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Social cause of the french revolution
Social impacts of the French revolution
Tale of two cities by Charles Dickens theme
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Because of the social and political ways of the aristocracy, tensions rose throughout France. This hostility between the peasants and the aristocrats started the French Revolution in 1789. Sixty years later, Charles Dickens wrote his novel, A Tale of Two Cities, in pieces. Dickens wonderfully portrays this war with his flawless imagery and reoccurring themes. One of his many themes throughout his novel is the theme of revenge. Dickens beautifully supports the theme of revenge through his clever symbols such as the candles during the burning of the château, birds of fine song and feather, and knitting.
Symbolizing the unity and support for the revolution, the candles placed in the windows during the château fire is one way Dickens supports the theme of revenge. The four Jacques, North, South, East, and West, travel to the château and set it on fire. As the château burns down, Dickens adds, “The mender of the roads, and the two hundred and fifty particular friends, inspired by one man and one woman by the idea of lighting up, had darted into their houses, and were putting candles in every dull little pane of glass” (Dickens 178). Here the readers see that the peasants place candles in their windows, which is an act of rebellion. This single act of rebellion is a way of revenge against the Marquis because he is of nobility, and because he ran over a child. While the château is on fire, Monsieur Gabelle is trapped inside. He cries for help, but no one helps him, as the town watches delightfully as the château burns down. Dickens notes, “The officers looked towards the soldiers who looked at the fire; gave no orders; and answered with shrugs and biting of lips, ‘It must burn’” (178). From this, the readers can understand that the town...
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...ds up shooting her with the gun Madame Defarge has on her. Overall, Madame Defarge’s plan of revenge is short lived and unsuccessful.
The theme of revenge, which was probably the main motive in the revolution against the aristocracy, is supported precisely through Dickens’ symbols of candles during the burning of the château, bird of fine song and feather, and knitting. Dickens uses these symbols to enhance this theme. Successful of not, these acts of revenge help fire up the plot and make each chapter page turning. Additionally, Dickens’ cliffhangers left readers wanting to know what act of revenge was coming next during this revolution. Together, these three meticulous symbols tie the theme of revenge with the cause of the French Revolution.
Works Cited
Dickens, Charles. A Tale of Two Cities. Ed. Julie Nord. Mineola: Dover Thrift
Editions, 1870. Print.
During a time of conflicting warfare, a person’s social position and temperament play a significant role in the ideals of society. A Tale of Two Cities manifests society’s response to the French Revolution. Times like this result in two options, either to keep moving on with life, or give in to the vengeance. Charles Dickens portrays both sides of humanity through his characterization. Madame Defarge is the most prominent character that represents the inability to resist violence during the Revolution. In Madame Defarge’s quest for revenge, her continuous knitting and dominance prompt her character development, establishing her character as the antagonist.
On the subject of the French she says, “I am a subject of His Most Gracious Majesty King George the Third and as such, my maxim is, Confound their politics, Frustrate their knavish tricks…God save the King.” (338) Since she is such, she is the perfect foil for Madame Defarge. Madame Defarge epitomizes chaos and violence. With her unrelenting bloodthirstiness and unceasing desire for revenge she symbolizes the intensity and bloodiness of the French Revolution. “The Evrémonde people are to be exterminated, and the wife and child must follow the husband and father.” (418) Madame’s chilling certainty and willingness to kill an innocent mother and child show the hatred that makes up the revolution she personifies and the peasants that were a part of it. Although Madame Defarge and Miss Pross are foils they share a common ground. They both have an uncompromising sense of duty; Miss Pross to Lucie’s safety and happiness, and Madame to a new and better France. They are both willing to do anything for these causes, including lying down their lives. As Miss Pross says, “I don’t care an English Twopence for myself. I know that the longer I keep you here, the greater hope there is for my Ladybird.” (427) Dickens uses these similarities he suggests that even seemingly opposites can have underlying
Charles Dickens writes this book explaining the French Revolution, in which the social and economic systems in France had huge changes and the French monarchy collapsed. This causes high taxes, unfair laws, and the poor being mistreated. Charles Dickens shows that cruelty of other people will lead to a revolution and in addition to the revolution more cruelty will occur. He explores the idea of justice and violence through the use of ambiguous characters with positive and negative qualities, meaning that they have to different sides to them; for example, Charles Darnay, Sydney Carton, and Dr. Manette. Throughout the story of A Tale of Two Cities, Charles dickens uses ambiguous characters to shows how violence and cruelty can be stopped through the power of true sacrifice.
In the novel, the symbols of scarecrows and birds of fine song and feather, wine, and knitting all demonstrate the theme of man’s inhumanity toward his fellow man. Primarily, scarecrows and birds of fine song and feather are a pair of symbols that uniquely contrast with each other greatly. It is stated, “But, the time has not come yet; and every wind that blew over France shook the rags of the scarecrows in vain, for the birds, fine of song and feather, took no warning” (Dickens 23). This quote is regarding that the scarecrows represent the peasants and their frightening features, as they scare away the aristocrats, who are the birds of fine song and feather. In addition, the birds of fine song and feather are the aristocrats.
...to revenge. She turned into this cold killer to kill the entire Evermonde family for what they had done to her family. She uses her power in the revolution to take revenge on the Evermonde family. Madame Defarge loses her true self and becomes someone who disregards the lives of people include hers. Dickens’s theme of how history repeats itself appears again when Madame Defarge kills innocent people similar to what the Marquis of Evermonde did.
