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Many of the books we have read this semester contained a variety of archetypes for the main characters. For instance in Purple Hibiscus written by Chimamanda Ngozi Adichie, we could see that the principal character Eugene is a tragic hero. This essay will elaborate on how his cultural background affected his judgment, how it made all of his attempts at doing the right thing distorted to his family. Also how the integration of the white colonizer’s culture made him into a powerful man, a hero, a model just like Jacobo, another main character in Weep Not, Child, while being the opposite of Okonkwo. Furthermore I will finish with how his one way perspective, which lead to his death by his own family, makes him a tragic hero. To start with, Eugene is a tragic hero because his cultural background and beliefs are the ones from the white colonizers and they distort the results of his actions. For example this could be seen at many instance in the book Purple Hibiscus, when Eugene decides to punish his family but especially his children. He is convinced that the way he punishes them is for their own sake and they have to atone their sin under God’s will. Near the
He knows that it isn’t what his father would have wanted nor what his sister wants. Eugene persists on having a Catholic funeral because it is his way of thinking, but in the end he only wants to help atone the burden of the death by paying for everything related to the funeral. We know that in the end Eugene paid in its entirety for a pageant funeral because he still cares for his father even though it didn’t show that much. The upbringing of colonial culture made Eugene into a tragic hero because his actions were always giving him an outcome that he didn’t want deep inside of him. He cared for his family and wanted the best for them but it would for most of the time not show that
“Cyrano de Bergerac” is a play about a man named Cyrano de Bergerac, a poet and a superb swordsman who contains a terribly giant nose. He’s in love with his cousin, Roxanne. Cyrano never tells Roxanne how he feels concerning her therefore she has no idea of his love for her. Within the play Cyrano is a tragic hero. A tragic hero is a great, noble, heroic character. The dictionary.com definition of a tragic hero states, “All tragic heroes have a tragic flaw and since of that flaw the hero is destined for a downfall, suffering, or defeat: the tragic hero is the character that the majority readers will sympathize or empathize with.” Cyrano is different from the contemporary anti-hero however his death was foreshadowed by his actions. Cyrano has all of these traits. Heroic principles and values are necessary of a tragic hero. Whether its showing honor in battle, by charging at enemy lines to redeem his fallen friend Christian, or his loyalty to Roxanne by visiting her each week and comforting her at the church until his death, displays why he was the hero. Cyrano's admirable traits may be seen as the cause of his downfall. His low self-esteem is why he's too afraid to inform Roxanne how he feels about her. He’s terrified of rejection. Not only is He to proud to ever except defeat in battle by never backing down from a fight but also he is too proud to tell Roxanne how he feels for he believes he will be defeated. This is often the reason why he has gained such a large amount of enemies throughout his life. His pride, along with his low self-esteem, is a burden that weighs him down throughout the play.
What is a tragic hero? The most well known definition of a tragic hero comes from the great philosopher, Aristotle. When depicting a tragic hero, Aristotle states "The change in the hero's fortunes be not from misery to happiness, but on the contrary, from happiness to misery, and the cause of it must not lie in any depravity but in some great error on his part." In addition, he explains the four essential qualities that a tragic hero should possess, which are goodness, appropriateness, lifelike, and consistency. All of these necessities help to classify the character of John Proctor in Arthur Miller's The Crucible as the tragic hero of the play. Not only does he unfortunately fall to desolation, but also his character captures the sympathy and pity from the audience or readers. Proctor's downfall in the play is initiated by a human flaw, which to a great extent qualifies him to be the tragic hero.
A tragic hero is an individual who possesses a fatal flaw in their character that will bring about their own destruction or suffering. Aristotle believed that “A man doesn't become a hero until he can see the root of his own downfall. (Aristotle #1)” This Ancient Greek philosopher also believed that each tragic hero has four characteristics. The first of these characteristics is that a tragic hero is born with either wisdom or high integrity, and in some cases both. Aristotle’s second characteristic is that they contain a fatal flaw in their character that may cause them to behave irrationally. The penultimate characteristic is that each hero will suffer a turnabout of fortune brought about by their own flaw in character. Finally, the last characteristic is that the tragic hero will find out that their own turnabout of fortune was brought about by their own actions. McCandless in into the wild is the ideal tragic hero mentioned by Aristotle. McCandless had everything in the world but he gave it up to live in the wilderness and through his own actions he paid the ultimate price. McCandless is seen by the world as a young man who left the corrupted society to embrace a journey only a few would dare. “That's what was great about him. He tried. Not many do. (Krakauer 96)” This journey ended up being the best time of his life and the fact that he attempted this wildlife adventure makes him look more like a daring hero than an idiotic teen.
