on the theme of The Alchemist
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When reading the Alchemist, there are many lessons inlaid into the book. They teach about life and how to live life to the fullest. About making the right decisions and about taking action. But out of the ten main messages that are inside of the book, I strongly feel that one sticks out. That is to embrace the present. The Alchemist provides ample amounts examples for this particular lesson. On top of that, I can relate this idea quite well. Going back to the book, there are many instances that related to embracing the present. For example, the camel driver once said "I don't live in either my past or my future. I'm interested only in the present. If you can concentrate always on the present, you'll be a happy man... Life will be a party for you, a grand festival, because life is the moment we're living right now." This quote occurs when Santiago is in the middle of Sahara desert. The camel driver offers this piece of advice to Santiago when they were talking about the desert. Now I feel that this quote perfectly explains what embracing the present …show more content…
“Everything is written in the Soul of the World, and there it will stay forever.” I get the impression that this is referring to that the past is permanent. That no matter what you do, you can’t change the past. In the book, this takes place when Santiago is focused on his woman, who he had to leave behind. Fatima, his lady, is a woman of the desert as she had stated before, understood that he had to leave. Fatima understands this because Santiago, like many other men, has their own personal journey to accomplish. And if they don’t go for it, they will live their life regret. So Fatima understands and will be waiting for his return. Santiago still misses her dearly and has not grasped this concept himself. The Alchemist provides these words to help comfort
In The Alchemist Paulo Coelho presents a character, Santiago, torn between following tradition and his Personal Legend. Santiago tries to live true to his Personal Legend, which is a path pursued by those who strive to fulfill their purpose in life. Yet throughout the novel tradition, a motif, presents itself as a roadblock holding Santiago back from reaching his dreams. Coelho juxtaposes tradition against Personal Legend to illustrate its purely individual nature and the necessity of the acceptance of change to reach one’s dreams and goals.
Upon arriving they said they would stay at the oasis until it was safe to cross the desert. A camel driver tells Santiago that, “There are rumors of tribal wars” (The Alchemist 80). When entering the oasis they had to hand over their arms and stay in tents with locals and fellow travelers. During his short time at the oasis Santiago experiences love at first sight with a girl named Fatima. As the war drags on Santiago tells Fatima about his personal legend and she encourages him to continue on to Egypt. Although she has been waiting for him her entire life she still insisted that he achieve his personal legend. She said if they are meant to be together they will meet again one day. Then Santiago left the oasis with the Alchemist towards the pyramids. Through this he realizes that each challenge he faces on the way to his destination forms part of God's
“Only time will tell”. This common phrase states that the truth and true essence of everything will be revealed as time endures. Written in 700 B.C.E, Homer’s nostalgic epic poem, The Odyssey, has inspired many writers to follow. Nearly 30 centuries later, this classic indirectly influenced Paulo Coelho's writing of The Alchemist. Despite the myriad differences on the surface, The Odyssey and The Alchemist have many connecting parallels. The protagonist in each of the examples of the hero’s journey learned countless lessons along the way that can be taught to everyone. The most prominent of which are the dangers of fear, the importance of perseverance, and the seriousness of pursuing what you love.
The heart of a child is one free of fear. It is brave and courageous; uncontaminated by any sources of doubt. Therefore, during the tender age of childhood, one is able to form ideas that those older are unable to even entertain. It is only when one comes of age, that he faces predicaments which cause him to question whether his dream should be pursued. In such circumstances, the individual either comes to consider his dreams too impractical to achieve and chooses to submit to that uncertainty, or chooses to overcome his fears and pursue his dream. Such is apparent in various events throughout Paulo Coelho’s The Alchemist. In several circumstances, individuals are faced with the option of conformity as it is depicted as the result of fearing
In The Alchemist by Paulo Coelho an Andalusian boy named Santiago leaves Spain to travel to Egypt in order to achieve his Personal Legend. During his journey he meets four people, a Gypsy, a King named Melchizedek, an Englishman and an Alchemist, all of whom help Santiago along his journey towards his Personal Legend. However, only the King and the Alchemist teach Santiago lessons that he can learn from and use along his journey. The King teaches Santiago two lessons, to follow omens and that it is not always about the destination but that it is also about the journey. The Alchemist teaches Santiago to listen to his heart for guidance, what the Language of the World is and what the Soul of the World is. He eventually arrives in Egypt after
Santiago is a young boy who fits into the flawed hero archetype. His story tells of his journey to find his Personal Legend and the many new people and experiences he encounters. Santiago is flawed in the way that he does not have enough confidence in himself to complete the task set out in front of him. He is constantly putting himself off track and avoiding what he has to do. In the beginning of his journey, he faces a setback and his money gets stolen. While finding a solution and a job, he gets distracted loses sight of his dreams. A couple months into the job, he thinks, “...Egypt was now just as distant a dream as was Mecca for the merchant…” (Coelho 58) and he glorifies his new plan to “disembark at Tarifa as a winner” (Coelho 58) with his improved flock of sheep. However, he continues his journey two years later, despite his break in confidence. When Santiago reaches the Oasis during his journey across the desert, he gets sidetracked once more by a woman. This woman’s name is Fatima. The second time they meet Santiago speaks without thinking and says, “‘I came to tell you just one thing...I want you to be my wife. I love you.’” (Coelho 98). This alone demonstrates his rash actions of an inexperienced hero who causes his dreams to be postponed. However, Santiago is also a successful hero despite his flaws. He still continues his journey, no matter what, and eventually reaches his goal. Even through
Santiago thinks about his discussion with the old man. He is annoyed that the old man was right about his being on the verge of giving up just as he finds his destiny. Wandering around the city, he approaches a ticket seller, but he does not buy a ticket to Africa, where he knows the Egyptian pyramids are. He knows that he could buy a ticket with the money he could make from selling only one of his sheep. As he stands at the ticket window, he decides to go back to shepherding his flock. He muses that neither the old gypsy woman nor the old man understand what it means to have a flock of sheep depend on them.