Charles loved to incorporate prisons and peasants in his writing, reflecting the life of the lower class and his father, John Dickens. He wrote with a realistic genre, portraying everything exactly the way it should be without much elaboration. While writing the book A Tale of Two Cities, Charles read Thomas Carlyle’s history of the French Revolution, which he incorporated in the plot of the novel. Charles Dickens focused mainly on the motifs of prisons, self-sacrifice, rebirth, and the mystery of love in his works. These motifs came from his lifetime experiences. (Karen
The blue flies, Madame Defarge’s knitting, and the sea are just three of Dickens’ many symbols that develop the theme of man’s inhumanity to his fellow man in A Tale of Two Cities. Although Revolutions are not particularly humane in themselves, the individual characters and the majority of the peasantry in this book took inhumane to its extreme. Because the revolutionaries follow their ruthless leader, Madame Defarge, they do not question the humanity or morality of the massacre of the aristocracy. In a Revolution meant to free peasants, peasants should be last on the list of those being murdered, and this injustice should be realized. In the French Revolution as well as A Tale of Two Cities, the oppressed become the oppressors and the main cause behind the revolution is lost.
The French Revolution was a movement from 1789 to 1799 that brought an end to the monarchy, including many lives. Although A Tale of Two Cities was published in 1859, it was set before and during the French Revolution and had over 200 million copies sold. The author, Charles Dickens, is known for being an excellent writer and displays several themes in his writings. Sacrifice is an offering of an animal or human life or material possession to another person. Dickens develops the theme of sacrifice throughout the story by the events that occurred involving Dr. Manette, Mr. Defarge, and Sydney Carton.
Throughout the book, Dickens portrays his objectivity between the classes through a series of graphic descriptions. For example, the horrid events that occur when the Marquis murders the child is a time when Dickens most definitely favors the rebels. Dickens’s attitude when Jacques kills the Marquis is that justice has been supplied. There is a definite tone of approval in his voice after these actions. On the other hand, Dickens’s attitude towards the mutineers is not always one of endorsement. When the activists nearly kill Gabelle and burn the Chateau, Dickens’s attitude changes from one of approval to one of disbelief. His disposition is almost one of sorrow for all the beauty being carelessly destroyed. As the reader can see, Dickens’s opinion varies greatly in accordance to the portion of the story the person is reading.
With imagery revealing the poor straits and desperation of the peasant class of France, Dickens influences the reader to pity them. He writes, “The cloud settled on Saint Antoine, which a momentary gleam had driven from his sacred countenance, the darkness of it was heavy—cold, dirt, sickness, ignorance, want were the lords waiting on the saintly presence—nobles of great power all of them; but most especially the last” (Dickens 22). Through hunger, want, etc. being personified and compared to nobles through language such as “nobles” and “lords”, Dickens shows the extent of the suffering of the peasants, their deserving to be pitied, and the human nobles’ apathy towards them. The peasants of Saint Antoine suffer in the 1770s, and the town’s name is made into a play on words with “saintly presence”, with the cloud of cold, dirt, sickness, ignorance, and want looming forming the imagery of irony. Another description of the peasants’ plight is revealed in the quote saying, “Ploughed into every furrow of age and coming up afresh, was the sign Hunger. It was prevalent everywhere...Hunger was the inscription on th...
A Tale of Two Cities, a classic novel by Charles Dickens, describes the effects of the French Revolution on Charles Darnay, a former Monseigneur, and his family. Dickens's use of foreshadowing through his employment of vivid motif drives the two-sided plot. This is demonstrated though his blood and wine motif, his emphasis on the importance of a name, and the pattern of the footsteps. Early in the novel, the reader is confronted with a revealing scene that will be the first of the recurring blood motif. Outside the wine-shop of Madame and Monsieur DeFarge, a careless delivery man drops a cask of wine, which flows down the streets, provoking a merry reaction from the people of the town as they all rushed to scoop it from the places it had pooled.
The French Revolution was a period of time when the entirety of France went against the monarchy. King Louis XVI was taken down by the people at this time. The change brought along a replacement for the monarchial society (French Revolution 2). The now formed republic run by the people is now forever an example of what can happen to those whom live in places run by kings and queens, and that those who wish to escape tyranny can always make a change. The tyranny that was present brought along the eventual execution of the two royalties (2). This is evident in Dickens’s novel, in which the story centers around the revolution. Madame Defarge exists as on...
Charles Dickens’ A Tale of Two Cities shows a personal story based around the corrupt time period of the French Revolution. Monsieur Defarge is a kind hearted character, who becomes conflicted between which side to chose. While he wants to overthrow the French government, he disagrees with his wife’s personal grudges, and often tries to talk her into doing what is right. Monsieur Defarge proves to be a round, dynamic character who sees through the hypocrisy of the revolution, but sacrifices what he believes in to benefit the greater good. Monsieur Defarge is a round character within Charles Dickens’ A Tale of Two Cities, he is an up and coming revolutionary, tired of France’s tyranny and simply wants to make a change by helping
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.
The French Revolution and the legacy of A Tale of Two Cities & nbsp; It is a commonplace of Dickensian criticism that the writer was influenced by Carlyle's The French Revolution in A Tale of Two Cities. Taking Dickens's comment that he read Carlyle's history "five hundred times" (I. Collins 46) as a starting point, many critics have discussed Carlyle's influence on several aspects of the novel, such as the narrative technique (Friedman 481-5), the imagery associated with the Revolution (I. Collins 52; Baumgarten 166; Lodge 131-2), and the narration of the historical episodes (Lodge 134; Friedman 489). And yet, Dickens's outlook on revolutionary violence differed significantly from that of Carlyle. As Irene Collins points out, Dickens "dislikes the violence of the revolutionaries, both in its popular form (the mob) and in its institutionalised form (the Terror). Unlike Carlyle, he can no longer see justice in the violence" (53).