A tragic hero is defined as “a character in literature who has a fatal flaw that is combined with fate and external forces, brings on a tragedy”(site). Both Hamlet from William Shakespeare 's play Hamlet, and Jay Gatsby from F. Scott Fitzgerald 's novel The Great Gatsby share many similar fatal flaws in their stories that eventually lead them to their ultimate demises, thus they both the definition of a tragic hero. The first fatal flaw they share is that Hamlet and Gatsby both have a false sense of character in their stories. The next fatal flaw they both possess is that Hamlet and Gatsby are both overambitious in pursuing their goals. The final fatal flaw they share is that Hamlet and Gatsby both have love
By utilizing an unbiased stance in his novel, Things Fall Apart, Chinua Achebe promotes cultural relativity without forcibly steering his audience to a particular mindset. He presents the flaws of the Ibo tribe the same way he presents the assets—without either condescension or pride; he presents the cruelties of the colonizers the same way he presents their open mindedness—without either resentment or sympathy. Because of this balance, readers are able to view the characters as multifaceted human beings instead of simply heroes and victims. Achebe writes with such subtle impartiality that American audiences do not feel guilty for the cruel actions of the colonizers or disgusted by the shocking traditions of the tribesmen. The readers stop differentiating the characters as either “tribesmen” or “colonizers”. They see them simply as people, much like themselves. With this mindset, the audience starts to reflect upon their own cultural weaknesses. Conversely, the colonizers forcefully declare their religion onto the tribesmen instead of neutrally presenting their beliefs. Achebe prevails over his anger to present his opinion without forcefulness and with open-minded consideration. Yes, the colonizers succeed in converting many tribesmen into Christians; however, their success is subjective because they destroy African culture in the process. Ultimately, Achebe is successful in delivering his political views, but he does so by encouraging open-mindedness and cultural relativity instead of forcing his individual ideals upon his readers.
Nnoromele, Patrick C.. “The Plight of a Hero in Achebe’s Things Fall Apart.” Chinua Achebe's
Culture makes us who we are. Each individual has their own culture from their experiences in life and is developed from societal influences. The various cultures around the world influence us in different ways which we experience at least once in our lifetime. There are occasions, especially in history, where cultures clash with one another. For instance, the English colonization in Africa changed their culture. Chinua Achebe, the author of Things Fall Apart, portrayed this change in the Igbo people’s society, especially through the character Okonkwo in the village of Umuofia; the introduction of Western ideas challenged him. In the novel Things Fall Apart, the author Chinua Achebe introduces to us Okonkwo whose character’s response to the
As mentioned earlier, there were several tragic heroes. A few of these were Hamlet, Polonius, Laertes, and Ophelia. Ophelia was a very prominent hero, second only to Hamlet. She showed that loyalty to three different men was not always possible, no matter how much she truly loved each of them. Although most tragic heroes were guilty to some degree, Ophelia was totally innocent. It is because of her innocence that she is considered a tragic hero.
A tragic hero is defined as a person of high social rank, who has a tragic flaw or flaws that lead to their downfall. These heroes’ downfalls are usually either complete ruin or death. Tragic heroes face their downfall with courage and dignity. While many characters in Julius Caesar could fit these conditions, the person who fits the role of a tragic hero the best is Marcus Brutus. Brutus develops into a tragic hero throughout the play, and this is shown though his qualifications of a tragic hero, his high status, his tragic flaws, and his courage in the face of his death.
In Chinua Achebe’s novel Things Fall Apart, Okonkwo is a tragic hero. Aristotle’s Poetics defines a Tragic Hero as a good man of high status who displays a tragic flaw (“hamartia”) and experiences a dramatic reversal (“peripeteia”), as well as an intense moment of recognition (“anagnorisis”). Okonkwo is a leader and hardworking member of the Igbo community of Umuofia whose tragic flaw is his great fear of weakness and failure. Okonkwo’s fall from grace in the Igbo community and eventual suicide, makes Okonkwo a tragic hero by Aristotle’s definition.
A tragic hero is the character whose actions deeply affect the other characters and who creates a series of events that eventually lead to the character’s downfall and the downfall of his loved ones. Such a hero possesses a flaw in character that influences his actions and thinking and especially his judgments. In logically determining who the hero in Julius Caesar is, one simply must find the one character who fits the above guidelines. Marcus Brutus is the only one, and, thus, he is the tragic hero.
In the novel Purple Hibiscus, culture is paramount to the development of both Kambili and Jaja while being a source of personal conflict or pride for other characters in the novel. There is a clear juxtaposition presented between cultural rejection and cultural acceptance of Nigerian culture by Nigerians which is depicted by contrasting characters like Papa Eugene, a product of colonialism, and Papa Nnukwu, a traditionalist. Adichie manipulates culture throughout the novel in order to emphasize its importance to personal identity and one’s authenticity, highlight the dangers of cultural intolerance and ignorance, and expose the implicit misconception of the superiority of Western civilization.
In accordance to defining a tragic hero, the protagonist is conflicted with opposing forces. In the novel, Things Fall Apart by Chinua Achebe, the main character Okonkwo, is the depiction of a tragic hero. Okonkwo is a man who accomplished his success through hard work and the motivation to be stronger. In the beginnings, Okonkwo created his own farm by borrowing yam from the rich village man named Nwakibie. His strong will and the dedication to never end up being like his father, made Okonkwo strong and powerful.
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.
Chinua Achebe's novel, Things Fall Apart, uses the changes in African tribal culture brought about by European colonization to illustrate the evolution of the character Okonkwo. As Okonkwo leads his life, his experiences, personality and thought are revealed to the reader. The obstacles he faces in life are made numerous as time progresses. Okonkwo's most significant challenge originates within himself. He also encounters problems not only when in opposition to the white culture, but in his own culture, as he becomes frustrated with tribal ideals that conflict with his own. The last adversary he encounters is of the physical world, brought upon himself by his emotional and cultural problems. The manner through which Okonkwo addresses his adversaries in Things Fall Apart creates the mechanism that leads to his eventual destruction.