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Essays on dr faustus
Analysis of christopher marlowe's doctor faustus
Critical analysis of dr faustus
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Quilting Relationship between Christopher Marlowe’s Doctor Faustus and William Shakespeare’s The Tempest – A Comparative Study
Christopher Marlowe is called the father of English romantic tragedy. Meantime, William Shakespeare is the greatest dramatist, whose writings are very powerful and effective. The word quilting means act of making blankets from layers of fabric soft padding. Here blanket refers to Marlowe’s Doctor Faustus and Shakespeare’s The Tempest. The two dramatists are not only creating varied characters but also whose characters have some similarities and contrast themselves. We can analyse Marlowe’s Doctor Faustus and Shakespeare’s The Tempest.
Marlowe’s Doctor Faustus portrays the self-conceit of Faustus. He is a bachelor and the man of education. His unquenchable thirst for studies makes him adamant and arrogant. So, he is not satisfied with his studies. Hence, he chooses black-magic. The play opens with the chorus, which depicts the mentality Faustus.
“Nothing so sweet as magic to him
Which he prefers before his chiefest-bliss
And this the man that in his study sits.” [Prologue 69]
Faustus thins magical power is more than any other things. He believes physical pleasures and powers are supreme. He asserts:
“O, what a world of profit and delight,
Of power, of honour, of omnipotence,
Is promised to the studious artisans!
All things that move between the quiet poles
Shall be at my command; emperors and kings.” [1.1.73]
For the above mentioned reasons he calls, an evil spirit, and slave to Lucifer.
Good spirits or Good Angels are warned and condemned Faustus activities and they ...
... middle of paper ...
...e Tempest the marriage between Mirand and Ferdinand is occurred. Faustus acts as a slave for spirits where as Prospero acts as master for spirits. Marlowe’s Doctor Faustus is a Tragedy but Shakespeare’s The Tempest is a tragicomedy.
Even the dramatists have some similarities and dissimilarities with themselves. They were born in 1564 and their lives ended with tragedy. The total numbers of their name alphabets are eighteen. Marlowe is considered one of the university wits but Shakespeare is not well-educated. Marlowe is famous for his four tragedies but Shakespeare is famous for tragedy and comedy.
Works Cited
Marlowe, Christopher (1980), Doctor Faustus Ed. By Kitty Datta, New Delhi,
Oxford University Press.
Shakespeare, William (2009),The Tempest Ed. by SARBANI CHAUDHURY, New Delhi,
Dorling Kindersley
The classic play Romeo and Juliet by the famous playwright William Shakespeare is one of the most beautiful love stories of all time and has captured and inspired readers everywhere. Regardless of the fact that it was written in the 1500’s, it is still being performed and extolled today. There is a multitude of reasons for such continuance of the play. First of all, its everlasting themes of love and hate enable people to deeply relate to the story. Secondly, its memorable characters deeply imprint on the minds of readers. And lastly, above all, is its magnificent language which many writers today regard in awe. These three elements make the acclaimed play, Romeo and Juliet, one of the most timeless stories of our lives.
Kostić, Milena. "The Faustian Motif in Christopher Marlowe’s Dr. Faustus." Facta Universititas 7.2 (2009): 209-22. Web. 04 Dec. 2013.
Shakespeare has created stories that are so powerful, emotional, comedic, tragic and romantic that they are still continuously remembered and studied in the modern era. Though the essence of his talents does not lie in the simple themes behind his plays, but more so in
William Shakespeare has become landmark in English literature. One must be familiar with the early days of English literature in order to comprehend the foundation of much of more modern literature’s basis. Shakespeare’s modern influence is still seen clearly in many ways. The success of Shakespeare’s works helped to set the example for the development of modern dramas and plays. He is also acknowledged for being one of the first writers to use any modern prose in his writings.
Heilman, Robert B. “Wit and Witchcraft: an Approach to Othello.” Shakespeare: Modern Essays in Criticism. Ed. Leonard F. Dean. Rev. Ed. Rpt. from The Sewanee Review, LXIV, 1 (Winter 1956), 1-4, 8-10; and Arizona Quarterly (Spring 1956), pp.5-16.
Throughout the years, William Shakespeare’s Romeo and Juliet has been celebrated as one of the great tragedies of all time. William Shakespeare is an English playwright born in Stratford upon Avon during the 1500’s. Two innocent young hearts are caught in the middle of an everlasting conflict. How is the most romantic love story of all time also the most tragic? Is it the burning passion that the two lovers share? Or is it the pure hatred that their families have for each other? A force more powerful than love is expressed in this timeless tale. That force is chaos.
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
In this essay I intend to explore the ways that William Shakespeare has presented the relationships between the main characters within his play “The Tempest”. I shall investigate Ferdinand and Miranda’s relationship, the father/daughter bond between Miranda and Prospero and Caliban’s lust after Miranda.
Nesbit, E.. "The Tempest." The Best of Shakespeare: Retellings of 10 Classic Plays. Oxford University Press, 1997. n.pag. eLibrary. Web.
What immediately strikes the audience about The Tempest is the use of the supernatural in the form of apparitions like Ariel and the Harpy. These apparitions are under Prospero's authority and the result of his Art, which is the disciplined use of virtuous knowledge. By invoking a masque to celebrate the betrothal of Ferdinand and Miranda, Prospero effectively brings to full circle the theme of re-generation by obliterating the evil done and suffered by one generation through the love of the next. However, this is juxtaposed against the anti-masque elements of the attempted usurpations of Antonio and Caliban, which hold the play in a delicate balance between a tragic or comic resolution, holding the audience in great suspense.
(A discussion on the contrast and comparison between two characters in Macbeth and The Tempest)
Shakespeare, William, and Robert Woodrow Langbaum. The Tempest: With New and Updated Critical Essays and A Revised Bibliography. New York, NY, USA: Signet Classic, 1998. Print.
Two of the greatest masters of British literature, Shakespeare and Chaucer, tended to look to the classics when searching for inspiration. A lesser-known example of this lies in an ancient tale from Greece about two star-crossed lovers. There are many variations on the names of these lovers, but for the purpose of solidarity, they shall henceforth be referred to as “Troilus and Criseyde” for Chaucer and “Troilus and Cressida” for Shakespeare. Chaucer’s “Troilus and Criseyde” offers up a classic tale of love that is doomed, whereas Shakespeare’s “Troilus and Cressida” is not only tragic but also biting in its judgment and representation of characters. This difference may be due to the differences in time periods for the two authors, or their own personal dispositions, but there can be no denying the many deviations from Chaucer’s work that Shakespeare employs. Shakespeare’s work, by making the characters and situations more relatable, builds upon Chaucer’s original work, rather than improving it or shattering it.
Doctor Faustus, also referred to as The Tragical History of the Life and Death of Doctor Faustus is a play by Christopher Marlowe. This play is based on a German story where a man sells his soul to the devil in quest for knowledge and power (Sales 340. The protagonist in this play is Doctor Faustus. Doctor Faustus was hungry of power and knowledge and in search for them; he sold his soul to the devil. At first, he was very happy with the praise he received from the people as they considered him a hero. Later on, Faustus learns that he committed a grave mistake of selling his soul to the devil for twenty-four years. Even though he felt remorseful for his mistakes, it was already late for him. He is later found by his fellow scholars dead and torn from limb to limb. Faustus was a heroic fool who only thought of power and never thought of eternal damnation.