In William Shakespeare’s play, Julius Caesar, the character Cassius is quoted famously for the line, “Men at some time are masters of their fates: the fault, dear Brutus, is not in our stars, but in ourselves.” (Act I Scene II). Paulo Coelho’s novel The Alchemist adheres to this reference as one follows the story of a young man pursuing his Personal Legend. We find through this story that Coelho is emphasizing the message Cassius uses to manipulate Brutus, that there is a need for each of us to break away from settling and finally determine our own fates.
"If someone isn’t what others want them to be, the others become angry. Everyone seems to have a clear ideals of how other people should lead their lives, but none about their own.” That is one of many deep quotes that makes the reader truly think about life in The Alchemist, written by Paulo Coelho. The book is about a young boy named Santiago, who loves travel and adventure, but he does not have the money to do so. He was raised to be a priest, but decides that he would rather be a shepherd, so that he can travel. Santiago’s father gives him two spanish coins, and tells him that he will learn one day that no place is as beautiful as the one he lives in. It seems like Santiago’s father believes in him, but not the way Santiago wants him to.
When reading How to Read Literature Like a Professor along with The Alchemist, or any book for that matter, readers are able to dig deeper between the lines and come to conclusions that are not so obvious. Knowing how to digest literature can prove to be helpful since connections inside and outside of the text can easily be seen. The Alchemist sends us different messages throughout the end, leaving the reader to decide if the message is to follow our Personal Legends, or to realize it is just a dream. After reading How to Read Literature Like a Professor thoughts are directed to the follow your Personal Legend since Foster tells us to use Biblical clues to unearth the truth, as well as character actions that point to certainty. When you have an extra reading device to help interpret, the text seems to come alive. Through Fosters ideas I have come to the conclusion that the alchemist referred to on the cover of the book is not the alchemist that we meet in the center of the novel, but rather Santiago and becoming an alchemist is his personal
He doesn’t speak the language or know how the people in Africa act; he just knows that his treasure is in Egypt. His innocence and lack of awareness causes him to trust a young Arab boy, who ends up stealing all the money Santiago had, “The boy wanted to believe that his friend had simply become separated from him by accident.” (41) As a result, this causes Santiago to feel helpless and incapable of continuing his personal legend. He sees no point in continuing his journey and decides that he wants to go back to being a shepherd in Spain. However, Santiago remembers the Old King of Salem and his advice on following one's journey. He decides that he wants to continue in order to complete his Journey and not end up like the Baker, who awaits for a chance to accomplish his own journey. For this reason, Santiago is a hero because when tough obstacles come his way, he continues in hopes of finishing his journey and returning back home to his ordinary life and to the Merchant’s
There are many obstacles in everyday life, but none as detrimental to ones future as fear. Fear can cause people to not only avoid achieving their goals in life but it also forces them to think about it throughout every day. Paulo Coelho’s The Alchemist shows that those who wallow in fear will never achieve their personal legend, and those who conquer fear will achieve anything they strive for. Paulo Coelho’s The Alchemist is a commonly analyzed and criticized piece of literature. One of these articles is Rejendra Kumar Dash’s “Alchemy of the Soul: A Comparative Study of Hermann Hesse’s Siddhartha and Paulo Coelho’s The Alchemist”. Dash’s article is a literary criticism of the different parts of the character’s journey in The Alchemist. He talks about, in his article, how the theme in The Alchemist is found through analyzing the different parts of Santiago’s journey and what those parts mean. Another one of these articles is Lily Hasanah’s “Decision Making in Paulo Coelho’s The Alchemist”. Hasanah’s article is a literary criticism of the main character in The Alchemist, Santiago. She searches for the theme in The Alchemist through analyzing the decisions, and the outcomes of those decisions, made by Santiago. Paulo Coelho provides access to his theme, for the most part, though the actions and adventures of the main character, Santiago. Although this is the method of delivery he had in mind, Dash and Hasanah view the delivery of his theme differently.
Likewise, before Marquez mentions Santiago plan he mentions Santiago was going to die to show the role fate plays in our lives. In addition, Santiago had dreams before the day he died and his mother Placida Linero was good at interpreting other people's dreams but she was unable to interpret her son’s dream accurately. Marquez shows we can not always see our fate by writing, ¨she had a well-earned reputation as an accurate interpreter other people's dreams [...] but she hadn´t noticed any ominous augury in those two dreams of her son´s, or in the other dreams of trees he´d described to her on the morning preceding his death.¨ By providing this vivid detail to the readers Marquez wants to show the power of fate. He shows that even people who think they know what is going to happen have no power over fate. In this case, he shows this through Santiago Nasar mother’s inability to interprete the future of her son. Most of the people in town knew the twin brothers
Reality versus Desire Characters in "The Alchemist" Desire to be changed so they can realize their dreams. This is an ordinary human aspiration, yet these characters try to take shortcuts, to get something in vain. Jonson demonstrates the audience their own weaknes when they attempt to be something they are most certainly not. Just Drugger the tobacconist seems to have desire in line with who he is. He needs tips for enhancing his shop and business.
He talks about this girl as someone he met on his travels and he can’t get her out of his head. The merchant’s daughter gave Santiago something to come back too and something to look forward to seeing when he got back from his travels. “He recognized that he was feeling something he had never experienced before: the desire to live in one place forever” (6). He was willing to give up his travels and stay with this nameless girl forever and to abandon what he loved for something else he loved. He doesn’t quite understand what he’s feeling or how this will change his way of life he just knows he has a feeling and can’t quite put a name to it.