Quiet Moment
Beauty is always object, purpose and center of art, especially in painting, beauty has been honored and towards ever. However, it is hard when the affirmation of beauty because it cannot measure, cannot count, and it is increasingly unable to distinguish right and wrong. Where is a real beauty of a painting? Nicholas Boyd Crutchley said, "If a picture paints a thousand words, then a let a picture inspire a thousand words." Affordable, a beautiful picture and values is able to bring people to a lot of intuition and deep of the soul. Indeed, a valuable photography will rise above social values and towards beauty "truth, goodness and perfection". Therefore, if only fleeting a moment, the photographer also captured a wonderful moment. Ernie Vater- a talented photographer was successful collection of stunning images of nature and the great hassle. In particular, with a unique photograph "Quiet Moment", he makes everybody wonder and admiration for the magnificence of the jaw-dropping ice caves at The Apostle Islands Ice Caves. The photo that has become immensely valuable by light, composition and moment is extremely simple, peace but profound.
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Apparently, things are quiet here to let only the light speak. The sunshine begins a new day full of vitality and freshness. Illumination for both an air space, dispel frozen, freezing of the cavern and weaving through each slot stone heating. Thus, despite the tears still falling, the waves inadvertently keeps flapping, the light is always brilliant as signaling a potential full beauty of the cave where cold dry, calm but still overflowing of natural life. "Quiet Moment" testified that, as long as the light is present, life and hope will remain intense and
For Emerson, the reticent beauty of nature was the motivator. To him, photography should be recognized because its still-life beauty was able to persuade the public’s appreciation of the life and nourishment
Having such an image before our eyes, often we fail to recognize the message it is trying to display from a certain point of view. Through Clark’s statement, it is evident that a photograph holds a graphic message, which mirrors the representation of our way of thinking with the world sights, which therefore engages other
The “mind’s eye” is not active inside the cave because the prisoners are imprisoned in this distorted world, which they believe is reality. When one prisoner is pulled out of the cave and into the light, it is this sudden freedom that starts the gradual process of enlightenment. This sudden freedom opens the “mind’s eye”. The prisoner “will be able to see the sun, and not mere reflections of him in the water, but he will see him in his own proper place, and not in another; and he will contemplate him as h...
In the word of Gordon Parks, “I feel it is the heart, not the eyes that should determine the content of the photograph. What the eye see is its own what the heart can perceive is a very different matter” (qtd. in “Picture quotes”). Most viewer only views the images throw their eyes and they thought they could get the meaning of it. However, some photographs cannot be understood just by visual. For instance, Ice cream parlor, Blind River, Ontario captured in 1955by Parks. This photograph required the heart to be understood the narrative, messages, surprise and significant of the photograph. Parks’s photo should be
The scientists enjoyed their last moments in the cave because this could be the last time they would every see the cave. Scientist claim that we need to adapt to other Thurman groups and communicate about the memories. They also state that invention of communication is important because this is the best way for transferring communication. Sometime later, the largest power plant in France is 29 miles away from the cave, which creates a tropical biosphere. The greenhouses there are expanding and even have crocodiles to cool the reactor. Werner Herzog end the documentary with, "Are we today the crocodiles that look back to an abyss of time when we see paintings in a cave"?
Edward Burtynsky is landscape photographer who focuses on finding unique locations that are barren with environmental degradation. He is concerned with the current state of our world and wants to change it by using photography as a medium. Burtynsky 's photolistic style often shows incredible scale and detail within his photos by using multiple vantage points. Burtynsky approaches his subject in a very urgent manner, each and every photo is taken to create a deep impression from its viewer. His work is housed in more than 50 museums including the Guggenheim Museum, the National Gallery of Canada, and the Bibliothèque Nationale, Paris.
Gregory Crewdson once said “I love the experience of cinema- being enveloped in a complete world of another’s imagination. I love the quality of film- how it can capture so richly the color and light of a scene. And I love photography - for what it leaves unsaid for it is from this that we can start to spin our own imagination.” Crewdson accomplishes the both the most intriguing and frustrating aspect of art; he poses a question yet refuses to reveal the answer. It is the unanswerable question that leads the viewer to study the work and spend hours contemplating its meaning.
The art world of photography is changing all the time. Peter Schjeldahl starts out with a very strong and well written paragraph about the world of art. Peter Schjeldahl says, “You can always tell a William Eggleston photograph. It’s the one in color that hits you in the face and leaves you confused and happy, and perhaps convinces you that you don’t understand photography nearly as well as you thought you did”. These couple of sentences are very strong and flow so well together, and they grab the reader’s attention. Peter explains how William Eggleston was known as a great American photographer.
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
John Mahtesian's photography offers a visual poetry of the human condition. It is a direct expression of his warmth, depth of spirit, and humanity. A true gentleman, extremely humble and unfailingly polite, he achieves an invisibility that is the success of his art. His patience and commitment to his vision allow him to capture moments others could not. If his subjects are aware of his presence, his gentle nature so enchants them that they are unguarded and their essence is revealed. So compelling are his images that we are truly convinced his insights are our own. They make us rejoice in the world around us, and in the nature of human existence.
It appears to me that pictures have been over-valued; held up by a blind admiration as ideal things, and almost as standards by which nature is to be judged rather than the reverse; and this false estimate has been sanctioned by the extravagant epithets that have been applied to painters, and "the divine," "the inspired," and so forth. Yet in reality, what are the most sublime productions of the pencil but selections of some of the forms of nature, and copies of a few of her evanescent effects, and this is the result, not of inspiration, but of long and patient study, under the instruction of much good sense…
"A photograph is not merely a substitute for a glance. It is a sharpened vision. It is the revelation of new and important facts." ("Heilbrunn Timeline of Art History."). Sid Grossman, a Photo League photographer expressed this sentiment, summarizing the role photography had on America in the 1940’s and 50’s. During this era, photojournalism climaxed, causing photographers to join the bandwagon or react against it. The question of whether photography can be art was settled a long time ago. Most major museums now have photography departments, and the photographs procure pretty hefty prices. The question of whether photojournalism or documentary photography can be art is now the question at hand. Art collectors are constantly looking to be surprised; today they are excited by images first seen in last week’s newspapers as photojournalism revels in the new status as art “du jour” or “reportage art”.
Have you ever seen a painting or picture that captivates you and directly stirs up emotion within you? More than likely, you have. Usually, viewers merely observe the picture and enjoy the way it looks and how it makes them feel. But, have you ever asked yourself, “why?” What about the picture makes it pleasing to the viewer? With each strategy the photographer uses creates their own touch and passion that floods all over the picture. The emotional connection nearly goes unnoticed for when the picture is well photographed, the viewers experience the sensation in their subconscious. This is one of the most powerful tools that a photographer holds in their hands. If one can become a master of manipulating how the photo affects its viewers, the said photographer can potentially maneuver people’s minds and thoughts with one click of a button. The time spent with my mentor has opened up the door for me to tap into that power though the use of background, focus, shutter speed, angles, and most importantly, lighting. Even with all these techniques, the person behind the camera must remember that creativity must be at the forefront of all operations. Caleno (2014), when writing about the basics of capturing a beautiful moment in a picture commented, “If we want to be creative we must drop these pre-conceptions and start looking at things from a small child’s innocence.”
Beauty has no conventional definition other than ‘pleasing.’ Nature, however, is often used as an example of what one would find beautiful. There are magnificent landscapes of open skies, mountains, and waterfalls that make our hearts freeze and our fingers tense with adrenaline. Similar sensations have, however, been felt the first time one emerges from the Lincoln Tunnel and witnesses the majestic buildings and flurries of people in New York City. Society is generally viewed as ugly and immoral and yet the same feelings experienced with ‘nature’ can be equally compared to the ones felt when immersed in the achievements of man.
"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.